A new 2018 issue of the open access journal Revenant: Critical and Creative Studies of the Supernatural is a “Fearful Sounds” special issue on supernatural sonics.

Looking back over the contents of their two earlier issues, I see that the essay “‘Stop All The Clocks’: Elegy and Uncanny Technology” also fits with the same theme, albeit with reference to establishment authors rather than to weird writers.

They have a page offering Guest Editing Opportunities for complete themed issues.