“The latest wave of games hinges on experiencing or even writing complex narratives. And fresh game-building tools mean even poetry is making a comeback”
Return to Zork
24 Saturday May 2014
Posted Lovecraftian arts
in24 Saturday May 2014
Posted Lovecraftian arts
in“The latest wave of games hinges on experiencing or even writing complex narratives. And fresh game-building tools mean even poetry is making a comeback”
23 Friday May 2014
Posted Lovecraftian arts
in21 Wednesday May 2014
Posted Scholarly works
inHandy Selected Letters Of H.P. Lovecraft wiki page, with a record for each letter. Partially complete.
21 Wednesday May 2014
Posted Lovecraftian arts
in21 Wednesday May 2014
Need a book cover for a scholarly book? The Metropolitan Museum of Art now has nearly 400,000 images online in medium-res (72dpi, but around 3000px on the longest side), and…
“that the Museum believes to be in the public domain and free of other known restrictions; these images are now available for scholarly use in any media.”
Above: “A Fury Riding on a Monster”, by Cornelis Saftleven, mid 17th century.
20 Tuesday May 2014
Posted Scholarly works
in* Sam Gafford (2012), “The Man Who Saved Hodgson!”, williamhopehodgson.wordpress.com, 6th July 2012. (On Herman Charles Koenig, a late associate of Lovecraft. Scholarly blog post, with reference footnotes)
* Lin Wang (2012), Celebration of the Strange : YouYang Zazu and its horror stories (PhD thesis. Chapter five proposes Lovecraft’s concept of cosmic fear as a useful tool for analysis of the… “many zhiguai tales [from China, that] deal with supernatural forces without definite monsters or explicit etiologies”)
20 Tuesday May 2014
Posted Lovecraftian arts
inNotes, spring 2014…
Hallman’s “Three Poems of Jessica Hornick” and “Lovecraftian Elsewheres” are featured on the Inscape Chamber Orchestra’s debut album Spring Rhythm […] Of the album, Washington Post writer Charles Downey had this to say: […] Showing off Hallman’s sure handling of instruments even more are the Imagined Landscapes, miniatures based on the nightmarish dreamscapes of H. P. Lovecraft that exploit all sorts of unexpected sounds.”
20 Tuesday May 2014
Posted Scholarly works
inNew edition of The Fossil, with a two-page survey of library archives of amateur journalism collections.
19 Monday May 2014
Posted New books, Podcasts etc., Scholarly works
inRobert M. Price was interviewed this month by Erik Davis (Techgnosis) for his Expanding Minds (.mp3 link) podcast…
Gnosticism, H.P. Lovecraft, and the labyrinth of Biblical interpretation: theologian and Lovecraft expert Robert M. Price discusses his new book … and the “peculiar spirituality of the Lovecraft universe.
17 Saturday May 2014
Posted Historical context
inLovecraft photographed in Florida, with some of Barlow’s cats (note that there’s also a white cat walking on the path behind). Circa 1934…
Hat-tip: H. P. Lovecraft Bronze Bust Project. Sadly there appears to be no larger version available.
“We rowed on the lake, and played with the cats, or walked on the highway with these cats as the unbelievable sun went down among pines and cypresses … Above all, we talked, chiefly of the fantastic tales which he wrote and which I was trying to write. At breakfast he told us his dreams.” (Robert Barlow, “The Wind that Is in the Grass”, 1944).
I note there’s also a new 1936 photo dated “September 19 or 20” of “Eunice French and Lovecraft”, on the hplovecraft.com gallery…
So who was Eunice French? She was a “Master of Arts in Philosophy” student at Brown University, who was then being courted by Robert Moe, the son of Lovecraft’s friend Maurice Moe. Lovecraft had first met Robert as a small boy in 1923, and he seems to have served as a sort of uncle to him, then started a correspondence (now lost?) with Robert in 1934. Robert doesn’t seem to have been able to win Eunice, since in Nov 1938 she married a fellow musician and Harvard man named Cyril Maurice Owen. A letter to Barlow shows that Lovecraft considered her a brilliant savant and, once introduced to Lovecraft, informs us that she went round to see the master several times during her time at Brown.
Eunice kept all her correspondence which is now in a university archive, and one thus wonders if there’s a very slim chance that a Lovecraft postcard or two might lurk therein? Or (more likely) letters from Robert in which he talks of Lovecraft?
This photo also shows Lovecraft’s black writing materials case, which I thought had escaped ever being photographed. Many commented (see Lovecraft Remembered) on its curious and unique appearance. It can also be seen doodled by Lovecraft on this 1934 postcard self portrait…
See it and another snap of it, at the “Lovecraft at the Atheneum” album on Flickr.
16 Friday May 2014
Posted Films & trailers, Lovecraftian arts
inNews that Lux Digital Pictures has seed-funded a planned animated adaptation of At the Mountains of Madness. On the back of this Telefilm Canada is “expected” to invest “approximately $2.5 million” Canadian dollars, along with fan-funding via a Kickstarter set to launch in June 2014.
Hopefully the movie will be faithful and an authentic period piece. Not distorted by the insertion of some tedious new ‘love interest’, or by setting it on another planet, or by adding a giant Cthulhu standing atop Kadath. Although adding an additional subtle layer of valvepunk styling to the visual design and costuming might be nice. Or even a 1931 vintage look for the illustration style, following the ‘filmed in Mythoscope’ lead of the HPL Historical Society movies and the first 30 minutes of Sky Captain.
The lead creative will be Stephen Sloan of Upon Animation Studios, and the film will be “produced entirely in Canada”, rather than being outsourced to the Far East. Judging by the ‘Saturday morning cartoon’ style that Upon Animation’s animation used for the animated inserts in Films of Fury: The Kung Fu Movie Movie (2011), the style may be stylised toony 2D rather than Space Pirate Captain Harlock rendered 3D. The screenplay is by stage playwright Peter Colley. Casting agent Deirdre Bowen is said to be set to start “casting by the beginning of July”, if the funds are raised.
A Mountains concept poster borrowed from Walter Junior. Not the poster for the Upon Animation version.
16 Friday May 2014
Posted Scholarly works
in* Shelby Hatfield, Rebekah Hobbs, Jared Lynch (2014), “Multilayered Specter, Multifaceted Presence: A Critical Edition of H.P. Lovecraft’s “The Tomb”, Digital Literature Review, Vol.1, 2014.
* Daniel Iturvides Dutra (2013), “A poesia fantastica de H. P. Lovecraft: uma analise comparativa do poema Os Fungos de Yuggoth e o manuscrito “O Livro””, Manuscritica: Revista de Critica Genetica, No. 25, 2013. (In Spanish. Compares three sonnets from Yuggoth with the fragment “The Book”)