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Tentaclii

~ News & scholarship on H.P. Lovecraft

Tentaclii

Monthly Archives: August 2010

Squidies for kiddies

15 Sunday Aug 2010

Posted by asdjfdlkf in Scholarly works

≈ Leave a comment

Looking to stash the perfect Christmas present for the little monsters? Just published, Here There Be Monsters: The Legendary Kraken and the Giant Squid from Houghton Mifflin Books for Children. ThisZine has a review.

It seems to be a careful and well-illustrated little volume of 80 pages, moving from the myths to modern ocean science.

“He seamlessly moves among exploration of history, mythology, film, literature and scientific discovery; the discussions of how everyone from Alfred, Lord Tennyson to Jules Verne to Walt Disney kept the myth of the ferocious kraken alive in people’s imaginations are especially interesting. The book is abundantly illustrated with charts, maps and photographs.” — Kirkus Reviews.

Lovecraft and archaeology

15 Sunday Aug 2010

Posted by asdjfdlkf in Historical context

≈ 1 Comment

In 2007 there was an audio file online, of a talk titled “Lairs of Cthulhu: Archaeology, Myths and Mysteries in the fiction of H.P. Lovecraft”. Sadly the file has vanished into the aether of the net, but I found a detailed set of notes on the talk at the Bookkake website. One quote suggests, perhaps, why Lovecraft never considered archaeology as a career — even if he could have torn himself away from his beloved New England…

“Those were the great days of collecting. Anything for which a fancy was taken, from a scarab to an obelisk, was just appropriated and if there was a difference of opinion with a brother excavator one laid for him with a gun.” — Howard Carter.


Abu Simbel.

More reviews of The Last Lovecraft

15 Sunday Aug 2010

Posted by asdjfdlkf in Films & trailers

≈ 1 Comment

Toronto Film Scene has a positive review of The Last Lovecraft. Sound on Sight‘s review is far less positive. I guess it’s the sign of a cult movie that it divides audiences down the middle.

All posts now have tags

14 Saturday Aug 2010

Posted by asdjfdlkf in Housekeeping

≈ Leave a comment

I’ve retrospectively tagged all blog posts on Tentaclii with category tags.

New WordPress template

14 Saturday Aug 2010

Posted by asdjfdlkf in Housekeeping

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Ok, I got bored with the old template, and so I’ve implemented a new one. The “Lovecraft on the Web” links directory is now on the sidebar in two columns, rather than at the foot of the page. It’s all rather cleanly grid-like and clinical, but hopefully also very readable. And I can now get 400px pictures on the front page, rather than having to cramp them as before.

Last Lovecraft, first review

14 Saturday Aug 2010

Posted by asdjfdlkf in Films & trailers

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The first review of The Last Lovecraft, or the first I’ve seen. Nice premise, workmanlike effects, weak lead actor, but… “the laughs outweigh the groans”.

Official trailer here.

Fruitless Recursion

14 Saturday Aug 2010

Posted by asdjfdlkf in Scholarly works

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I’m continuing to add new links to the Lovecraft links directory. About ten have been added in the last few days, one of the most notable being Fruitless Recursion — a journal of reviews of scholarly books on science fiction, fantasy, horror. It seems to be an annual, with one issue per year.

American Paganism panics, 1920-1945

14 Saturday Aug 2010

Posted by asdjfdlkf in Historical context

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An unpublished paper by Philip Jenkins of Pennsylvania State University, relevant to Lovecraft: “To What Green Altar? The Myth of American Paganism 1920-1945”…

“In the 1980s, the United States experienced a ‘Satanic Panic’ largely generated by the media, about the nefarious activities of rumored Satanic rings. While much has been written on this phenomenon, it is not generally recognized that a very similar phenomenon occurred between about 1925 and 1945, as popular writers and journalists explored the ideas of Sir James Frazer and Margaret Murray about paganism and pagan survivals in medieval and modern times. Though originally told as fantasy fictions, these stories acquired remarkable credibility and even influenced official behavior. By the 1930s, American news media were avidly exploring tales of witch cults and human sacrifice rings in many parts of the US, including German Pennsylvania, New Mexico, and in Native American communities across the nation. Such tales actually influenced serial murder investigations in major cities. My paper is therefore a study of the cross-fertilization of pulp literature with academic anthropology, with curious consequences for popular belief and folklore.”

The essay throws some light on Lovecraft’s first unveiling of the New England countryside as a setting for horror, in the story “The Picture in the House” (Dec 1920)…

“The first tales of clandestine alternate religions in the heartland date from an era of rapid change in the American countryside, and in the relationship between urban and rural societies. The 1920 census was the first to show a majority of Americans living in cities rather than the countryside, while the popularity of the private automobile vastly increased the opportunities for city-dwellers to explore those rural landscapes which now seemed so exotic. As tourism boomed, entrepreneurs made all they could of the exoticism of the countryside […] A serious scholarship of folklore flourished alongside this popular hucksterism […] Ethnographic observations of backward rural communities flourished in the inter-war years. […] Because of its proximity to major East Coast cities and newspapers, German Pennsylvania was a particular target for such romantic investigations”

Thief of Baghdad (1924)

13 Friday Aug 2010

Posted by asdjfdlkf in Films & trailers, Historical context

≈ Leave a comment

The great fantasy blockbuster movie of 1924 The Thief of Baghdad (Fairbanks/United Artists, on general release from 23rd March 1924). Lovecraft must surely have seen this big-budget picture when he first moved to New York.

 
The film is now public-domain, and is available free on Archive.org.

 


 


 


 
Above: an undersea monstrosity encountered by the hero.

 
And the film’s depiction of the takeover of Baghdad by the Mongols finds a visual echo in the story “He” (written 11th August 1925)…

 

“swarming loathsomely on aerial galleries I saw the yellow, squint-eyed people of that city”

 


 
[ Hat-tip: John Coulthart ]

Lovecraft in Black and White

13 Friday Aug 2010

Posted by asdjfdlkf in Lovecraftian arts

≈ Leave a comment

It seems there’s a big Italian project, which has just rolled out to the launchpad, to do a complete illustrations/comics adaptation of all the stories of Lovecraft. It seems the project already has a good forty-plus Italian artists strapped in and paired up with their stories.

Women in Weird Tales

12 Thursday Aug 2010

Posted by asdjfdlkf in Historical context, Scholarly works

≈ Leave a comment

A free essay online: The Changing Role of Women in Science Fiction: Weird Tales, 1925-1945 by Mary Hemmings (English Literature Librarian at the University of Calgary). The essay also appeared in: the book The Influence of Imagination : Essays on Science Fiction and Fantasy as Agents of Social Change (2008); and in Gender Research Symposium Proceedings : March 17, 2006.

Lovecraft vs. Rand

12 Thursday Aug 2010

Posted by asdjfdlkf in Odd scratchings

≈ 1 Comment

H.P. Lovecraft and Ayn Rand — separated at birth?

H.P. Lovecraft:

Hardened rationalist

Radical atheist

Strong interest in philosophy

Hard-headed sceptic

Wrote for the masses

Loved cinema

Took inspiration from popular media

Fascinated by science and men of science

‘Exiled’ from England

Loved cats

Wrote science fiction

Emotionally restrained protagonists

Protagonists at odds with the established social order

Fiction depicts lurking monstrosities that threaten humanity

Author lived in/near New York

Felt that society/civilisation was in sharp decline

Disdain for ‘primitive’ ways of life

‘Man is everything in the world’

‘Man is insignificant in the cosmos’

Yearned for an aristocracy based on manifest talent, not blood or race

Ayn Rand:

Hardened rationalist

Radical atheist

Strong interest in philosophy

Hard-headed sceptic

Wrote for the masses

Loved cinema

Took inspiration from popular media

Fascinated by science and men of science

Exiled from Russia

Loved cats

Wrote science fiction

Emotionally restrained protagonists

Protagonists at odds with the established social order

Fiction depicts lurking monstrosities that threaten humanity

Author lived in/near New York

Felt that society/civilisation was in sharp decline

Disdain for ‘primitive’ ways of life

‘Man is everything in the world’

‘Man is insignificant in the cosmos’

Yearned for an aristocracy based on manifest talent, not blood or race

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