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Tentaclii

~ News & scholarship on H.P. Lovecraft

Tentaclii

Monthly Archives: April 2019

New: Zothique #2

18 Thursday Apr 2019

Posted by asdjfdlkf in New books, REH, Scholarly works

≈ 1 Comment

Zothique #2 from Italy. 192 pages in Italian. Here’s the translated gist re: the non-fiction and new translations…

This second issue of Zothique begins with a theoretical essay on the horror fiction, but the highlight is a large and exclusive Dossier that takes stock of the writer Ambrose Bierce, of which five unpublished weird stories are also presented in Italian, as well as bibliographic guides and essays on this author and his stories.

We then move on to the Belgian Thomas Owen, one of ‘the fathers of the fantastic’, and after an introductory essay we present four of his stories which step between the surreal and the fantastic, also in first Italian translation.

Also the first part of a long essay dedicated to the poetry of Robert E. Howard.

Published: Wormwood #32

17 Wednesday Apr 2019

Posted by asdjfdlkf in Historical context, New books, Odd scratchings, Scholarly works

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The journal Wormwood : Writings about fantasy, supernatural and decadent literature (#32, April 2019) is a special issue on “Literary Enigmas” in the field, including several from the Lovecraft circle period.

“Just Blew in from the Windy City…”

16 Tuesday Apr 2019

Posted by asdjfdlkf in Odd scratchings

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Total Pulp Victory: A Report from Windy City Pulp & Paper 2019, from John O’Neill at Black Gate.

For a wider view, see the in-depth auction-preview / trailer post Guest Post: The 19th Annual Windy City Pulp and Paper Convention.

Weird Tales, September 1926

16 Tuesday Apr 2019

Posted by asdjfdlkf in Odd scratchings

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New on Archive.org Weird Tales, September 1926. With “He” by H.P. Lovecraft, headed by some rather clunky art.

Michael J. Evans and “The Music of Erich Zann”

15 Monday Apr 2019

Posted by asdjfdlkf in Lovecraftian arts

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Noted from 2016, Michael J. Evans and “The Music of Erich Zann”. An album-length classical music interpretation of Lovecraft’s “Erich Zann” by Michael Evans and the Sirius Quartet. There’s an interview and links…

Q: This piece also includes some pretty wild effects and manipulation from the players. Do they relate to the narrative of the story in any way?

A: Absolutely! They all do. In general, when composing, I try to only use effects if they have a purpose or meaning. In this piece, there is the sound of creaking stairs, a squeaky door, and a ton of effects representing the things that are entering from another dimension. There are also air sounds, microtonal passages, and harmonics. These are all enhanced by the use of electronic effects, and they can all be performed live.

Reviewed by the H.P. Lovecraft Historical Society in 2017…

The Sirius Quartet, it can determined right away, is an excellent group of musicians and a great choice for the performing ensemble.

YouTube sample and Amazon samples.

David Bez

14 Sunday Apr 2019

Posted by asdjfdlkf in Lovecraftian arts

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Looking for a book cover? David Bez of the UK.

Kelly Freas interview

13 Saturday Apr 2019

Posted by asdjfdlkf in Lovecraftian arts

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New on Archive.org, Thrust #15, Summer 1980, with a long interview with fantasy artist Kelly Freas.

Lovecraft’s copy of The Mysteries of Udolpho

13 Saturday Apr 2019

Posted by asdjfdlkf in Historical context, Odd scratchings

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Currently on AbeBooks, a volume claimed to be Lovecraft’s library copy of the early gothic novel The Mysteries of Udolpho, under the listing title “THE MYSTERIES OF UDOLPHO. A Romance. With an Introduction by D. Murray Rose. H.P. LOVECRAFT’S COPY.”

The inscription from Kirk looks authentic enough, but before you part with your $5,000 you’ll have to make up your own mind about Lovecraft’s name and bookplate. I’m not certain from the description if the bookplate can be determined by marks to have once been attached to the book in question. There seems to be a faded square, but does it match the bookplate?

The seller notes…

It is unclear at which date Kirk gave Lovecraft this copy of UDOLPHO, but in a letter written to Clark Ashton Smith on Dec 12, 1925 (on George W. Kirk’s letterhead) Lovecraft writes: “W. Paul Cook’s request for an article on weird literature from me – a request which he won’t withdraw despite my emphatic disclaimers of all possible qualification – has imposed upon me the very pleasant task of reading up some of the matter I had long ago scheduled for perusal. I waded through the whole of “Udolpho” last week, & am now on the hunt for Maturin’s “Melmoth”.” Lovecraft also made a list of his weird fiction collection in a letter he sent to CAS on August 27, 1932; Radcliffe’s “Udolpho” is on that list.

The edition of Joshi’s Lovecraft’s Library that I have access to is uncertain of the edition. If this is indeed the edition Lovecraft owned, then, we can now be relatively certain he read the introduction by Rose.

Weird Tales from 1925

13 Saturday Apr 2019

Posted by asdjfdlkf in Historical context, Lovecraftian arts, Odd scratchings

≈ Leave a comment

New on Archive.org this week, scans of 1925 Weird Tales editions not previously present there…

Weird Tales, February 1925.

“The Statement of Randolph Carter” by H.P. Lovecraft.

Weird Tales, May 1925.

“The Music of Erich Zann” by H.P. Lovecraft.

Weird Tales, July 1925.

“The Unnamable” by H.P. Lovecraft.
“Spear and Fang” by Robert E. Howard.

Weird Tales, August 1925.

“The Temple” by H.P. Lovecraft. With a fairly good header illustration.

Stellarium – new release

12 Friday Apr 2019

Posted by asdjfdlkf in 3D, Scholarly works, Unnamable

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A new version of the 3D heavens Stellarium software is now available, including a “paleolithic sky culture and landscape”, two new ancient Babylonian ones, and medieval and modern Chinese sky zodiacs. It’s the leading free / open source software for such things, that’s also easy for clueless newbs like myself to use.

You can also zoom back in time with Stellarium, making it rather useful for historians trying to date and geographically locate a text that has astronomical / sunrise-sunset time statements in it. My latest use of it in that way was for my Sir Gawain book. It doesn’t yet include comet positions.

Friday picture postals from Lovecraft: the View from Prospect Terrace (ultrawide edition)

12 Friday Apr 2019

Posted by asdjfdlkf in Historical context, Picture postals

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Here’s an ultrawide double-sized fold-out postcard of the View from Prospect Terrace, Providence. This was, of course, a favourite Lovecraft place. Especially when the city and sky burned with a fine sunset. Presumably also in that quiet time when most of the Terrace’s talkative daytime sitters had gone home for their tea, and the evening lovebirds had not yet arrived…

to me the quality of total, perfect beauty [is] a mass of mystical city towers and roofs and spires outlined against a sunset and glimpsed from a fairly distant balaustraded terrace. (Selected Letters III)

This postcard, wide though it is, was obviously cropped from an even wider plate as can be seen here…

The old Providence view from Prospect Terrace…

Fear, Loathing, and Victorian Xenophobia

12 Friday Apr 2019

Posted by asdjfdlkf in Historical context, Scholarly works

≈ Leave a comment

Fear, Loathing, and Victorian Xenophobia, Ohio State University Press, 2013. Now out of embargo, and in public open access as an OCR-d PDF. Amazon wants $47 for the paper edition, but it’s free here. The Introduction and Afterword might be useful for offering some pointers and frameworks for those writing on the historical context of Lovecraft’s upbringing, in terms of New England’s fears of disease and immigration and how these fears might have mirrored those of Great Britain.

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