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~ News & scholarship on H.P. Lovecraft

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Monthly Archives: October 2018

Wollheim’s Avon Fantasy Reader

12 Friday Oct 2018

Posted by asdjfdlkf in Historical context, Odd scratchings

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The DMR blog has a new post, “The Sword and Sorcery Legacy of Donald A. Wollheim: Part One”, which seems likely to be followed by more. [Update: Part Two] It points to Wollheim’s editorship of The Avon Fantasy Reader, and thus his role in keeping sword & sorcery and weird fantasy available on the news-stands in a post-war era (1948-52) which increasingly seemed to have lost its taste for such things. Or perhaps Wollheim had cannily spotted that there was still a market demand for such tales, but that the market was no longer being served by other editors and magazines. Weird Tales was still around, just about, but was being run into the ground and would cease in 1954.

If you want to see what the title was like, Archive.org has what seems to be a complete collection of scans of Wollheim’s digest The Avon Fantasy Reader. A sampling of the issues there shows that the Reader wasn’t just sword & sorcery, and Wollheim widened his readership by covering a range of material. He often also slipped in some H.P. Lovecraft reprints, including both “Silver Key” stories and two ghost-written stories (“Yig” and “Eons”).

Stockholm H. P. Lovecraft Festival

12 Friday Oct 2018

Posted by asdjfdlkf in Odd scratchings

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Stockholm H. P. Lovecraft Festival, Sweden, set for November 2018.

“The programme is a work in progress but at this juncture includes the short subject “Hypnos” (Juho Aittainen, 2016) and the feature They Remain (Philipp Gelatt, 2018). We will also have the honour of welcoming director Ludvig Gur and actor Kola Krauze who will tell us about their Lovecraft adaptation “The Outsider”, filmer in the Stockholm area this summer. After we wrap up the film screenings and discussions at Serieteket (around 7pm) those interested can reconvene at the pub Queen’s Head, Drottninggatan 108, for something to eat and drink. We also have a Lovecraft quiz ready to be unleashed, if enough people are interested. If you feel like testing your mettle please drop a line to lovecraftfestival@gmail.com and register for the quiz!”

Famous Someday

12 Friday Oct 2018

Posted by asdjfdlkf in New books

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Just arrived on the Amazon Kindle, Famous Someday, a collection of biographical R. E. Howard articles originally published in The Cimmerian. The articles arose from trying to track down people in Cross Plains who might have known Howard, back in the day. And finding them, it seems. The book has illustrations in colour, and some extras.

“Your Squid Surprise, Mr Lovecraft…”

11 Thursday Oct 2018

Posted by asdjfdlkf in Lovecraftian arts

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The Disgusting Food Museum opens 29th October 2018, in the capital of Sweden. Includes tastings. The Museum is temporary until January 2019, but appears to be something more than a student stunt or a front for animal-rights politiking…

Anthology Of Empire

11 Thursday Oct 2018

Posted by asdjfdlkf in Historical context

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New on Archive.org, Anthology Of Empire (1932). The book is a rich and comprehensive historical survey of the literature, with its pages serving as an unwitting swansong for Lovecraft’s beloved British Empire as Imperial responsibilities began to be divested. To a lesser extent the book is also a hymn to dear old Blighty.

Advert from early spring 1932. At 512 pages the above advert states a longer length than the 480-page edition on Archive.org.

The ardent Anglophile H.P Lovecraft must surely have noted the book among the reviews, and almost certainly asked for it at the local library. At this time he was listening regularly to the Empire radio service from Britain, which sent the signal from London toward Canada from 1932 onward. He also had access to the conservative British weekly The Spectator, offering pithy opinion and book reviews, via the Providence Public Library. The Spectator would surely have reviewed Anthology Of Empire in glowing terms.

“Dawn came at North-Scituate, in His Majesty’s Colony of Rhode-Island and Providence-Plantations; and at six-forty-five a.m. I was deposited at the terminal in my native town. God Save the King!” — H.P. Lovecraft to Morton, January 1933, informing Morton his his safe return from New York City by overnight bus.

“To me, Tipperary or Rule Britannia has infinitely more emotional appeal than any creation of Liszt, Beethoven, or Wagner.” — H.P. Lovecraft to Derleth, November 1930.

Digital Art Live #33

10 Wednesday Oct 2018

Posted by asdjfdlkf in Lovecraftian arts

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Just published, Digital Art Live issue 33 (Oct 2018), with a seasonal tilt toward Halloween and Lovecraft. The third interview is with the noted album cover artist Claudio Bergamin (covers for Judas Priest et al) who’s a big Lovecraft devotee.

Fantastic Universe, August 1956

10 Wednesday Oct 2018

Posted by asdjfdlkf in Unnamable

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The cover of Fantastic Universe, August 1956. The inner cover has a short evocation of the cover painting, written by former Lovecraft protege and friend Frank Belknap Long.

The artist was Ed Moritz, who had been a Nedor comics artist in the 1940s on the pre-Marvel Doc Strange. My attempted digital restoration of the painting, not entirely successful on the planet surface. Also, I’m currently having to use a lesser old monitor with a low greyscale response, so it may be slightly ‘off’ here and there…

Teoria dell’orrore

10 Wednesday Oct 2018

Posted by asdjfdlkf in New books

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Edizioni Bietti has produced a new Italian edition of Lovecraft’s own writings on Teoria dell’orrore [The Theory of Horror], in 580 pages…

“it is not a mere reprint, but a new edition — updated in the introduction, in the notes and in the numerous bibliographies that accompany it. The aim of the book is to offer Italian readers a theoretical framework as complete as possible”.

Given the size of the book, I’m guessing it also includes relevant extracts from the letters, thematically arranged?

NecronomiCon 2019 poster

09 Tuesday Oct 2018

Posted by asdjfdlkf in Lovecraftian arts

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A fine new B&W poster for NecronomiCon Providence 2019. I’m guessing this will be coloured up, as we move closer to the event in August 2019.

Hevelin Collection – now open for transcription

09 Tuesday Oct 2018

Posted by asdjfdlkf in Lovecraftian arts, Scholarly works

≈ 1 Comment

DIY History now has the Hevelin Fanzine Collection open for crowd-sourced transcription. Doing the tables-of-contents and artist names for each issue would probably be the best initial route into this. I’d suggest that’s a do-able goal that could be crowdfunded for and then outsourced to paid Web-workers (on Fiverr, Mechanical Turk, etc), rather than taking up the time of someone better suited to more advanced tasks.

Audiobook bookmarking for the Windows desktop

09 Tuesday Oct 2018

Posted by asdjfdlkf in Lovecraftian arts, Odd scratchings, Podcasts etc.

≈ 2 Comments

Why has it always been so difficult for makers of Windows desktop media players to offer simple and easy bookmarking for audiobooks? Maybe they think we’re all using mobile apps on devices nowadays. But there are plenty of audiobook listeners who use Windows desktop + wireless headphones, and wild .mp3 files. Podcasts especially.

Anyway, I finally got fed up of making a screenshot of the audio file being played and its current playback time, to serve as a makeshift bookmark. I went looking for what’s available.

I first tried to fix up my usual VLC player, on discovering it had just the one working bookmarking script that offers bookmarks which persist. The script worked, but was a very clunky fix. I then tried PotPlayer and MusicBee, but after much searching I couldn’t find the supposed bookmarking functions in either one. Both were uninstalled. WorkAudioBook is also free, but is really meant for language learners who need to consult teacher about strange words heard during their listening, and it has rather an old interface. Perhaps the likes of iTunes for Windows desktop offers bookmarking, but there’s no way I’m installing such highly intrusive bloatware. The same goes for any dedicated player Audible may offer.

Eventually I found a player that really does do simple and sensible bookmarking, is currently developed, is genuine freeware and looks nice. It can even rename its bookmarks. AIMP 4.51 appears to be the only maintained freeware that offers simple persistent bookmarks on Windows. Why the others don’t offer this is a complete mystery.

Once the audiobook files are loaded (drag and drop is the easiest option) and saved to a playlist file, then you bookmark the playing audio by pressing the Bookmark star, which you can see in the above screenshot. It’s then easy to start an audio file at the bookmark you made, edit or remove it. You can have multiple bookmarks. You can rename bookmarks. In its Preferences you can also set “Ctrl + B” to instantly load the Bookmarks Manager.

The only problem seems to be that when you select a bookmark without the playlist loaded, the file loads but not the playlist it belongs with. Which means that users will first need to load their audiobook playlist, then load the desired bookmark. No great hassle, but we could all benefit from having one less niggling little workflow to remember.

AIMP also has a graphic equaliser, which is nice for removing sibilance in readings, such as that on Phil Dragash’s magnificent full-cast unabridged LOTR. The user can also adjust playback speed by a fraction, for a slightly slower or faster reading. Pitch can also be shifted, if you have a gratingly high-pitched interviewee on the audio of a podcast. These settings are retained even when you exit and reload the software, and can be saved out to named presets. All this makes AIMP a fine replacement for my Impulse Media Player, which until now I’ve used alongside VLC for audiobooks (despite its lack of bookmarking). Sorry Impulse, I luvved you long time, but… uninstalled.

In AIMP, playlists can themselves be bookmarked after a fashion, by dragging them over to the ‘local files’ panel from either their host folder or from the right-hand playlist panel. By doing that, they make a shortcut which persists in the AIMP interface. Or you can just send the playlist to the Windows desktop as a shortcut, and thus load the audiobook currently being listened to straight from the desktop.

AIMP does not need to be using its own playlist format in order to bookmark. The bookmarks are stored in XML in C:\Users\YOURUSERNAME\AppData\Roaming\AIMP\Bookmarks.xml

There are also many skins for AIMP, but for a simple night / day switch of the basic colour scheme the user just hits the “Switch the theme” icon up in the top right of the interface. You can see the ‘night interface’ above.

VLC is still needed as a videoplayer, though. VLC also usefully offers the ability to easily take a pure screenshot from any frame of a video. I had no success with saving VLC playlists out to standard .M3U playlists for opening in AIMP. Nor older Windows .WPL playlists. But it’s no great hardship to re-make old saved playlist files as you listen again to albums and audiobooks. As with most audioplayers, AIMP can also scan your dedicated audio and music folders and then load everything in them into its sortable database. Once that’s done, search filters and keyword search become possible.

All in all, AIMP appears to be the only viable option for regular listeners of downloaded audiobooks, mp3-saved YouTube playlists or long lectures, podcast .mp3s, and similar audio that doesn’t come to you through proprietary channels such as iTunes and Audible.

Update: AIMP also has a fine free Android app you can download from their website. This also does bookmarking.

Added to Open Lovecraft

08 Monday Oct 2018

Posted by asdjfdlkf in Lovecraftian arts, Scholarly works

≈ Leave a comment

* C. Squier, “Carving Nightmares: Clark Ashton Smith’s Sculptures Within the Lovecraft Circle”, Dissolve, September 2016.

Related are a number of the essays from The Fantastic Art of Clark Ashton Smith (1973), which are now online including “The Carvings of Clark Ashton Smith” by Dennis Rickard.

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