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Tentaclii

~ News & scholarship on H.P. Lovecraft

Tentaclii

Monthly Archives: November 2021

Enchanted

24 Wednesday Nov 2021

Posted by asdjfdlkf in New books

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Spiked! reviews the new book Enchanted: A History of Fantasy Illustration which accompanied the major shows at the Norman Rockwell Museum, Mass.

It often requires [in the fantasy artist] a high degree of verisimilitude because the characters, objects and places depicted are unfamiliar and the eye needs to be treated to persuasive and descriptive content. The requisite fidelity, research and diligence is often alien to contemporary fine artists [of the white-walled ‘contemporary gallery’ sort], who consider themselves above such considerations.” Yet, consider that this popular art “is a living tradition” with deep and demanding working connections to young and old alike. As such… “It may be that the most talented artists in the world today are not in the [‘contemporary’] fine arts and on the red carpet at biennales.

The Theaters of Providence

24 Wednesday Nov 2021

Posted by asdjfdlkf in Historical context

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Small State, Big History has a long introductory article “The Theaters of Providence, Part 1 – The Early Years”. Not especially focused on the key ‘Lovecraft period’ of 1894-1924, since there is much to say about Providence theatre before that, but at the end there is survey of key sources. Which may interest some new Lovecraftian researchers looking into Lovecraft’s theatre connections and theatre and cinema-going …

The next publication of note was an article that appeared in the Providence Magazine in October 1916. “Popular Amusements – The Drama in Providence” was a fifteen-page account of the theaters of the capitol city [both ancient and modern]. What differentiates this article from both the Blake and Willard books is that it focused less on the performances and the actors and more on the theaters themselves. Numerous pictures of the theaters were displayed. Also much had changed since the printing of Willard’s book in 1891 [History of the Providence Stage, 1762 – 1891] and the appearance of the magazine article in 1916 — drama now shared the stage with vaudeville and some theaters like the Modern on Westminster Street were built more for movies than live performances. [Then] In 1976 Roger Brett wrote Temples of Illusion: The Golden Age of Theaters in an American City. This account brings the story of the theaters of Providence up to the late 1940s and is most useful.

The latter book does not appear to be online, but the 1916 article is online at Hathi and with UK access.

There are a good number of pictures of frontages, but it only gives the modern Opera House a paragraph. The place is especially important because that was where the young Lovecraft had “slung from the stage” great slabs of Shakespeare, and he once recalled…

What a second home the old Opera House used to be to me!” — Lovecraft in Letters to Family.

The details of the Opera House acoustics are then interesting, if only to give a small additional bit of new data about Lovecraft’s performance there.

He would have had perfect acoustics. The remarkable building-time is also notable. Who could build a large opera house with perfect acoustics in 90 days, these days, which could then stand for 60 years and ably serve a city as its best theatre throughout that period? Yet that was what they did in 1871. Today such a project would no doubt take decades to grind through committees, planning offices, obstructionists and red-tape.

Early years of the Providence Opera House.

Researchers should also note that the Keith-Albee Collection is now fully transcribed and publicly searchable. This has the precise manager reports about exactly what was playing at key Providence theatres each week across the early ‘Lovecraft years’ when he was frequenting these theatres, and even how it was received and by which sections of the audience. Entries go along the lines of…

WORMWOOD’S DOGS. 20 mts. Full Stage. Eight monkeys and ten dogs from Great Dane to the tinest poodle, and all well trained. The comedy work of the monkeys got constant laughter. An act for children that could not be surpassed. The finish with the bicycle-riding monkeys and dog race is a scream. KINETOGRAPH [short early cinema film]. A Family of Cats. Rather interesting for the women and children.

These being the openers for a summer vaudeville show at Keith’s in the hot summer of 1908, Lovecraft aged about 17.

The Living Age

23 Tuesday Nov 2021

Posted by asdjfdlkf in Historical context, Scholarly works

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H.P. Lovecraft to Kliener, February 1920…

“McD. has just sent me a card calling my attention to an article on him [H. Rider Haggard] in The Living Age.

The Living Age 1844-1941 is being newly uploaded to Archive.org from microfilm, and has just reached 1921 complete. Thus this perceptive and poetic article can be located in the March 1920 issue. It notes a cosmic touch in Haggard…

He has, indeed, an epic sense which would transcend the limits of our mundane vision and open out perspectives of some super-terrestrial landscape. There is about it a curious, indefinable quality, something of the twilight, more perhaps of the night: a night when summer lightning is abroad, when the stars seem alternately to approach and to recede from the atmosphere of earth. For it conveys, to me at least, a peculiar sense of the Infinite.

The Living Age was presumably a title Lovecraft had access to via the Providence Public Library, but at time of writing he had not yet browsed the very latest issue there.

In the same month Lovecraft’s friend…

Cook has also been kind, outlining a reading course in Haggard. I shall not tackle the gentleman in question till I am through with Algernon Blackwood, whose rather mediocre fantasies I am absorbing one after another. When I do read [Haggard’s] “She”, I will report my critical impressions in detail. (February 1920)

He is not known to have actually got around to reading the famous She until 1926, in order to write his survey Supernatural Literature. It might be interesting to speculate why, with all this prompting, Lovecraft did not read Haggard’s central work at that time. Was Cook’s tour of Haggard so arduous and roundabout, such a tall stack of books, that Lovecraft never got around to She? Or did he, and we simply don’t have a record of the matter until 1926?

New books: R. E. Howard

22 Monday Nov 2021

Posted by asdjfdlkf in Historical context, New books, REH, Scholarly works

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Among the tidal-wave of fiction and comics adapting / related to Robert E. Howard’s works, there are two new non-fiction books which may interest Tentaclii readers.

The first is Robert E. Howard Changed My Life (June 2021). A chunky 338 pages of reminiscences about individual discovery and appreciation of Howard’s work and life, and how he changed lives. Every copy sold supports the Howard Museum at Cross Plains, Texas, and by extension the Howard Days that take place there. There’s also a £7 (about $10) Kindle ebook edition. It might be nice to see something similar done for H. P. Lovecraft, ferreting out a range of ‘Lovecraft changed my life’ historical items from old fanzines and letters pages, and pairing them with similar from living Lovecraftians. I don’t know of any such collection.

The second is a ‘journal-book’ The Robert E. Howard Collector Volume One: Illustrating Robert E. Howard (September 2021). It appears to be only available as wood-pulp from Lulu as a £30 paperback…

This book is a collection of articles about the early history of the art and the illustrators who made the works of Robert E. Howard come to life. Contents include: A heavily illustrated article on some of the best artists who worked for Weird Tales by Frank Coffman. A look at Roy G. Krenkel’s work for Donald M. Grant by Dennis McHaney. A reference guide to Roy G. Krenkel’s work for Amra by Dennis McHaney. A look at Frank Frazetta’s work on The Ultimate Triumph by Robert E. Howard. A Tribute to Jeffrey Catherine Jones by Bill Cavalier. An overview of Stephen E. Fabian’s work for the works of Robert E. Howard by Damon Sasser. The book is 8 1/2 X 11, softcover, color.

AIMP 5 and how to bookmark

22 Monday Nov 2021

Posted by asdjfdlkf in Podcasts etc.

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The fine free audio player AIMP has been released in version 5.

One big change is the location of the bookmarking, which is of course especially useful for audiobooks and a combo of desktop PC / wi-fi headphones combo.

AIMP has a new dedicated Bookmarks tab, but it is now very difficult to actually find how to bookmark. Also a little tricky to use at first. Here’s my guide…

1. Right-click in the waveform, at the point you want to bookmark. Add bookmark. This gives you the expected minutes/seconds bookmark. (You can also bookmark by right-clicking a file in the playlist as it is playing).

2. Double-clicking on the Bookmark starts the file at 0:00. Not good, and this may be confusing a lot of people. What you actually need to do is right-click and choose “Play selected files”, and then it starts at the timestamp you selected in the waveform. This might better be renamed ‘Play from Bookmark timestamp’ in future.

3. Right-clicking a set bookmark also lets you edit the timestamp to finesse it exactly.

You also need to flick the ‘repeat’ button off, when switching from repeating music to an audiobook in multiple files.

None of this is ideal, but I don’t know of any better bookmarking audiobook player for .MP3 files.

The Harry Houdini Collection

21 Sunday Nov 2021

Posted by asdjfdlkf in Historical context, Scholarly works

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The Harry Houdini Collection, with 779 items made public and searchable. Magic, both stage conjuring and occult. Also stagecraft, selected folklore (e.g. Cornwall) and myth, and more.

More recently on Archive.org, the Illustrated London News 1842-2003 is still being loaded, albeit from microfilm so the pictures are not great. But they’re not too bad, and it is thus made easily and quickly searchable. A possible source of portraits of 1920s writers, and various historical snippets about the British Isles. So far as I recall, the run is paywalled in the UK.

Henry Kuttner: A Memorial Symposium

20 Saturday Nov 2021

Posted by asdjfdlkf in Historical context, Scholarly works

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Now online as a .PDF, Henry Kuttner: A Memorial Symposium (1958).

New book: essays for Gianfranco de Turris

20 Saturday Nov 2021

Posted by asdjfdlkf in New books, Scholarly works

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Axis Mundi brings news of a new festschrift in Italian, a book of essays celebrating 60 years of work by the scholar Gianfranco de Turris. He has written extensively on the fantastic, and has so far won the Italian Prize for Science Fiction eleven times. Among other essays in the new volume, note the long one on de Turris and Lovecraft, and another one surveying the reception of Arthur Machen in Italy.

Possibly of interest to someone wishing to translate to English, for their own journal. He has also been an anthologist of a major two-volume collection of Italian Mythos fiction, Return of the Old Ones.

In the ‘Black Friday’ sales…

19 Friday Nov 2021

Posted by asdjfdlkf in Housekeeping

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Ahead of the ‘Black Friday’ sales, a small-but-vital appeal to my regular readers who are not yet my patrons. Please consider making one of your Black Friday ‘buys’ a regular monthly Patreon donation to myself. Becoming my patron will encourage this blog, and also my other unpaid services, to continue. I know that times are hard, but if you are able to spare $2 or even $5 per month then it will really help me out. Thanks.

‘Picture Postals’ from Lovecraft: the Providence Woolworth’s

19 Friday Nov 2021

Posted by asdjfdlkf in Historical context, Picture postals

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This week, another of my peeps through the door of a store, cafe or soda-bar known to Lovecraft. The Providence Woolworth or Woolworth’s was once a world-famous and much-loved budget department store chain. Here we see the wider urban context for the Providence store. It was just around the corner from the Biltmore Hotel and thus in the centre of the city…

Here we see what the blue-grey ‘tower’ was. The Woolworth building was also next to City Hall, and the store had a similar but presumably less salubrious “Kresge’s 5 & 10c” store opportunistically tagged on behind it.

This store was where, we now know from Letters to Family, Lovecraft acquired his nearly complete set of Our Empire’s Story, told in Pictures. As I wrote earlier…

He found four of this set at 10 cents each, while browsing for bargains before Christmas 1934 in the Providence branch of the Woolworth Store.

We might then assume that in the depths of the Great Depression he found some regular enjoyment in browsing here for small ‘micro bargains’, as people do in a recession, and he likely paid special attention to things like the stationery, budget reprint books, pencils and the sort of bargain candy that Woolworths was once famous for. We definitely know that the 20th century’s all-time champion letter-writer found his envelopes there circa springtime 1934, having finally run out of the supply he had from his friend Kirk. He wrote to Helen Sully in May 1934…

I may reply that the containing envelope (an honest product of my philanthropic stationer-in-chief, Mr. Frank Winfield Woolworth) is infinitely less likely to succumb to disintegration than were the ageing reliquiae of the (to my old correspondents) famous George W. Kirk charity stationery which I have been using for 9 years.

I Am Providence observed the pitiable poverty that lay behind such budget purchases…

In late 1935 we even read of Lovecraft having to conserve on ink: he felt unable to make repeated purchases of his usual Skrip ink, at 25¢ a bottle, and was trying to get by on Woolworth’s 5¢ brand.

In a letter to Rimel at the same time we learn he also uses the Woolworths writing pads and finds they agree tolerably well with his pen and the ink.

Here is a detail from an over-painted card of circa 1940, its impossibly gaudy colours toned down, which broadly indicates Lovecraft’s view on approaching the Providence Woolworth’s on foot…

And another of the same building, perhaps 20 years earlier and from further back…

As one approached, the quality of the window dressing in the various show-windows would attract the eye and would probably cause Lovecraft to linger in front of those showing books. Here we see a typical Woolworth’s children’s book selection for Christmas, with books priced at 25 and 10 cents, and one item vaguely akin to Lovecraft’s Our Empire’s Story 10-cent books.

Since Lovecraft was keen to assure his Welsh correspondent (Harris) that the Our Empire’s Story illustrated books were also valuable as visual reference for adults, we might assume they were marketed to children and thus stocked in the children’s books section of the Woolworth store. In those days an old gent could browse a children’s section alone, without security guards being summoned. He elsewhere notes that books of other types might be found there… “Very fair atlases can be obtained at Woolworth’s”.

There were also displays of goods in the recessed main entrance. As seen below, their Providence store promoted the latest hit music records in this way. Lovecraft’s lowbrow musical taste would likely feel right at home here.

The store may have glittered like this but he liked “Frank’s” lack of pomposity, as evidenced his “To a Sophisticated Young Gentleman” poem (1928). In this he remarked that young Long was as… “devoid of Pomp as Woolworth’s”.

Ken Faig has recently identified “Frank’s” as Lovecraft’s sometime name for Woolworth’s. Evidently the master whimsically felt as if Mr. Frank Winfield Woolworth were a sort of capitalist philanthropist-magician, personally conjuring up for impoverished old gents their affordable boxes of envelopes, 5-cent ink-bottles, 10-cent illustrated history books and atlases, and occasional bags of chocolate creams.

Spring 2022 Colloquia: ‘He Was Providence’

18 Thursday Nov 2021

Posted by asdjfdlkf in Historical context, Scholarly works

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Spring 2022 Colloquia at Providence College, Rhode Island.

Sonic blasters… and how to avoid them

17 Wednesday Nov 2021

Posted by asdjfdlkf in Odd scratchings, Podcasts etc.

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A note on Asimov’s Foundation series in the BBC audio of 1973. Available on Archive.org, which some may be downloading about now in order to complete the story as the author intended, now the ongoing TV series is getting such poor reviews. The BBC’s ‘Radiophonic’ electronic music was found deafeningly loud by many, compared to the series dialogue.

I’ve found a more suitable way of listening to it, on headphones. Simply get the free AIMP Player, and then use its “Headphones” preset. Presumably this emulates more closely a typical 1970s kitchen-radio speaker, as in the original audio broadcast. The preset dampens the sharps of the music enough (the BBC’s Radiophonic Workshop, at their most future-dissonant) to make it quite listenable. Just tweak the graphic equaliser settings.

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