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~ News & scholarship on H.P. Lovecraft

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Monthly Archives: January 2021

Sax fiend

23 Saturday Jan 2021

Posted by asdjfdlkf in Odd scratchings

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New on Archive.org, a scan of The Armchair Detective, Spring 1980. Including a short but engaging personal account of all the shoe-leather and touring of obscure bookstores needed to find Sax Rohmer (Fu-Manchu etc) books in the 1960s and 70s.

Here in the UK Rohmer does not enter the public domain until 2029. But American buyers can get budget-priced Tantor (aka Trantor) audiobook readings of the first three Fu-Manchu books.

The dope on Bolton

23 Saturday Jan 2021

Posted by asdjfdlkf in Odd scratchings

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Yup, the master if still alive, and judging by the news headlines he appears to be living in the elusive town of Bolton as an elderly dope-dealer…

Walls of R’lyeh: A Tribute to Howard Phillips Lovecraft

23 Saturday Jan 2021

Posted by asdjfdlkf in Lovecraftian arts

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Walls of R’lyeh: A Tribute to Howard Phillips Lovecraft. A multi-band compilation album from Gates of Hypnos, a Russian curator released via a Polish label, and dated December 2020.

Difficult to find out more, but described in passing by one sonic observer as in the ‘rasp ambient and noise’ sub-genre (who knew?). Here that serves to power soundscapes which evoke some of Lovecraft’s famous landscapes. There are samples to listen to, which on hearing are actually rather more approachable than the daunting sub-genre tag might suggest. Although the final track does evokes the Plateau of Leng via a constant wall of warbling static, seemingly without even any fleeting vocals.

In like ambient vein, and rather more listenable, is a recent ambient concept album by Air. They released a Music for Museum album a few years back as a limited-edition vinyl gatefold album, which is probably why I missed it. It’s somewhat similar in concept to Eno’s famous Music for Airports, but evoking wandering through a big museum. The four best tracks are on YouTube, where they effectively form an E.P. version…

Reverse Bubble.

The Dream of Yi.

Integration Desintegration.

Octogum.

‘Picture Postals’ from Lovecraft: 17th November 1931

22 Friday Jan 2021

Posted by asdjfdlkf in Historical context, Night in Providence, Picture postals

≈ 4 Comments

Currently up for sale at Abebooks, a lesser Lovecraft postcard. Judging by the 10.30pm postmark, it was likely written on the evening of 17th November 1931, and then posted with others after a night stroll. Assuming he was at home at Barnes Street, this raises the interesting question of exactly where the nearest pick-up mailbox (with a late 10.30pm collection) was and how far he would have to walk from his home?

On the card “HPL” writes a brief note…

He congratulates Coates on the recent edition of Driftwind, and the frontispiece of the frequent little magazine which shows what sounds like a view of Montpelier, Vermont. Lovecraft seems to imply rapid change may be happening there and that the picture may have changed? This is not the view in question, if wide view it was, but it is perhaps indicative…

Lovecraft was at that moment very interested in how small isolated towns might change and perhaps for the worse. On his desk lay the pages that would become the famous story “The Shadow Over Innsmouth”, set to be complete two weeks later on about 1st/2nd December 1931. This concern fitted well with the mood of the times, as the third winter of the Great Depression began to grip the nation.

On the card Lovecraft then supposes that Paul Cook, fellow amateur and leading collector of weird books, will be visiting Coates at Thanksgiving 1931. Thus implying that Lovecraft has not had any letter recently from either to confirm this point. Lovecraft alludes to his own usual winter hermitage with the final line… “If it were mid-July I’d surely [join?, enjoy?] him!” and thus assumes that Coates is well aware of his aversion to cold… and to a Vermont winter in particular.

The front of the card is not show or described at Abe. But it was published by the Berger Bros. of Providence, suggesting a view of Providence. Indeed it was… a quick search found the front on the seller’s own store as a good scan, and it shows the new Industrial Trust Building at night.

The November issue of Driftwind was 44 pages including a “Check List of Publications of Driftwind Press”, including H.P. Lovecraft’s The Materialist Today, later to become one of the rarest of Lovecraft’s publications. Issues of Driftwind earlier in the year had been the first to publish sonnets from the Fungi From Yuggoth cycle, and more would follow.

Protected: The words from R’lyeh

21 Thursday Jan 2021

Posted by asdjfdlkf in Lovecraftian arts, Scholarly works

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Nyarlathotep

21 Thursday Jan 2021

Posted by asdjfdlkf in Lovecraftian arts

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H.P. Lovecraft’s “Nyarlathotep”, newly read and animated by Norwegian motion-graphics designer Kim Holm and Romanian illustrator and metal musician Costin Chioreanu.

“Nyarlathotep” on YouTube.

John Carstairs, Curator of the Interplanetary Botanical Gardens

20 Wednesday Jan 2021

Posted by asdjfdlkf in Historical context, Lovecraftian arts, Odd scratchings

≈ 7 Comments

During the Second World War H.P. Lovecraft’s friend and fellow writer Frank Belknap Long penned a series of pulp entertainment science-fiction tales of one John Carstairs. Carstairs was the Curator of the Interplanetary Botanical Gardens… and occasional Botanical Detective. Young, but dapper and eminent. As you might expect, weird and wonderful mobile plants feature heavily. As such, I guess the hero’s spectacle-wearing probably serves both for the close-inspection of leaves and flowers, and as useful eye-protection against venom, deadly pollens and trailing stingers. Long was likely drawing on his own real-life fascination with the rearing and keeping of fancy fish (see the Lovecraft letters), and possibly an affection for the many hothouses of the Brooklyn Botanical Gardens. Perhaps, after Lovecraft’s death, he later also raised a collection of carnivorous plants?

The series ended along with the war in summer 1945.

A few years after the end of the war, as paper rationing eased, it was partly collected in a nice 1949 hardback. I’ve colour-shifted the hardback jacket toward red, as I can’t believe a publisher of the late 1940s would issue a boys’ book in pink. It must have faded.

In 1959 it was issued as a cheap British paperback, to launch a branded series of fantasy reprints, and with a cover keyed to both the ‘six-gun cowboy’ and Superman crazes of the time. So I find that my statement a few posts ago, that Long only ever had the two Panther paperback collections here in the UK, was wrong. He also had this.

A L.W. Currey page for the book describes the contents as “a fix-up novel”, so I’m guessing new linking passages might have been added?

The tales obviously don’t satisfy hardcore detective-story buffs, if one review is anything to judge by. But a decade ago pulp fan Jerry House reviewed the one-volume reprint of this series…

For me, the great thing about these stories is the sheer inventiveness of the many vegetative creatures that Long has created. Their diversity is stunning. As a writer, Long could blow both hot and cold, and there’s far more heat here than cold. This may not be everyone’s cup-of-tea, but if you like pulp — and say ‘to heck with a lot of logic’ — give this one a try.

Sounds fun. The series is partly free at Archive.org, if you want to sample some. In order:

“Plants Must Grow”.

“Snapdragon”.

“Plants Must Slay”. (also found in the anthology Saint’s Choice of Impossible Crimes)

“Satellite of Peril”.

“The Ether Robots”. *

“The Heavy Man”. *

“Wobblies in the Moon”.

“The Hollow World” (long novella)

* = not in the 1959 reprint book, according to the TOCs. None of the missing are in The Early Long, and only “Wobblies in the Moon” is in one of the ebook ‘megapacks’ on Amazon.

Ramble House currently has the full set in ebook for $6, though regrettably not on Amazon. The page blurb for this states that “The Heavy Man” and “Wobblies in the Moon” had been left out of the 1949 book. But the table-of-contents for both print editions has “The Heavy Man” and “The Ether Robots” as being left out. Can the TOCs for both have been astray? The ebook’s new introduction also states that “the second and third stories were reversed in sequence”. Who knows? Anyway, the ebook has the order correct, and I’ve followed its TOC order in the above links.

The ebook introduction by Richard A. Lupoff is also interesting for a brief insight into Lovecraft. Lupoff recalls one long rooftop conversation with Long…

Our conversation drifted to other topics. These included his friendship with Lovecraft, and the relationship between Lovecraft and his arch-nemesis, the German-American agent George Sylvester Viereck. “It took only the mention of Viereck’s name and Howard’s face would turn beet red, his neck would swell until you thought he was going to burst, and he would practically foam at the mouth!”

One wonders what might have caused such resentment? Viereck was a Massachusetts writer who became a notorious ‘agent’ of the German state. Most likely it was his First World War pro-German publishing activities that would have set the Anglophile Lovecraft against him…

During the First World War he edited a German-sponsored weekly magazine, The Fatherland with a claimed circulation of 80,000. In August 1918, a lynch mob stormed Viereck’s house in Mount Vernon [a suburb of New York City], forcing him to seek refuge in a New York City hotel. In 1919, shortly after the Great War, he was expelled from the Poetry Society of America.

The Reception of Ancient Egypt in Science Fiction

19 Tuesday Jan 2021

Posted by asdjfdlkf in Scholarly works

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Call for workshop papers: The Reception of Ancient Egypt in Science Fiction. For a workshop conference to perhaps be held in the UK in early July 2021, if the ever-rolling lockdowns allow it….

The ways in which Egyptological scholarship informs science fiction in particular still remain to be explored. The aim of this workshop is to explore the reception and reconstruction of Egypt in science fiction, fostering a dialogue among Egyptologists, cultural historians, literary scholars, and creatives.

New book: Renegades and Rogues

18 Monday Jan 2021

Posted by asdjfdlkf in New books, REH, Scholarly works

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Renegades and Rogues: The Life and Legacy of Robert E. Howard is officially available in full from tomorrow (it’s been partly available via Google Books page-scans since early November). Author Todd B. Vick has a new blog post on why he wrote the book…

Renegades and Rogues establishes a solid foundation for current and future fans and scholars providing them with an objective, unexaggerated, unromanticized examination of Robert E. Howard’s life and work. It includes the vast amount of new data that has been uncovered over the last ten years presented on blogs with limited readership.

“I used to try to imagine … that a trace of incipient horns was beginning to appear on my forehead”

18 Monday Jan 2021

Posted by asdjfdlkf in Lovecraftian arts

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New to me, a peep at the cover of a 1980 German edition of The Dream-Quest of Unknown Kadath.

The over-sized Teutonic battle-horns and black-letter typography would no doubt have prompted a wry chuckle from Lovecraft, had he seen it.

On Lovecraft and Prohibition

18 Monday Jan 2021

Posted by asdjfdlkf in Historical context

≈ 3 Comments

The January 2021 question has arrived from John Miller, a Patreon patron…

What did HPL think of Prohibition? Was he a drinker? Did he have a favourite drink?

Lovecraft was not a ‘sot’ nor even a ‘tippler’, as he might have phrased it his best Georgian manner. He remained ‘dry’ until the end of his life. As for the wider society in which he lived, he was early in favour of the Prohibition Party and then welcomed the advent of the well-known ‘Prohibition era’ of 1920-33. His publication The Conservative championed prohibition. In letters and even an occasional private story (“Old Bugs”) he tried to guide his early proteges away from hard drink. Though, like many, he became increasingly sceptical about the practicalities of formal Prohibition.

His early stance on prohibition was forthright. It is in evidence in print from around 1915, though probably existed earlier. One vivid early example is his response to an encounter had on a night-walk in October 1916. He happened upon an open-air speech by a member of the Prohibition Party. The man had driven into what was obviously an insalubrious part of Providence at night, and was giving a public talk from an open car. Lovecraft, then aged 26, admired the seasoned and savvy fellow immensely. But was even more intrigued by the crowd listening…

… scarcely less interesting than the speaker were the dregs of humanity who clustered closest about him. I may say truly, that I have never before seen so many human derelicts all at once, gathered in one spot. I beheld modifications of human physiognomy which would have startled even a Hogarth, and abnormal types of gait and bodily carriage which proclaim with startling vividness man’s kinship to the jungle ape. And even in the open air the stench of whiskey was appalling. To this fiendish poison, I am certain, the greater part of the squalor I saw is due. … I reflected upon the power of wine, and marvelled how self-respecting persons can imbibe such stuff, or permit it be served upon their tables. It is the deadliest enemy with which humanity is faced. Not all the European wars could produce a tenth of the havock occasioned among men by the wretched fluid which responsible governments allow to be sold openly…. I am perhaps an extremist on the subject of prohibition, but I can see no justification whatsoever for the tolerance of such a degrading demon as drink.

Did Lovecraft ever get more than a sniff of booze? Perhaps. There is the vague and possibly made-up story that, at a party in New York (or perhaps Cleveland), someone once spiked his drink. It is said he became more talkative and voluble than usual, but that was apparently the only effect. Did he “know” afterward that he had experienced alcohol? That, as I recall, was left unstated. A more reliable account of a ‘brush with booze’ was an incident which occurred in the nighted alleys of New York City, when Lovecraft had to be rescued by friends from a well-hidden ‘speakeasy’ — a clandestine bar of the Prohibition period, run by gangsters. In pursuit of yet another shapely Georgian door-knocker, or perhaps an especially winsome stray kitty, he had innocently stumbled upon the concealed entrance.

In 1928 he felt much the same about the need for Prohibition, though by then he had come to doubt the practicalities of it when enforced by the state…

The existence of intoxicating drink is certainly an almost unrelieved evil from the point of view of an orderly and delicately cultivated civilisation; for I can’t see that it does
much save coarsen, animalise, and degrade. Any step to get rid of it is to be welcomed — just as any step to get rid of murder, robbery, and forgery is to be welcomed — and the only criticisms one can make of prohibitary legislation is that which pertains to its effectiveness and enforcement. … to a cynical soul [there comes] the question of whether or not the law is
worth the trouble of enforcing. … I am beginning to doubt. In 1919 I was a whole-hearted prohibitionist, but in 1928 I am more or less of a neutral [on the question of] legalised liquor versus futile and troublesome prohibition […] It is [now largely] an aesthetic matter with me. I think drink is ugly, and therefore I have nothing to do with it. This aesthetic position, by the way, may sound odd for one who professes to be a conservative; since of course all our respected forbears indulged [and] I think my own paternal great-great grandfather could have drunk any young modern cake-eater under the table without shaking a bit of powder from his Albemarle tie-wig; nor do I think any the less of him … [society has gradually lessened its need for alcohol, through temperance, led by the Victorians, and the habit seems to by dying out among the upper classes, but] my own aesthetic theory cannot help carrying it onward to the ideal of total extinction [where] the graces of wine live [only] in literature.

By 1929 he was indulging in a gargantuan correspondence with Woodburn Harris who, before his sudden conversion to doctrinaire communism, was a firebrand writer on the prohibition of liquor. Presumably Lovecraft learned much about the ways of the bootleggers and gangsters, in passing and over the years, from this and other correspondence. In “Old Bugs” he implied knowledge of the trade in Chicago, presumably gleaned from a correspondent, stating that… “Sheehan’s is the acknowledged centre to Chicago’s subterranean traffic in liquor and narcotics”. Later he even knew where it might be possible to obtain ‘hooch’ in Providence. He once joked with a friend that he might acquire a local case of bootleg whisky to ship to Weird Tales editor Farnsworth Wright (to help steady his physical jitters induced by Parkinson’s disease)…

I feel tempted to unearth a local bootlegger [and] Providence’s Italian quarter is a miniature Chicago of hootch, gang wars, and rackets!

This was indeed the state of affairs in Federal Hill, under the Morelli mafia gang which had been allowed to become established there from 1917. Prohibition was said to be very unpopular in Providence, and it seems likely that some blind eyes were turned. That was one of the problems of Prohibition: it tended to bring the interest of gangsters and politicians into an uneasy alignment.

Prohibition lightly enters a few of Lovecraft’s stories. In “Red Hook” Detective Malone makes… “well-timed offers of hip-pocket liquor” to get information from his street informants. In Dexter Ward we learn of the hijack of clandestine “liquor shipments”, and in “The Shadow over Innsmouth” the narrator procures some under-the-counter bootleg liquor to lugubriate the tongue of old Zadock Allen. “Beyond the Wall of Sleep” mentions “a whiskey debauch”. Alcohol features most centrally in “The Quest of Iranon”, with the pivotal tragedy being how… “Romnod who had been a small boy in granite Teloth grew coarser and redder with wine”. In “Dream-Quest” some of the exotic wines of the Dreamlands can appear unimaginably potent to a visitor, as when the hero Carter takes… “only the least sip [of wine, and], he felt the dizziness of space and the fever of unimagined jungles.”

Prohibition also enhanced the idea of ‘the swamp’ in the popular mind. Such places were partly drained but still vast and trackless, prior to the extensive heavy-logging and draining of the mid 1930s. As such they had become key criminal conduits for running quality liquor and narcotic drugs into the USA, and it appears that some swamp dwellers added baby-farming to the roster of crime. This fed into the imaginative popular culture of the 1920s and thus the background of prohibition is implicit in the vivid swamp scenes of “The Call of Cthulhu”. Readers of the time would have recognised this link.

In some revision tales “whiskey” briefly appears. In “The Curse of Yig”… “Charms were always ready in exchange for whiskey”, and “The Horror in the Museum” states that it was… “on a night when Jones had brought a bottle of good whiskey and plied his host somewhat freely, that the really demented talk first appeared.”

Thus, there is ample evidence that those who today brew a pungent craft-beer or a spice-seasoned gin should be wary of naming it after Lovecraft, his creations or places. He would have raised an eyebrow at least, and would certainly not have endorsed the fiendish brew.

A different question is, did Lovecraft have a favourite drink? Well, his habitual drink was coffee, but that does not necessarily make it ‘the favourite’. One does not tend to sup ‘the favourite’ every day, or it palls. And as all coffee drinkers know… there is ‘coffee’ and there is ‘coffee!’ As with all pleasures, the experience can come close to disgust in some aspects, if over time one becomes more refined and discriminating in one’s pursuit of the chosen pleasure. The Camp bottle-coffee, that once delighted a glugging youth, in middle-age may come to seem a strange and somewhat distasteful brew. The coffee connoisseur will have long since moved on to better brands, with whiter and purer sugar, and he undoubtedly expects the beverage served at a certain temperature and even in a certain type of tableware. Perhaps ‘the favourite’ then becomes a certain exquisite coffee variety served in the expected way, and with a topping of vanilla ice-cream.

Lovecraft was lucky enough to live for a time in Brooklyn at its height, in the mid 1920s, where ‘coffee’ was ‘coffee!’ He patronised the Double-R Coffee House, whose manager was a seasoned Brazilian and where the “nicotined atmosphere” and artistic “types” added an extra buzz. In New York coffee was also available by the bucket, if needed. Lovecraft often carried a ‘pail’ of fresh coffee back to the gang, to help fuel their all-night ‘talk and walk’ sessions in Hell’s Kitchen, and he even purchased his own galvanised steel bucket for the purpose. Doubtless he also sampled the coffee-flavoured inventions of the city’s many glittering ice-cream bars, and may well have found an occasional favourite or two there. But ‘Lovecraft and coffee’ is an essay that has yet to be written.

“Blind” seen again

17 Sunday Jan 2021

Posted by asdjfdlkf in Lovecraftian arts, Odd scratchings

≈ Leave a comment

On 1st January 2021 the copyright time-pinger ‘dinged’ and thus enabled hplovecraft.com to restore the text of “Deaf, Dumb, and Blind” by C. M. Eddy, Jr. and H. P. Lovecraft. The short tale is now presumably also available for YouTube audio recordings and adaptation into comics, animation etc.

Originally published in Weird Tales for April 1925, and there credited to Eddy.

Joshi’s considered option in I Am Providence was that Eddy likely wrote the first draft of the tale, and Lovecraft then revised this “around February 1924, just prior to his move to New York”. Then advised further on finessing the ending, in what Eddy later referred to as “several conferences” — an ambiguous phrase which I would suggest might even encompass telephone calls from New York.

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