A few nights ago a new orchestral work by Guillaume Connesson premiered in Germany, “The Cities of Lovecraft” (aka “Les Cités de Lovecraft”, aka “Les Trois Cités de Lovecraft”). The National German Radio service (NDR) now has a complete audio recording of the 25 minute performance online and this is accessible from outside Germany.

Update: Seems to have been taken down. The Lovecraft work opened the recording I linked to, but a few days later NDR broke the link totally and sent the traffic to their homepage. I guess their online “listen again” service only lasts for a week? But there’s an Archive.org community audio backup available here.

Here’s my approximate translation of the key descriptive section in the venue’s German programme notes brochure, with some descriptive additions of my own which reflect my hearing of the work:

Celephais: In the opening movement, Randolph Carter goes to meet his old friend Kuranes in the shining port city of Celephais. Brass fanfares describe the bronze gate through which he enters the dream-city, before a melody of violins evokes the weaving and bustling dream-life of the city’s streets. In the section “The Temple of Turquoise” colourful trumpets express Carter’s encountering of pagan celebrations, followed by a quiet chorale titled the “Rose and Crystal Palace of the Seventy Delicacies” as he enters ascends to more refined parts of the city. The “Seven Processions of the Orchid Crowned Priests” are then encountered, and given a great crescendo to end the first movement.

Kadath: In contrast to the radiant first movement, the scene then shifts to “Kadath”, the gloomy outpost of ancient gods located in an icy region of Antarctica named “The Plateau of Leng”. Lamenting violas emerge from the noise of the wind machine, then twelve-tone passages disseminate culminating chords (so-called “clusters”). Nyarlathotep, the eerie envoy of the ancient gods, approaches a throne room… He is given voice in a solo viola that sings and ripples in half and a quarter tones above kettle-drums and mad titterings.

The Golden Dream-City: Without a pause, a third short movement follows: Mr. Lovecraft begins to drift up from his nightmare slumber and the scene of his dream begins to change into his familiar dream-vision of a distant mighty city in the golden sunset. This is briefly evoked in the form of an intoxicating short dance, but some orgiastic overtones emerge in it at the very end.