Jeff VanderMeer has a lengthy new post arguing against the shadow that Lovecraft’s towering presence casts across contemporary weird fiction. There are a few good points made, especially on how interest in Lovecraft can help rekindle interest in neglected weird writers.

But it seems to me that VanderMeer’s article is a little stuck in the ‘scarcity mindset’ of the old print culture, and also the 20th century vanguardist idea of ‘forward progress’ in taste and techniques. In the age of the abundant Web, the Kindle/POD ecosystem, and our new hybridizing remix cultures, I’d say there’s ample space to develop audiences and vehicles for all sorts of varieties of ‘the weird’ in fiction — and beyond. If one’s favorite magazine no longer appears to cater for one’s precise political or aesthetic tastes, then start another that does.

Personally I’m looking forward to the liberation of short stories from their old prisons in magazines and forest-devouring mega-anthologies, via an Instapaper or Spotify -like re-bundling and delivery service. Perhaps that will come via a service that offers a free quality ‘audio book reading’ to authors and rights holders, on condition that the resulting audio story is distributed via the new service.