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Tentaclii

~ News & scholarship on H.P. Lovecraft

Tentaclii

Monthly Archives: November 2021

Weird Swords and Sandals

17 Wednesday Nov 2021

Posted by asdjfdlkf in Unnamable

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Nicholas Diak has a new post that holds up the classic era of European ‘sword-and-sandals’ films to be an unappreciated genre. Mostly these were Italian-made in the 1950s and 1960s, historically themed and relatively authentic and traditional, akin to westerns in the USA. But made before the Italian turn to the ‘spaghetti-westerns’. Diak is an enthusiast who celebrates…

“a new breed of “Criterion-esque physical releases” from “Justin Decloux’s Gold Ninja Video label, an independent boutique label that strives to give the Criterion treatment to forgotten, obscure, and public domain films”

Criterion being buff shorthand for ‘lots of extras, featurettes and commentary’. The latest release being…

a supplemental-laden edition of Marino Girolami’s Fury of Achilles (1962)” … “a good introduction to the genre” though only available now in a 16mm print … “With over 300 titles in the sword-and-sandals canon, Decloux states that finding an entry point into the genre can be problematic. [His first featurette on the disc] proffers eight titles and explains what makes each of them a stand-out film.” His next featurette on the disc… “‘Weird Swords and Sandals: A Video Essay’ has Decloux disclosing a few noteworthy peplum [Italian] films that has weird or fantastique elements, such as giant monsters and magic.

Sounds like one for the collection of some Tentaclii readers, who will probably also want to get onto the Gold Ninja mailing-list.

Elsewhere, John Coulthart surveys Ray Harryhausen’s swords and sorceries, noting the dim prospect for anything similar today…

Epic fantasy is no longer as untouchable as it used to be following the screen success of the Tolkien and George R.R. Martin franchises, but sword and sorcery remains mildly disreputable…

New book: Tour de Lovecraft: The Destinations

17 Wednesday Nov 2021

Posted by asdjfdlkf in New books

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It appears that Kenneth Hite’s Tour de Lovecraft: The Destinations has been published at last, after seemingly being trailed for countless aeons. As Atomic Overmind Press now offers a seemingly-firm $15 ‘digital download’ and hplovecraft.com has added a new table-of-contents and page for the book. It appears that it really is out, this time. In the book Hite tours…

Lovecraft’s settings, from Arkham to Antarctica, and from New York City to Hyperspace.

Passenger

16 Tuesday Nov 2021

Posted by asdjfdlkf in Lovecraftian arts

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Shortly after Lovecraft died, the Great Flood of 1938 brought a ship into the heart of Providence… “In downtown Providence, the bowsprit of the ship Ganges inflicted damage as high as the second story of the Washington Insurance Building.”

The fine new Creative Commons digital painting “Passenger” by Mgenccinar, at DeviantArt, evokes this and adds H.P. Lovecraft to the mix.

R’lyeh re-inked

16 Tuesday Nov 2021

Posted by asdjfdlkf in Lovecraftian arts

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John Coulthart Resurrects R’lyeh, and along the way muses at length on the differences between Rotring ink pens and digital tablets.

Ian Miller at 75

15 Monday Nov 2021

Posted by asdjfdlkf in Lovecraftian arts

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DMR notices that Ian Miller has turned 75, and celebrates with a long illustrated post. British Lovecraftians will recall Miller as the artist who made the distinctive Panther paperback covers for their popular edition of Lovecraft’s. There’s are a number of items in the post that I’d not seen before, including a more pop-art cover he once did for Pan books.

The Inklings and Horror: Fantasy’s Dark Corners

15 Monday Nov 2021

Posted by asdjfdlkf in Podcasts etc., Scholarly works

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The Inklings and Horror: Fantasy’s Dark Corners – Online Winter Seminar 2022.

Meanwhile, modern Gnostics Talk Lovecraft in a new podcast round-table…

all about weird fiction/horror writer H.P. Lovecraft and the ways his work and mythos intersects with Gnostic ideas.

New: Copyright Questions and the Stories of H. P. Lovecraft

13 Saturday Nov 2021

Posted by asdjfdlkf in New books, Scholarly works

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Ask Lovecraft brings news of a new look at the question of Lovecraft’s copyrights. Alex Houstoun, editor of the journal Dead Reckonings, has newly published Copyright Questions and the Stories of H. P. Lovecraft.

Shipping now, in a handmade zine-y-thing format. Though according to Etsy only in paper and only within the USA.

In Providence today

13 Saturday Nov 2021

Posted by asdjfdlkf in Odd scratchings

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Another Town on the Hudson visits Lovecraft’s Providence by train and goes walking on College Hill…

Watching the New England landscape — foliage, marshland, and coastline from my train seat, I felt as if I crossed a palpable, yet invisible boundary.

‘Picture Postals’ from Lovecraft: De Leon Springs, De Land.

12 Friday Nov 2021

Posted by asdjfdlkf in Historical context, Lovecraftian places, Picture postals

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This week’s Friday ‘Picture Postal’ continues the loose Florida theme, begun for me by a recent Voluminous podcast in which Lovecraft preparing for an epic trip to meet Barlow in De Land, Florida.

After his arrival at De Land, and settling into the Barlow spread some 14 miles away from the town centre, they began to visit such local tourist spots as there were. One of these places was the nearby De Leon Springs. It was an obvious choice, as there was then a choice bit of antiquity for Lovecraft to enjoy.

Among our diversions have been several trips to ancient places of the sort I dote upon…. including a Spanish sugar-mill at De Leon Springs which antedates 1763 (vide enc. [see enclosed free-leaflet or postcard]). … [many such places having] the tropical background & marks of the jungle’s reconquest, being picturesque & exotic to the highest degree” (letter to Helen V. Sulley)

This is what the spot looked like…

“Tall trees casting a sinister twilight over shallow lagoons…” (Lovecraft on a 1931 visit to Florida).

Another card of one of De Land’s springs shows the more vibrant local colours one would see in the bright sunshine. It also perhaps evokes the wild ‘island’ and lake/riverine spread that the Barlow family had ‘out back’ of their isolated place, although it appears that around the house the native vegetation was mixed with belts of “tall Australian pines” (possibly planted as storm-breaks, and to dry out the ground?) as Lovecraft describes them.

This was no fleeting visit and Lovecraft had plenty of time to explore and get to know the environment and its snakes…

De Land, Florida, where I visited the young weird tale enthusiast R. H. Barlow for nearly 2 months in May & June, 1934.

The following summer he spent a mammoth 10 weeks there. It was, arguably, during these times that he was probably most happy/healthy as an adult.

De Land is a modern town which owes all its beauty to its fine subtropical setting — live-oaks, moss, magnolias … The Barlow place is 14 miles west of the village, & out of sight of any other human habitation … The climate is admirable — 85º to 90º day after day, & no chill spells at this season, I feel like a new person — as spry as a youth, & without a trace of the usual trouble which besets me in the north. I go hatless & coatless, & am maintaining an admirable layer of tan. Snakes abound to a picturesque degree; & young Barlow shoots them for their skin — which he uses in amateur bookbinding. The other day I saw him bag a coach-whip snake all of 7 feet long. (from a letter to Helen Sulley, 26th May 1934)

After reading Lovecraft’s letters I sometimes formed the vague impression that young Barlow was almost as blind as a bat (“he is very unfortunately handicapped by poor eyesight” etc). But evidently he could pick off a snake’s head in verdant undergrowth with a rifle, and presumably at some distance? Perhaps the explanation is he had good long-sight, but poor short-sight?


Screenshot of missing pictures:

Visiting the aunties, Northumberland and Wales

11 Thursday Nov 2021

Posted by asdjfdlkf in Historical context

≈ 1 Comment

A new post on Deep Cuts goes in search of Lovecraft’s Other Aunts and Great-Aunts.

I took the opportunity to step back a bit from the aunts to their mother — H.P. Lovecraft’s grandmother. This proved somewhat interesting. Lovecraft once wrote to Moe…

“[In my family tree there is] a knight (Sir Lancelot Allgood of Nunwick) [who I have as one of] my great-great-great-grandfathers” (Selected Letters III)

This was via Helen Allgood (1820–1881), Lovecraft’s paternal grandmother (married 1839). She evidently derived from the Allgood family in Northumberland, in the far north of England. Lovecraft later corresponded with her sister from circa 1905, on the family history she had been researching. Lovecraft learned that Helen and her sister were… “of the [Allgood] line of Nunwick, near Hexham, Northumberland”.

Landed Families of Britain and Ireland now has a long 2014 research article on “Allgood of Nunwick Hall and The Hermitage”, with evocative pictures and several pertinent items. Although Lovecraft’s grandmother does not appear to have been in the central line of Allgood descent, there is no reason (that I know of) to doubt that she was not somehow ‘of that family’ and that her line had originated near Hexham. Lovecraft might then have been delighted to learn he was related by very distant and disreputable blood to a leading 18th century writer, albeit a cookery-book writer. Landed Families explains…

Lancelot Allgood (1711-82) … established the Allgoods as one of the leading gentry families in the county. His father, who died in 1725, seems to have lived a life of some dissipation with a wife and son in Northumberland and a mistress and family in London. The only survivor of his illegitimate children was in fact the cookery writer, Hannah Glasse, whose The Art of Cookery was the most successful cookery book of the 18th century.

Sir Lancelot Allgood was indeed a Knight, as Lovecraft stated. Also a Member of Parliament, and the nominal High Sheriff of Northumberland. He could trace his family line back some 400 years to Devonshire. Lovecraft evidently knew something of him and his roles, since in a letter he noted…

the head of the Allgood house in Northumberland seems always to be High-Sheriff of the County, even to this day; a sort of hereditary manorial appurtenance” (Selected Letters II)

He, like Lovecraft, was also enjoyed wide views of a wild landscape made settled and mellowed by hard work. Again, Landed Families explains…

In 1769 it was said that “Sir Lancelot has given a new face, as it were, to the country about Nunwick, within the space of a very few years, by making plantations, enclosures and good roads”, and nearer the house he laid out gardens: “a grove to the west, a grass-lawn to the south, and a terraced gravel-walk to the east, which commands a view to Chipchase at one end, and a variety of prospects on the other.”

What was the connection, exactly? Lovecraft explains it in a letter to Barlow (O Fortunate Floridian). As he understood it in 1934, a William Allgood of Nunwick married Rachel Morris in 1817…

and became the father of Helen (Allgood) Lovecraft, my father’s mother.

And also of her surviving sister Sarah, a great-aunt whom Lovecraft had corresponded circa 1905. Both were, as the “Lovecraft Family in America” page at hplovecraft.com states…

daughter[s] of William Allgood (1787–1848) and Rachel (Morris) Allgood (1796–1843), both natives of Wales.

So, that’s interesting, if their birthplaces rather than residency can be shown to be Wales. I suspect the latter. My guess here is then… ‘of the line of Hexham’ that went back to Sir Lancelot Allgood, but… moved to Wales just before economic hard-times of “the hungry ’20s” set in? According to Ancestry “Wales” is indeed the given 1820* birthplace of their first child Helen Adelia Allgood (1820-1881), presumably identical with Lovecraft’s grandmother. But of her father and mother no birthplace is stated.

What place in Wales was she born, exactly? That appears to be currently unknown, perhaps unrecoverable. The British Census did not start recording names etc until 1841.

Though there were evidently many Allgoods at Pontypool in the far south of the Welsh Marches, where they were well-known makers of exquisite and well-regarded ‘Japanned’ lacquered boxes and the like. They even had a William Allgood who threw up this business and emigrated to America in 1822 to establish himself in the grocery trade. The town nestled in the hills some miles back from the great sea-port of Cardiff — perhaps a cheap port from which to embark for a new life in what was then still a rough-tough gun-slinging America.

Whatever the apparent location in Wales in the early 1820s actually was, Lovecraft is certain that ‘his’ William Allgood and family were established in America by 1829…

The only duel I know of in my own family was fought by my great-grandfather William Allgood (a native of Northumberland, England) in 1829 in the country near Rochester, N.Y., over animosities bequeathed by the War of 1812. Slight bullet-wounds to both participants formed the only results…” (Selected Letters IV).

I could be wrong, and I don’t have all the relevant books and articles, but if the Wales identification is correct then my hypothesis would thus be:

– William came-of-age at 21 circa 1808 in Northumberland;

– in 1817, at age 30, he had been successful enough in life to marry 21 year-old bride Rachel, seemingly also of Northumberland and of good stock;

– the couple were resident in Wales by 1820/21, where their first daughter was born among Allgood relatives;

– as the ‘hungry 1820s’ bit and the local trade failed, they anticipating a move to America from a nearby Welsh port;

– the growing family were in America circa the mid 1820s, and certainly by 1828.


* Some sources say 1821. It was then a common practice to record the birth certificate later than the actual birth, which may explain the discrepancy.

“Some were the figures of well-known myth…”

10 Wednesday Nov 2021

Posted by asdjfdlkf in Lovecraftian arts

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A peek into the 1980 Necronomicon Press Lovecraft Paper Cut-Outs packet, currently on eBay…

A snippet from an old Fantasy Newsletter assures that there are not more figures un-photographed by the seller…

includes paper cut-outs of HPL, his desk, and five of his contemporaries

Abe picks

09 Tuesday Nov 2021

Posted by asdjfdlkf in Odd scratchings

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Currently on Abe, albeit at large prices.

1. HPL (1937)…

Eight poems by Lovecraft … Twenty-five copies were printed and given free to whoever paid a year’s subscription of 25¢ to Stickney’s AMATEUR CORRESPONDENT

2. Hail, Klarkash-ton! : Being Nine Missives Inscribed Upon Postcards by H.P. Lovecraft to Clark Ashton Smith (1971)

I presume these are now published in the Lovecraft-Smith letters.

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