HPLinks #8.
Fully fun-checked.
* A new Italian book of essays was published on 2nd October 2024, Yog-sothothery – Oltre la soglia dell’immaginari (‘Yog-Sothothery – Beyond the threshold of the imagination’), edited by Salvatore Santangelo and published by Castelvecchi Editore. The book…
explores the life and works of H.P. Lovecraft, highlighting his unique cosmogony [and] includes essays by experts on Lovecraft’s work, including: Angelo Clementi, graduate in philosophy, screenwriter and journalist; Virginia Como, graduate in literature, specialized in philology, linguistics and cultural anthropology; Pietro Gurriello, founder of the Dagon Press magazine and editor of the Lovecraftian Studies magazine; Paolo Mariani, writer of short stories in the horror and fantasy genre; Adriano Monti Buzzetti Colella, essayist, journalist and head of the Culture Editorial team of TG2; Miska Ruggeri, journalist with experience in politics, travel and culture; Salvatore Santangelo, journalist and university professor, expert in international politics.
The publisher’s website finds nothing for a search for either ‘Lovecraft’ or ‘Sothothery’. Nothing about the book on the front page, either. But at least Amazon Italy has a page which reveals the book is out, is 160 pages and is in print only. No table-of-contents, that I can find.
* Lovecraft’s The Case of Charles Dexter Ward, illustrated by Jason Eckhardt (2024). The book is available now from Necronomicon Press. It also has maps, handily placed on the back cover.
* Mark Finn’s biography Blood & Thunder: The Life of Robert E. Howard is now available as a Kindle ebook, and note that…
This is the updated and expanded second edition of the Monkeybrain Books 2006 edition. This is the author’s ‘director’s cut’ of his popular biography […] a total of 35,000 more words
* I fondly if vaguely recall the 1970s British Orbit paperbacks of R.E. Howard tales. I’m fairly sure I had Worms of the Earth and Swords of Shahrazar, if not others, in the 1980s. There’s now a new YouTube video celebrating and showing them, “Robert E. Howard in Orbit | 70s Brit paperbacks”.
* The local Portland Tribune reports “It’s a cornucopia of cosmic horror in the H.P. Lovecraft Film Festival and gives handy summaries of many films. I’ve linked to an Archive.is copy, since the Tribune region-blocks all visitors from the UK and EU.
* Over in Holland, I also noticed a Zienema: Lovecraftian Halloween Special cinema evening in Groningen. Set for 29th October 2024.
* Now crowdfunding, All Tomorrows by C.M. Kosemen, a solo-artist artbook and apparent timeline of future ‘speculative evolution’…
I knew that the many weird species I created would be impossible to unite with a single coherent story, so I went with historic narration — similar to Edward Gibbon’s Decline and Fall of the Roman Empire, or Olaf Stapledon’s incredible books, Star Maker and Last and First Men.
* The Silver Key has a new review of the academic book
Weird Tales of Modernity: The Ephemerality of the Ordinary in the Stories of Robert E. Howard, Clark Ashton Smith and H.P. Lovecraft (2019).
* The scholarly journal The New Ray Bradbury Review now has the latest issue #8 online, which has the theme of Bradbury and the early U.S. space programme. Free and open-access.
* A brave attempt at starting a new paid-for non-fiction web-a-zine with a leftist slant, Speculative Insight: space, magic, footnotes. Partly paywalled, subscription, and no RSS feed.
* The latest SFFaudio Podcast #806 summons Robert Silverberg’s “Demons of Cthulhu” (1959). Freely available online.
* I now have the volume of Lovecraft’s letters to Toldridge in my hands. I see it doesn’t include the letters she sent to him and which have survived. Some of which are at the John Hay repository and can be freely seen online…
bdr:422815
bdr:422816
bdr:422817
bdr:422818
bdr:422819
* Spotted on eBay, a ‘perhaps’ business-card for HPL’s optician? We know that the younger HPL wore glasses, loved the upmarket covered Arcade of shops as his natural home for purchases and haircuts, and that when young he felt that money was no object (i.e. he wouldn’t ‘shop around’ to get a cheaper pair).
Slightly weighing against this possibility is the mid 1890s ad in his boyhood astronomy journal, for the Providence optician R.H. Allen. The boy Lovecraft has spotted in the newspaper that Allen was selling a second-hand astronomical instrument of some worth.
* Also found on eBay, another ‘perhaps’ picture. A curious and rather precarious-looking building that may have been a familiar sight to Lovecraft, on the seaward approaches to and from his favourite town of Newport…
* And I also spotted a nice set of pictures from someone selling a set of the Gollancz hardbacks, UK ‘yellow jacket’ editions once easily found in our public libraries.
* And finally, I came across the “weird science-fiction adjacent” ‘zine Perhaps You Might Try The Soup, hailing from the inner-city ‘catlands’ of Dublin, Ireland. I hadn’t before heard the word ‘catlands’, but it’s a fine psychogeographic shorthand. Where people keep cats in inner-city England (and presumably also Dublin), the streets are nearly always more pleasant than streets where mostly dogs are kept or no pets at all. It’s a simple and effective metric, and an apt word. One can even imagine an eccentric map which marks out the ‘catlands’ of a large town or city. I find that the word first occurs in Scribner’s Magazine in 1893, where in W.E. Henley’s long poem “Arabian Nights” (man recalls the tales and magical lands he knew in boyhood) the figure of Puss-in-Boots is described as… “King over all the Catlands, present and past and future”. Thus the word has ‘prior art’, and could presumably be used as the title of a new book or comic — without fear of trademark trolls.
— End-quote —
“One may easily sympathise for a time with the rebellious artists who point out the insignificance of human inhibitions, but they begin to fatigue one when they persist in denying equal insignificance to the freakishly extravagant instincts which they so consistently exalt. Where so little sense of proportion exists, it is impossible to feel any sense of serious power — and as art material, this conventional perversity is becoming woefully hackneyed …” — Lovecraft writing to Belknap Long, the quote being a possible source for the title of the forthcoming book A Sense of Proportion: The Letters of H.P. Lovecraft and Frank Belknap Long.