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Tentaclii

~ News & scholarship on H.P. Lovecraft

Tentaclii

Category Archives: Kittee Tuesday

The Fireside Sphinx

26 Tuesday May 2020

Posted by asdjfdlkf in Historical context, Kittee Tuesday, Scholarly works

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In 1932 Lovecraft wrote to his friend Moe, recalling once again the lost-lost days of 1900 when he had been ten years old. One of the items recalled in his stream-of-consciousness flow was… “the new cat book by Agnes Rapplier”.

Rapplier was a conservative Catholic essayist and reviewer, who also wrote popular books. The “new cat book” must be her The Fireside Sphinx: A Cultural History of Cats which appeared in 1901. Thus Lovecraft mis-placed it a little amid the tumble of memories, as a book of 1900.

It is just the sort of erudite yet breezy book that would have delighted a precocious lad who doted on cats, with chapters on Egypt, Dark Ages hysteria, and cats in his beloved British Isles. It is full of little stories and brisk histories. The book is simply footnoted as The Fireside Sphinx (without its subtitle indicating its non-fiction nature) in the Moe letters, and does not appear in my edition of Joshi’s Lovecraft’s Library. But, as a formative childhood book, it should probably be listed in a future edition of the Library.

Being out-of-copyright it could also make the basis of various new media productions, trimmed down a bit, from dramatized audiobook to graphic novel. Although note that archaeology is starting to dramatically change the story of ancient domestic cats in Europe — that bit would need to be added/updated.

When did Lovecraft have it and read it? A quick search suggests The Fireside Sphinx was probably issued October 1901 with an eye to the Christmas market. Thus it was perhaps a family gift, possibly to his mother or more likely to the young Lovecraft himself at Christmas 1901 when he was aged 11. By my calculations Lovecraft would then have been a doting cat-owner for several years and the kitten Trigger-ban, that had been presented to him as a “tiny black handful” at about age seven, would have fully grown into an adult pet cat by Christmas 1901.

“The World The Children Made” (1950)

19 Tuesday May 2020

Posted by asdjfdlkf in Kittee Tuesday, Odd scratchings

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This week’s “Kittee Tuesday” post is a PDF newly-upload in the public domain slot on the SFF Audio server. It’s a good scan of “The World The Children Made” by Ray Bradbury, as it first appeared in the Saturday Evening Post for 23rd September 1950. Though with ads removed, so we only get to see half of the historical context of its original publication.

The story is of course more famously known as “The Veldt”, under which title it was published the next year in Bradbury’s collection The Illustrated Man.

It’s interesting to know that SFF Audio consider that the tale is now in the public domain, at least in the USA. I can’t find any supporting evidence for that, but perhaps a reader of Tentaclii knows more on that point? I see from two reprint sources that the story’s copyright was renewed in 1977, when some 1950 copyrights were up for renewal in the USA.

In 1955 it had a full-cast radio adaptation which is now online at the X Minus One archive. This used an earlier 1951 radio script, but padded it to 30-minutes by added a new framing story. I once had an edit which cut this broadcast down to six minutes with a focus on the original story, but it appears to have been lost over the years.

Fragments from the Dreamlands

12 Tuesday May 2020

Posted by asdjfdlkf in Kittee Tuesday, Lovecraftian arts

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Here is my reasonably faithful large assemblage of the cover art for the 1971 Ballantine U.S. paperback edition of The Dream-Quest of Unknown Kadath, in the Ballantine Adult Fantasy series. The spine could only be had as a low-res scan, which is why that bit is fuzzier than the rest.

The book went through three paperback printings from Ballantine before 1975, as the USA’s baby boomers came of age and discovered Lovecraft and fantasy in general. By 1983 the Del Rey edition had galloped like a frisky zebra through 28 reprintings. Given such apparent popularity at that time, it’s a pity so few young writer cut their little kitty teeth on Lovecraft’s Dreamlands. Gary Myers’s fine The House of the Worm (1975) collection being the stand-out exception. As C.W. Thomas wrote, back in 2010 at Innsmouth Free Press…

It saddens me a little that the Dreamlands never caught on as a setting for other writers. This seems odd, considering how much of what Lovecraft wrote became the springboard for new authors. … My challenge to writers is simply to write a tale of Ulthar or lost Kadath. Forget the retread tales of Deep Ones, the diaries about guys who look for Cthulhu. Try a little magic, instead. I will gladly join you in the land of Mnar, where men built “Thraa, Ilarnek, and Kadatheron on the winding river Ai.”

The Ballantine cover art for the 1971 Dream-Quest was by Gervasio Gallardo (Gervasio Gallardo Villasenor, of Barcelona, Spain). He had a solo 95-page artbook in 1976, The Fantastic World of Gervasio Gallardo, and a feature in Novum in the early 1970s, “Gervasio Gallardo, Spain: a master of free and applied art”.

An example of his other 1970s work can be seen below. This picture was made at a time before the crude political usurpation of the Marian ‘crown of stars’ by the mundane European Union, and the symbolism here is rather in his blending of the Catholic Mary ‘star of the sea’ with the classical Venus. Though such a comparison was likely to have gimlet-eyed Jesuits leaping out at the artist from dark corners of Barcelona’s Gothic Quarter, it was and is a perfectly valid elision to make and rests on good historical foundations — it was not a made-up New Age hippy confabulation of the mid 1970s. The devout Christian C.S. Lewis had also felt free to make a similar elision at the end of one of his science-fiction novels, as a way of of introducing the Marian in a form palatable to his readers.

Born in 1934, the artist Gervasio Gallardo came-of-age in the Catholic Francoist post-war Barcelona of the mid 1950s. He left Spain for work at a German studio in 1959, moving later to an agency in Paris and then to USA in 1963. He was prolific in the early and mid 1970s, producing many covers for the Ballantine Adult Fantasy series and other authors. Thereafter he went back to Barcelona and set up his own studio, and then appears to have worked mostly as a commercial artist, with clients among European perfumiers and the makers of fine Spanish liqueurs and brandies. Not a bad line of regular work to be in, as the boom years of the mid-1980s approached.

The Fantastic World of Gervasio Gallardo at Archive.org.

Cats, Cheese and Hawaiians

05 Tuesday May 2020

Posted by asdjfdlkf in Historical context, Kittee Tuesday, Podcasts etc.

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The Voluminous podcast bounces around in the back seat, as H.P. Lovecraft takes his digressive mind for a spin… The Letters of H.P. Lovecraft: Cats, Cheese and Hawaiians.

Kittee Tuesday: I Don’t Want Moths

28 Tuesday Apr 2020

Posted by asdjfdlkf in Kittee Tuesday

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I Don’t Want Moths by Jade Armstrong, a fine little free cat (and moths) comic on Itch.io. I’ve been on Itch.io for a while, only for the 3D software Flowscape, and had no idea they also had a comics section. Looks like it’s large and thriving, and the presence of Atomic Robo on it inspires confidence. Checkout and downloading is very easy, and this particular comic comes as a .PDF file.

Kittee Tuesday: Shadow of the Cat

21 Tuesday Apr 2020

Posted by asdjfdlkf in Kittee Tuesday

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Hat-tip to the editors of Modern Monsters #3 (August 1966), which had a “Cats Cats Cats” round-up of cats in horror movies. The above promo card was used as a trailer for the article, at the start of the magazine.

Kittee Tuesday: Hannes Bok

14 Tuesday Apr 2020

Posted by asdjfdlkf in Kittee Tuesday

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Another return, possibly only temporary, for this blog’s ‘Kittee Tuesday’ feature. A Hannes Bok cat cover for Fantasy Fiction #1, 1953.

There’s no satisfactory scan online, re: the balance of colour and contrast. A version in blues, perhaps a re-creation, sold at auction in 2019…

Chats et Autres Betes (1933)

07 Tuesday Apr 2020

Posted by asdjfdlkf in Historical context, Kittee Tuesday, Lovecraftian arts

≈ 1 Comment

My continuing reading of the Barlow letters, now about half-way, has led me to discover a fine Lovecraftian artwork. Its excellence causes my ‘Kittee Tuesday’ feature to make a brief return.

In early 1934 Lovecraft was in New York and, having just put young Barlow on the bus, he sauntered over to the public library to peruse the new books with Belknap Long. He was rewarded by the sight of a new cat book. Steinlen’s Chats et Autres Betes had been published in Paris in 1933, and was presumably freshly catalogued and on display among the new artbooks. It has 19 black and white etched plates, seemingly very conventional, but with a tipped-in end-paper which is magnificent. Here is a good look at the whisker-twirling work, which we can only imagine had Lovecraft emitting a rare out-loud chuckle when he saw it…

It there’s ever to be a proper Lovecraft Museum in a physical building, this must surely be a prime candidate for one of the giant wall murals at the Cat Cafe.

There’s no Archive.org or other free edition of the book. While the French Gallica site does have the book’s more mundane kitties, it does not have a scan of the ensemble end-paper — presumably prised out and stolen long ago.

The faint lines on the scan are perhaps archival preservation tape applied to prevent cracking. It would be rather fab if a talented DeviantArt artist were to faithfully re-make this at 8k, perhaps with the additional of faint moonlight colour.

What was Steinlen’s inspiration? One wonders if he might have encountered Lovecraft’s story “The Cats of Ulthar” by around 1932, and if so this would be an early Lovecraft illustration. “Ulthar” had been published in Weird Tales in 1926, and presumably such things were known in the Surrealist circles of Paris in the 1920s and 30s. But possibly there were other “king o’ the cats” stories or fairy-tales in France. Can French readers offer any evidence, for a supposition that the Paris Surrealists knew of Weird Tales? Or offer a well-known source in French folk-tale or nursery-rhyme?

Old Book Illustrations

18 Tuesday Feb 2020

Posted by asdjfdlkf in Kittee Tuesday, Odd scratchings

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Old Book Illustrations, a large site sourced from Archive.org, Library of Congress etc, with public downloads at a reasonable medium size. The site seems to be curated, or at least has found a way to filter out all the “country house” engravings and similar mundane topographic items.

By Arthur Rackham.

Octo-puss

20 Monday Jan 2020

Posted by asdjfdlkf in Kittee Tuesday, Lovecraftian arts

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“Are Cats Part-Octopus?” Now, there’s an idea for story. While the notion has had slight and rather cursory attention in toon graphics and seen the occasional hand-crafted plushie bunged on Etsy, there seems plenty of potential for a more explanatory Lovecraftian fiction on connections between the two creatures.

The Black Stone

07 Tuesday Jan 2020

Posted by asdjfdlkf in Kittee Tuesday, Odd scratchings, REH

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The Library of America selected a prime “R.E. Howard writes Lovecraft” story as their Free Story of the Week: “The Black Stone”. At the end of 2019 it proved to be at #5 in their end-of-year tally of their most popular stories.

Here it is in Weird Tales for November 1931.

The cover of this issue is also interesting. C.C. Senf provides a bristling black kittee that must have delighted the cat-loving Lovecraft when he saw the picture.

Kittee Tuesday: the Bat-cat

30 Wednesday Oct 2019

Posted by asdjfdlkf in Kittee Tuesday, Lovecraftian arts

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Slightly late, this week. Kittee Tuesday — a weekly blog post, celebrating H.P. Lovecraft’s interest in our fascinating felines.

The Flying Fasilisk (Bat-Cat), by ‘m0zch0ps’.

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