Annals of the Jinns / Sorcery of Aphlar

26 Wednesday Jun 2024

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New on Librivox, The Weird Fiction of The Fantasy Fan. Including R.H. Barlow’s complete ‘Annals of the Jinns’ series. Also Lovecraft’s possible 1934 revision of a short tale by the emerging young Rimel, “The Sorcery of Aphlar”…

“Very glad to see the new tale [Sorcery of Aphlar] — which reminds me somewhat of Dunsany. I’m returning it with a few changes which I think would help somewhat. … [also] I’ve taken the liberty of changing the name of the hero …” (23rd July 1934)

Which could be Lovecraft-ese for ‘I’ve ripped it to shreds and re-written it’, or perhaps he did make only a few tweaks. We don’t know. The first two thirds often reads like a Lovecraft tale of the Dreamlands. However, we do know from the letters that Lovecraft finds Rimel’s next tale much better, and therefore he only gives it a light revision…

“The Jewels of Sharlotte” … marks a vast amount of progress … Good work! … as you may see I haven’t made a single major change. Just a few re-arrangements and substitutions, & it stands as originally written.” (23d August 1934, Lovecraft’s emphasis).

This might be taken to mean that the previous and lesser tale had had major changes and re-writing to make it fit for publication. The same letter reveals no quibbles from Rimel about the revision, but celebrates in passing that “Sorcery of Aphlar” had just “landed with Hornig” in The Fantasy Fan.

The tale adds a new and very minor Tolkien/Lovecraft comparison. Both managed to anthropomorphise a snail in fiction, though it was probably Rimel’s idea to do so here.

Success with VoiceMacro for ebooks

25 Tuesday Jun 2024

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An update on the genuine Windows freeware VoiceMacro 1.4, which I found as a replacement for Cortana voice control (removed from Windows 10 by Microsoft, who want to force people to use Windows 11 and AI). VoiceMacro has now been tested. The freeware enables ‘speak a simple word to turn a page’ on a Microsoft Surface tablet.

On testing I find that ‘nine’ and ‘he’ are trigger words that, even when softly spoken, are always recognised via the built-in pinhead microphone. These have been set to trigger ‘previous page’ / ‘next page’ in the target ebook reader(s), and work perfectly. Hands-free page turning of ebooks! This was probably ‘a thing’ a decade ago, for many, but it’s new to me.

However, it means I’ll be sounding like a cackling German scholar who’s just read Ludwig Prinn’s De Vermis Mysteriis… “Nine, he he he he, Nine!” etc. (Nein is German for ‘no!’).

Update: I found the recognition problem. The Windows 10 app-style for-dummies controls give you no control over adjusting mic levels, which are set too low (by default seemingly). You need to go into the proper Windows Control Panel and then | Sound | Recording | Microphone Array | Properties | Levels – set these to 65 | Advanced – uncheck both ‘Exclusive mode’ boxes | Apply | OK | Exit. Word recognition accuracy via the built-in mic and VoiceMacro then goes to 95-98%. You of course also need to have your microphone set to ‘Array’ in the for-dummies control settings. At a setting of 65 you would also need a fairly quiet environment.

El Borak speaks… or not…

25 Tuesday Jun 2024

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500 pages of Robert E. Howard’s El Borak and Other Desert Adventures in the Del Ray Kindle edition. Currently showing at a nice price for me in Amazon UK, with 70% off. About $5 U.S. Some readers may be interested.

Sadly, the 2012 Michael McConnohie audiobook version has been removed from Amazon and Audible and appears to be no longer for sale anywhere. Possibly due to a copyright troll?

Keep on taking the tablets…

25 Tuesday Jun 2024

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New ebook findings re: my new Microsoft Surface Pro 3 12″ as an entertainment touchscreen tablet. Which may interest some readers.

I settled on Cover as the free reader for .CBR etc comics. Free, superb, and lovely design/usability. Set a landscape-orientation screen on the Surface, ‘fit width’, tap to scroll down a third of the comic page. Assuming a traditional page-layout, it’s then almost better than guided panel-by-panel view, as at the high screen-resolution you’re effectively on a huge BD-sized page — which means you can focus on a panel but also see parts of the panels around it. Cover is one of the best comics readers I’ve seen, and I tried quite a few on the Kindle (Android OS). Cover is now also my default .PDF reader on the Surface, as it’s lovely for that and can do double-page magazine spreads without a gutter-line.

Sadly, Cover has no .ePUB support other than for any images inside the file. But I need .ePub on a tablet for monthly Instapaper-like bundles of news and magazine articles I save from the Web for later armchair reading. Windows .ePub readers are nearly all deficient in some way, but I’ve found Koodoo Reader just pips the latest Thorium to the post, due to ‘swipe to turn a page’. Thorium only has fixed page-turn buttons, at the bottom of the screen (poorly placed, for a Surface held propped in hands). Possibly I’ve yet to discover some Store app that does .ePubs better, though.

The Kindle app is deliberately dire on Windows, so purchased Kindle ebooks can be read in your favoured browser at read.amazon.com/kindle-library.

The Windows donationware VoiceMacro also looks useful, though has not yet been tested. (Update: tested and useful. The words ‘nine’ and ‘he’ are trigger words that, even when softly spoken, are always recognised). The OS’s built-in Windows Speech Recognition is very flaky at transcribing my speech-words from the built-in microphone, but maybe this freeware will handle a basic utterance. Say “turn”, send a keypress = the book page turns. That’s all I want. One Android comic-book reader has a ‘turn page by any noise’ feature, but that’s the only place I’ve seen the idea implemented.

That’s it, hope this helps some Tentaclii readers with a Windows touchscreen tablet in desktop mode, and reading ebooks of various sorts.

In Lovecraft’s Library

23 Sunday Jun 2024

Posted by in New books, Scholarly works

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S.T. Joshi’s blog has updated, and he reports receipt of copies of his new edition of Lovecraft’s Library: A Catalogue. 148 new additions for me, as I only have the 2002 paper edition on my shelves. Same cover art as before. I see it’s now properly listed at Amazon UK as Lovecraft’s Library: A Catalogue (Fifth Revised Edition), so buyers can be sure of getting the right edition. Amazon is currently saying it might take four weeks to deliver to the UK.

Incidentally, I don’t think I’ve ever seen a visualisation of the attic library in which Lovecraft did his first serious ‘bookworm’ reading among ye olde discards from the family collection. This is as close as I can get without using AI, my Photoshopped version of a picture showing an untouched-for-100-years Rhode Island attic library.

Surfaced at last

22 Saturday Jun 2024

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No post today, as I’ve been wrangling a bargain mid-range (i5 CPU) £90 Microsoft Surface Pro 3. For use mainly as an ebook and entertainment touchscreen tablet.

This was Microsoft’s flagship 12″ product from nine years ago and accordingly built like a tank (though considerably lighter). I had it in nice condition from a reputable UK refurbisher, and on arrival it turned out to be almost un-used. Nice. Just 222 charge cycles on the battery and only 2Tb written to the Samsung SSD (they only need replacing around 125Tb). That’s ‘little old lady user’ good, though various clues make me think it was lightly used in a U.S. school’s IT lab for a few years, before being part-exchanged back to Microsoft. Probably been in a warehouse ever since.

So… many thanks to my Patreon patrons, since your regular PayPal has eased this fine upgrade to my armchair reading.

Hours of wrangling it into shape today, not least due to chopping off the manic tentacles of the eldritch Windows 10, with only an unfamiliar touchscreen (a bit like tackling Cthulhu with a machine-gun). But it’s done now, and thus I’ve broken free from the increasingly annoying and flaky Amazon Kindle 10″ tablet (2017, when they were subsidised and thus dirt cheap) for a better 12″ tablet with far better colour and far more user control — since it’s running the full Windows desktop OS. Though I can still see/read my purchased Kindle books via read.amazon.com. The online Kindle reader is vastly better than their dire Windows desktop app, and I’m pleased to find it can also even do ‘guided view’ for purchased comics.

I might still put Winux 7 (Linux Mint that looks and feels like Windows 7) on the new SP3, but it’s too early yet to say. I also need a suitable pen (and perhaps a keyboard-cover called a ‘type cover’), in order to write notes on the screen. But I do like to get bargains, so I’ll wait until I can find a cheap one.

Lovecraft at war (or not)

21 Friday Jun 2024

Posted by in Astronomy, Maps, Picture postals

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The U.S. appears to have just passed the legislation to re-introduce ‘the draft’ (military conscription), so far as I can tell without an in-depth dive into American politics (snore…). Though, rather curiously in this age of supposed gender-equality everywhere, it’s reported to be only for men aged 18-26. But no doubt young women are at this moment clamouring for equality here, as elsewhere (sound of crickets chirping). There is no actual draft or registration currently in place, I should add, lest I be accused of ‘misinformation’.

This news, and a recent mini-debate here in the UK about the need for conscription into and rapid training of a “Citizen’s Army” in the event of real hostilities (due to a run-down of the military over many decades), made me think about Lovecraft’s attempts at enlistment in the armed forces during wartime…

I presented myself at the recruiting station of the R.I. National Guard & applied for entry into whichever unit should first proceed to the front [i.e. the front-line of battle, in France]. On account of my lack of technical or special training, I was told that I could not enter the Field Artillery, which leaves first; but was given a blank of application for the Coast Artillery [Corps], which will go after a short preliminary period of defence service at one of the forts of Narragansett Bay.

Thus Lovecraft would have been initially defending against German submarine and (via cliff-top / island patrols) spy/saboteur encroachment on the American coastline. In principle, the type of large emplacement gun seems not altogether unlike a telescope, and perhaps involving some of the same maths and aiming. Possibly his astronomical training at the Ladd Observatory would actually have come in useful?

He made several attempts, I recall. To the extent that, whenever he left the house, his mother was fearful he would try to enlist. But it was not to be, and he was rejected.

Had not my mother disturbed my ambitious effort of last May [1917], in which I utilised my absurdly robust-looking exterior as a passport to martial glory […] I should now be digging trenches, drilling, & pounding a typewriter at Fort Standish in Boston Harbour, where the 9th Co. R.I. Coast Artillery is placed at present.” (Lovecraft, in Letters to Rheinhart Kleiner).

This was on an island, which has a 1914/1921 war-map which may interest those looking for fresh 1920s RPG material / settings relating to Lovecraft. One might devise a “what if” scenario in which a successfully enlisted Lovecraft encounters mysterious and maddening Mythos doings in Boston harbour. He might even get to blast the heck out of the monster with a BIG gun, before going mad… thus especially pleasing the ‘blast Cthulhu with a machine-gun’ RPG crowd.

A bit more Tolkien and Lovecraft

20 Thursday Jun 2024

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I’ve now had a chance to read through “Middle-earth, Narnia and Lovecraft’s Dream World: Comparative World-Views in Fantasy” (Crypt of Cthulhu, 1983). It adds some additional points to my previous blog posts about the various similarities of Tolkien and Lovecraft…

* Both Tolkien and Lovecraft maintained that their tales were written primarily for their own “amusement” (this is the word used).

* Blackmore notes that Lovecraft’s biographer de Camp had earlier observed that Tolkien was an unabashed ‘rurophile’ [lover of the rural, in the form of the Shire], just like Lovecraft in his letters and trips. I might also add they were both lovers of garden-like parkland landscapes with many beautiful trees and glades (recall Ithilian and Lorien in The Lord of the Rings).

* Both Tolkien and Lovecraft disliked mechanisation and crassly sub-urban development.

* Lovecraft’s Dreamlands are seen as similar to Middle-earth, in that flora and fauna from the primary world are mixed with the fantastica of the secondary world. The Dreamlands also feature many ancient ruins, as does Middle-earth.

I’ve just thought of a final point of admittedly very loose comparison — fungi. The hobbits are revealed to be inordinately fond of mushrooms, though Tolkien makes no later use of this in terms of inverting it into horror or sinister landscapes/caves. The closest we come is the lair of Shelob, in which the horror is white and webbed rather than white and fungous.

Madmen and cuttings

19 Wednesday Jun 2024

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In the undergraduate journal The Lectern #3 (2023), “Edgar Allen Poe and H.P. Lovecraft: The Language of Madmen”.

And also note Horror Homeroom #7 (2023), a special on the archival and ‘found material’ tendencies in various forms of horror. This has the short lead essay “A Weird Bunch of Cuttings: Newspaper Clippings as Lovecraftian Found Footage”. The author is aware that Lovecraft’s correspondents occasionally sent him cuttings, but not that he was sorting and ordering his large ‘mounded’ cuttings collection into pasted scrapbooks at around the time of writing “Cthulhu”.

Myths and Myth-Makers in audiobook

18 Tuesday Jun 2024

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New on YouTube, a seven-hour audio reading of Myths and Myth-Makers: Old Tales and Superstitions Interpreted by Comparative Mythology by the American historian, philosopher, bookman, and lecturer John Fiske. He introduced Darwin to America, wrote a book on the early history of New England (Lovecraft had it in his personal library), and another which outlined “cosmic” philosophy, among many other accomplishments. This particular book on myth was written while Fiske was a philosophy lecturer and assistant librarian at Harvard, and it became a key source for Lovecraft’s knowledge of the early ethnography of folk-tale, fairy and myth…

HPL was much influenced by Fiske’s popular study, Myths and Myth-Makers: Old Tales and Superstitions Interpreted by Comparative Mythology” (Collected Essays: Science, page 318).

The reading is very likely to be by an AI voice, but how you tell that has changed since the days of the old robo-voices. It’s now a telltale of AI that the narrator pronounces a wide range of really complex ancient names correctly every time. The days of text-to-speech garble-de-gook appear to be gone! Usefully, for those who want to check the names as they hear them, the YouTube video displays the text of the book along with the narration.

Though you can also find the book it in a good clean scan on Archive.org. Or on Project Gutenberg in plain HTML, which is more easily searched.

Incidentally, readers of Tentaclii may also be interested in this amusing paragraph on Fiske from an old issue of the Skeptical Enquirer, which notes that Fiske also became an expert on eccentric ‘crank’ writers…

In his [late] essay “Some Cranks and their Crotchets” he relates that, when he was librarian at Harvard and trying to straighten out the card catalogue, he came across many books that seemed to be listed under the wrong categories. […] Fiske proposed to group these crank publications under “Insane Literature”. However, it was called to his attention that this appellation might hurt the feelings of certain living authors, so he decided to change the classification to “Eccentric Literature”. During the course of this reclassification project, Fiske became familiar with much of the eccentric literature of the day. In his case familiarity bred contempt. […] Fiske [in his essay] then proceeds to survey the cranks and crotchets of the nineteenth century.”