A new artzine for weird pencil art, Tiny Pencil.
Above: both by Paul Echegoyen.
26 Sunday May 2013
Posted Lovecraftian arts
inA new artzine for weird pencil art, Tiny Pencil.
Above: both by Paul Echegoyen.
26 Sunday May 2013
Posted Odd scratchings
inPainting through the power of thought enabled by scientists…
In “From Beyond” (1920)… “Tillinghast creates an electrical device that emits a resonance wave, which stimulates an affected person’s pineal gland, thereby allowing them to perceive planes of existence outside the scope of accepted reality” (Wikipedia).
On using the device… “from some point in space there seemed to be pouring a seething column of unrecognizable shapes or clouds” — “From Beyond” (1920).
24 Friday May 2013
Posted Lovecraftian arts, Podcasts etc.
inDead Authors podcast, in which Nietzsche meets Lovecraft as a dramatised over-the-top comedy interview. Starts at 3:06 minutes. Warning: some distasteful bits.
24 Friday May 2013
A board-game/card-game based on Neil Gaiman’s Lovecraft/Holmes crossover story “A Study in Emerald” has been abundantly funded on Kickstarter, and should ship in October 2013…
Perhaps that’s a special case because the stars have aligned: Lovecraft / Gaiman / Holmes / steampunk-era, all wrapped up in an accessible game format. But I’m wondering how Lovecraftian scholars might tap into such generosity for things Lovecraftian? Some off-the-cuff ideas…
* A search-engine for the full collection of the Lovecraft letters would surely get handsome funding. It could be done in the same proven-secure manner that Google Books uses for presentation of its search results, only letting you see small snippets. The source would be the full Schultz/Joshi digital archive of the letters. The engineers at Google might even help out with that, as they helped with deciphering the recent Lovecraft postcard-letter.
* If a long-time Lovecraftian researcher wanted to be compensated for making all their texts “open access” in digital perpetuity on archive.org, as they headed into retirement, I’d imagine a Kickstarter campaign might do it.
* A full searchable online library (built on a combination of Google Custom Search Engine and Omeka) reproducing Lovecraft’s own library in searchable digital form, plus all the books he’s known to have read. It would have to be limited to public domain materials, but if you look at Joshi’s book Lovecraft’s Library you’ll see that a lot of it is now in the public domain.
* Maybe some kind of simple-but-full digital gazetteer of all Lovecraft’s places, built on Omeka and with each record having embedded links to Google Maps and Google Streetview for the location. Could be done as a wiki, but in my experience small open collective wikis fail even faster than a socialist economy. Might be best done by a small team of long-time Lovecraftian geographers.
* A simple introductory “Beginner’s Guide to Research in Lovecraft and his Mythos”, along the lines of the “For Dummies”… books? I suspect there’s a whole lot of intelligent people out there would might like to write and blog about Lovecraft and the later Mythos authors in a more grounded manner, but who lack any real guide to start them off. The other problem of course, is the sheer expense of acquiring the print-only Lovecraft books that are needed if one is to triangulate and fact-check the many discoveries still to be made via the free online resources. Such a “Beginner’s Guide” could also usefully be translated into other key languages.
* There’s my Lovecraft timelines idea, but the software doesn’t yet exist to do that in an elegant or easy manner.
24 Friday May 2013
Posted Unnamable
inFrom Wired, a long report on a leading Nobel laureate who is seriously proposing that crystals can operate in the fourth dimension of time as a well as space.
23 Thursday May 2013
Posted Podcasts etc.
in87 minute podcast of Robert M. Price being interviewed on “The Value of Horror” on the The Reprobates Hour in 2007. A broken link on the website’s directory, but this direct link should download for you: MP3.
23 Thursday May 2013
Posted Historical context
inUrban Wild takes a neat look at Lovecraft the outdoorsman, complete with vintage photos and quotes.
Above: Lovecraft in 1928. The Orton visit?
This Urban Wild blog article has the only old (1940s?) photos of Lovecraft’s favorite haunt of Quinsnicket (an invented name, the original Indian name being Caucaunjaivatchuck) that seem to be available online. Other than this old postcard of “the sitting rock” that I managed to dig up…
“Old days — old days — old days — [he implies the old days of a homogeneous pioneering America, not his own childhood memories of the place] & I have not lost them yet, for the same old nostalgic urge still drives me out to where such primal things still live, & makes me spend many a warm, mystical day in the old Quinsnicket country (8 m. N. of Prov.) with its hoary fields & orchards, its stone walls & winding lanes, its 1670, 1678, 1720, & 1735 farmhouses, its venerable water-mill. beside the moss-banked reedy Blackstone, its great stone mansion of 1811 with the cyma-pediment & fanlighted doorway, its quaint old Butterfly Factory (so named from the iridescent stone of the walls) of 1815, with belfry & vane, & the deep, Druidic silences of the dark Quinsnicket woods where hidden pools, rocky cliffs, mysterious valleys, cryptic caves, & uncommunicative circles of standing stones all linger unchanged in arboreal twilight…” — Lovecraft in Selected Letters III, p.318.
There was a “Butterfly Factory, Quinsnicket” noted there in the online record as running tours for local youngsters in 1924. It was noted as “an old, small, stone mill” apparently near one of the main entrances to the park, although postcards show it as a little bigger than “small” implies. Lovecraft noted the building in Selected Letters III, p.318… “its quaint old Butterfly Factory (so named from the iridescent stone of the walls)”. You can just about see what he means on this postcard…
You can also see, to the left of the chimney stack, a butterfly shape made by two paired iridescent stones, possibly something scoured on later to amuse visitors. The name of the Butterfly Factory was later attributed to this mark. If so then it was one more minor example of the huge levels of embellishment and outright invention of the past in America, which I’m starting to see was undertaken on a staggering scale (Mystery Hill being the most prominent historical jiggery-pokery and wool-pulling). Something which was inherited from the British, perhaps, since the invention of tradition has always been one of our great traditions.
It seems this was not the.. “the picturesque ivied ruins of an ancient mill which I knew in youth”, which Lovecraft mentions while describing the woods to August Derleth in a letter of 21st October 1929.
He elaborates in a letter to Morton (Selected Letters III, p.57), telling us it had been demolished by 1929…
“In Quinsnicket I chiefly haunted a region quite newly open’d up — a deep wooded ravine, on whose banks one may spy the picturesque ivy’d ruin of a forgotten mill. Ah, me! I well recall that mill when it was standing — but it hath gone the way of all simple, beauteous things. I also haunted a roadside terrace whence I obtain’d one of the finest landskip vistas in the world — the steepled, sunset-gilded town of Saylesville in the distance, rising above a lake-carpeted valley to which the road beside me spirall’d down. On my right was the edge of the wooded ravine; on my left a rocky upland with stone walls, rows of harvest-sheaves, and gnarled orchards thro’ which peep’d the trim gables of antient farmhouses. Hell, but I’d have given anything for the skill to draw such a scene! And at evening when the Hunter’s Moon came out!!! Oh, baby! Now I know what Jim Flecker meant when he pulled that one about ’burning moonlight” in the last act of Hassan!”
So the picturesque mill was the not the same as the Butterfly Factory.
23 Thursday May 2013
Posted Scholarly works
in22 Wednesday May 2013
Posted Lovecraftian arts, New books
inThe Guardian newspaper has an obituary on the death of Basil Copper, the British author of the Lovecraftian mythos novel The Great White Space (1974) and much else. This novel seems regarded by some as a favorite of early Derleth-era mythos fiction and which was republished a few weeks ago as an official budget-price Kindle ebook (warning: plot spoilers early in the blurb) from Valencourt Books. If you can find them, key recent books on Basil Copper are: the bio-bibliography Basil Copper: a life in books (2008) published as a 300-copy limited edition; and a fine two-volume collection Darkness, Mist & Shadow: the collected macabre tales of Basil Copper (2010) which is now out-of-print.
21 Tuesday May 2013
Posted Historical context, New discoveries
inDudley Charles Newton (1864-1954) of New York and St. Augustine, Florida, was another mysterious friend of Lovecraft. His dates are from S.T. Joshi’s I Am Providence, who states that almost nothing is known about Newton. Presumably Joshi had the dates from The Unknown Lovecraft by Kenneth W. Faig Jr. Newton was Lovecraft’s elderly guide to St. Augustine, Florida, in 1931. He doesn’t appear to have been a correspondent of Lovecraft, and is missing from the 1937 address list.
He first appears in the online record in Club Men of New York: Their Clubs, College Alumni Associations (1902), listed as “NEWTON, DUDLEY C, millinery, …” Millinery being the profession of making ladies’ hats.
A Charlotte Griffing Griswold married a Dudley Charles Newton on 12th October 1904, on Long Island, New York. She died, age 28, on 8th April 1907 — and is buried in Guilford, Connecticut. A “Dudley C. Newton”, of Georgetown in Connecticut, is recorded in the Connecticut Motor Vehicle Register as owning a vehicle in summer 1915. This location is about 30 miles NE of New York City, suggesting he may have motored in to work in New York City. It seems he did, since he was a senior millinery buyer on Fifth Avenue.
A Dudley C. Newton left New York on the transatlantic ship Caledonia, bound for Glasgow in Scotland, on 14th June 1913. Presumably this was a buying trip to the Scottish tweed industry.
There is a 52 year old Dudley C. Newton, listed as disembarking at Ellis Island in New York on the transatlantic ship Chicago, from Bordeaux in France, on 19th July 1917. His age on the ship’s passenger list is right, if he was born 1864. One has to assume that this is Newton returning from Europe because of the American entry into the First World War on 6th April 1917. This appears to have been so, since we known that he brought back with him a copy of the Paris edition of The New York Herald, suggesting he had been in Paris. This is evidenced by the Millinery Trade Review (Volume 42, 1917, p.106), a New York trade journal which noted…
Paris Takes Note of Arrivals: A copy of the Paris edition of The New York Herald of July 1st, brought back by Dudley C. Newton, contains the following: “The Autumn millinery season for foreign buyers is due to open this week, but the…”
The Paris supposition is confirmed elsewhere in the same issue, which has a short article on Newton’s experiences…
“Nevertheless [despite the war], men and women buyers from the large department and wholesale millinery stores have braved these [ocean] dangers repeatedly since the submarine became a menace and have lived to return with gratitude. Dudley C. Newton, of Scully Brothers and Co., accompanied by F.T. Bartlett of The Lafayette Importing Company, returned to an American port, July 18th, having sailed for this side from Bordeaux. Both men had bought extensively of flowers [presumably silk, presumably for hats? …] “Hope I won’t see Paris again, under its present conditions, for a long long time” [he said, and reported the ship attacked by u-boats on the return to New York]”.
Given Newton’s going to Paris to buy flowers (presumably silk ones for hats) might there then be some connection of Newton to the work of Sonia H. Greene in her New York dept. store employment? Or (more likely) with her ill-fated independent hat shop just off New York’s Fifth Avenue? Could Newton in 1931 have been a retired professional colleague of Sonia? Perhaps one of her key suppliers or senior industry contacts in the hat-trade? If so, then this would suggest how Lovecraft knew Dudley Charles Newton and also why he was not noted as a correspondent in the 1937 diary.
His employers Scully Brothers & Co.. Inc. of New York, do appear to have been heavily involved in the hat trade at the time Sonia and Lovecraft were in New York, and in a very upmarket way since they were sited on Fifth Avenue and in Paris. In 1919 the Millinery Trade Review records them as…
“Scully Brothers & Company 417 Fifth Ave. NEW YORK and PARIS, 42 Rue de Paradis, HATS OF QUALITY UNSUPPASSED”
Scully Bros. later moved to 32 West 47th Street around 1920 or 1921. They are recorded as having patented a number of “N.Y. Ladies’ trimmed hats.” in 1922. They also later made winter shoulder capes which included “all-wool tartan plaid” linings, perhaps suggesting why Newton would have embarked on his ship to Scotland rather than London in summer 1913, since he could then have visited the weavers of the Scottish tartan industry.
I also wonder if he may be the same Dudley C. Newton who wrote credited (and possibly syndicated?) crosswords for newspapers in the early 1940s? This is one from the Montreal Gazette…
21 Tuesday May 2013
Posted Lovecraftian arts
inA delicious painting of “The Silver Key” (with some artistic licence), by Claudio Bergamin of Chile, South America. This is one of two Lovecraft works in his DeviantArt gallery…
No free unabridged audio book of “The Silver Key” online, sadly.
20 Monday May 2013
Posted New books
inEssential Solitude: The Letters Of H.P. Lovecraft and August Derleth, 1926-1931 (2 vols.) is about to hit paperback, according to a Hippocampus FB notification.
$50 for both. Although Americans using Amazon.com can currently snag a nice pre-order, for $40.41 the pair with free shipping. The books are also listed on Amazon UK at £41 ($63), so those of us in the UK get a better deal ordering direct from Hippocampus. Pricey, but a lot more affordable than the $750 Amazon U.S. is asking for the hardbacks!