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Tentaclii

~ News & scholarship on H.P. Lovecraft

Tentaclii

Monthly Archives: November 2018

Friday “picture postals” from Lovecraft: Keith’s Theatre

09 Friday Nov 2018

Posted by asdjfdlkf in Picture postals

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“I am not much of a vaudeville follower, but it happens that I saw him [Houdini] at the old Keith’s Theatre here nearly a quarter of a century ago [c. 1905] it must have been at the very outset of his career, for he was not then especially well known.” — H.P. Lovecraft, letter to Henneberger, 2nd February 1924.

Poster (apparently genuine?) advertising Houdini’s 1905 tour, in this case the Newport stop in New England. The word “Metamorphosis” would surely have caught the 15 or 16 year-old Lovecraft’s eye.

Vintage Portuguese Lovecraft, 1941?

09 Friday Nov 2018

Posted by asdjfdlkf in Lovecraftian arts

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The cover for The Case of Charles Dexter Ward in Portuguese translation, published from Lisbon in (apparently) 1941.

The Lovecraft bibliography has this as “1958?”, but the eBay seller who provided this scan and who had the book to hand stated 1941. Colour covers during wartime seems a little unlikely, though. But possibly they were expected on paperbacks in Brazil and wouldn’t sell well without colour?

An article on Lovecraft in Portuguese suggests “1956”, and — although that claim is unreferenced — the date does seem to match the illustration style and the use of colour.

Some 2019 anniversaries

09 Friday Nov 2018

Posted by asdjfdlkf in Historical context

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50 Years (1969):

* Foundation of Panther in the UK and Ballantine in the USA, both publishers who did sterling work to bring H.P. Lovecraft, R.E. Howard, and the writers of the Lovecraft Circle, to the masses.

* Arkham publishes its two-volume Tales of the Cthulhu Mythos, the first multi-author Mythos anthology book.

* French literary journal Le Cahier de l’Herne famously devotes its entire issue to Lovecraft.

80 Years (1939):

* Arkham House founded in 1939, and the first title published — The Outsider and Others.

100 years (1919):

* Lovecraft publishes the story “Dagon”.


(My thanks for Martin A. for correcting my ‘slip of the memory’ on “Dagon”. When first published the above post said the story was written in 1919. The story was, of course, published in 1919).

Frank E. Schoonover: American Visions

09 Friday Nov 2018

Posted by asdjfdlkf in Odd scratchings

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“Frank E. Schoonover: American Visions” is a survey exhibition of over 80 original works, from a life’s work of over 2,000 pictures. The show runs 10th November 2018 until 27th May 2019 at the Norman Rockwell Museum (about 75 miles north of New York City). Mostly westerns, medieval, pirates, in the Howard Pyle manner, but he also did some science fiction. The Schenectady Daily Gazette has a well-written profile of the artist — which I’m pleased to see is also available to those in the UK and Europe, at a time when many small U.S. newspaper websites are blocking overseas visitors.

A John Carter of Mars illustration, with a faintly Lovecraft-like character visiting the hero.

10th Algeciras Fantastika – a Lovecraft special

08 Thursday Nov 2018

Posted by asdjfdlkf in Odd scratchings

≈ 1 Comment

Two reports of a Spanish Lovecraft event, translated and condensed…


The Guillermo Perez Villalta Building, host of the 10th International Fantastic Arts and Terror event Algeciras Fantastika, yesterday [Nov 2018] hosted the literary tribute to the American writer Howard Phillips Lovecraft. The director of the festival, Angel Gomez, together with other collaborating writers such as Juan Emilio Rios, Carmen Sanchez, Jorge Sanchez, Miguel Angel Planas and Juan Luis Helguera, honored the classic author through the reading of poems, sketches and short stories. Gomez recalled that this literary tribute of Algeciras Fantastika is one of its most traditional moments, and has previously celebrated and honoured famous artists such as Edgar Allan Poe, Gustavo Adolfo Becquer, Ray Bradbury and H.G. Wells.

The Algeciras Fantastika 2018 festival is a multidisciplinary cultural event specializing in fantasy, suspense, terror and science fiction, organized by the City Council of Algeciras and the University of Cadiz (UCA). Angel Gomez Rivero, director of the event, highlighted the extensive program of Algeciras Fantastic, “in which we can enjoy screenings of short films and feature films, the Little Mystics children’s literary contest, exhibitions of illustrations by Jesus Merino, the literary tributes of H.P. Lovecraft, and the tributes to the film director Miguel Angel Vivas and the actor Manuel Galiana.”

[Algeciras Fantastic also offers a] retrospective session on The Cinema of H.P. Lovecraft, in which a palace containing the spirits and the monster of terror will be screened. [Then on] The last day of Algeciras Fantastika 2018 a retrospective Lovecraft double-bill screening, with projections of The Resurrected and The Whisperer in Darkness, both in original version with Spanish subtitles.

Theology and horror – call for abstracts

08 Thursday Nov 2018

Posted by asdjfdlkf in New books, Scholarly works

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A call for abstracts, for the academic book Theology and Horror.


Explorations of the relationship between religion and horror are fairly well established. However, this is not the case for theology and horror. Many times explorations of theology and horror involve simplistic readings in which theological concepts or doctrines are spotted within horror narratives and noted as points of connection. While this approach has its place, great possibilities exist for going deeper and wider in the exploration of horror and theology.

[The book will explore] how theology is present in horror [and suggest] how theology can be changed and shaped by an interaction with horror. [It will be] co-edited by John Morehead and Brandon R. Grafius. Morehead is the proprietor of TheoFantastique.com, and is a contributor, editor and co-editor to a number of books including The Undead and Theology, Joss Whedon and Religion, The Supernatural Cinema of Guillermo del Toro, and Fantastic Fan Cultures and the Sacred (forthcoming). Grafius is assistant professor of Biblical Studies at Ecumenical Theological Seminary.

Abstracts of 300-500 words with CVs should be sent to johnwmorehead@msn.com and bgrafius@etseminary.edu by 15th January 2019. The submission deadline for drafts of manuscripts of 6,000-8,000 words is scheduled for 1st September 2019.

More on McNeil

08 Thursday Nov 2018

Posted by asdjfdlkf in Historical context

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Found, a new biographical peice from Everett McNeil of the Lovecraft Circle. It was published in The Trestle Board, 1887. We might imagine that this anecdote of childhood tobacco poisoning was one that the Lovecraft Circle heard at least once, during their long coffee and tobacco-fuelled meetings in McNeil’s rooms in the mid 1920s. From it we can glean just a few more biographical details. We already knew his father was an accomplished prize-winning farmer, but here McNeil confirms that his father David McNeil grew significant amounts of tobacco, and that there was a hired farm-hand ‘living in’ with the family.

And another new article by McNeil is found in Moving Picture News in 1912. At this point he is still part of the movie industry (then still largely in New York City) where he works as a highly experienced scenarist (in modern terms, a screenwriter). 1912 was a couple of years before his move to the Edison studio to work under Arthur Leeds. Here he complains about cinemas that run the film ‘fast’, in order to put on extra showings, and hints at industry prosecutions of the exhibitors.

Again, one imagines that in the mid 1920s the Lovecraft Circle heard McNeil’s memories of encountering his own movies being shown at high-speed, back during his movie-making years. Possibly (with the bitterness erased by the years in between) such memories were recounted by him in a rather more comic manner than previously, focussing on the laughably speeded-up antics?

The above are in addition to my book on McNeil and his career, Good Old Mac.

Lovecraft and The Raven

07 Wednesday Nov 2018

Posted by asdjfdlkf in Films & trailers, Historical context, New discoveries

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In a late September 1919 letter H.P. Lovecraft singled out “Henry B. Walthall” as a silent cinema star he held to be “above the rest”, the only other being the young Japanese star Sessue Hayakawa.

Walthall possess tragic potentialities all too seldom utilised on the screen. His part in the “Birth of a Nation”, though a leading one, failed to do him justice. He could create a sensation if some of Poe’s tales were dramatised — I can imagine him as Roderick Usher or the central character in “Berenice”. No one else in filmland can duplicate his delineation of stark, hideous terror or fiendish malignancy. — Lovecraft.

What movies would Lovecraft likely have seen Walthall in? The annotations in the volume of Galpin letters suggests only… “Judith of Betthulia [1914, Biblical melodrama], Avenging Conscience [1914, horror-drama, Poe], and Birth of a Nation [1915, family drama, war-epic].”

Avenging Conscience was based on Edgar Allan Poe stories, and featured Walthall playing Poe himself.

But a quick look at Walthall’s filmography suggests that Lovecraft might also have been thinking of “The Raven” (1915, Essanay), a remake of a lost 1912 D.W. Griffith short. The expanded 1915 version was a major ‘melodramatic bio-pic’ movie of Edgar Allan Poe, and Walthall again played Poe.

Lovecraft may have been impressed by what were reported (in the 1915 movie press) to be uncanny double-exposure FX scenes such as Poe fighting a duel with himself, dream-levitating, and by the general visual inventiveness of the sets. Also with the fact that it been filmed in an exact life-sized reproduction of the interior of Poe’s home in Fordham, built on a stage-set after Essanay sent an architect to take the exact measurements. Lovecraft would likely have been less impressed by what is said to be a curt re-write of Poe’s life history, including giving him a thirty-five year old Virginia.

Apparently the movie was immensely popular, and Lovecraft would almost certainly have seen it despite its biographical shortcomings. Perhaps it was too popular, as movie buffs note that there was no screen representation of Poe for many decades afterwards. Originally running as much as 80 minutes (six reels, lost), there’s an approx. 40 minute survival which appears to have been crudely butchered for length and which is now on a 2007 DVD. It’s not currently on Archive.org or YouTube.

Fleeing Flickr

07 Wednesday Nov 2018

Posted by asdjfdlkf in Lovecraftian arts, Odd scratchings

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AppleInsider reports that Flickr is set to bring its free users down to a quota of 1,000 pictures, forcibly, from 8th January 2019…

“Flickr just says the deletion will begin “from oldest to newest date uploaded” until you’re down to the 1,000 limit.”

This will be a bit of a disaster for free users with lots of pictures. Many archival collections of pulp covers, ‘Lovecraft locations’, etc are going to be forcibly truncated. Many users are no longer around to save their collections, either having died or been locked out due to Yahoo/Flickr getting so badly hacked a while ago.

Escapees from the Yahoo/Flickr disaster-zone will need Bulkr Pro for bulk downloading. A year ago I backed up 2,100 full-res Flickr pictures into themed folders with relative ease. Account access is not needed, just publicly available photos. I then switched to the 500px service, which is relatively stylish and is about the best bulk ‘photo galleries’ option.

500px has some limitations, but cosmetic matters can be fixed with things like the “500px Download button and enable right-click” UserScript. One thing that can’t be so easily bypassed is that 500px are partnered with evil stock-photography megacorp Getty, which means they don’t allow Creative Commons tagging or CC downloads.

The best option for Flickr escapees is thus, in my experience…

* Bulkr Pro and a 500px account.
* a free WordPress blog with a good free gallery theme (Dyad 2) for your Creative Commons pictures.

Though the 500px browser-based bulk uploader is not ideal, and not everyone will love the new WordPress back-end user interface. Neither has dedicated Creative Commons tagging other than manually via the internal tag system.

If anyone can point me to a Flickr-hosted Lovecraft / R.E. Howard / Sci-fi / Pulp collection not likely to be saved from the January purge, then I can use my Bulkr Pro software to go get them in full-size.

New Lovecraft books inc. ‘the aunt letters’ in 1200 pages

06 Tuesday Nov 2018

Posted by asdjfdlkf in New books

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S. T. Joshi’s blog has updated….

“Our edition of Lovecraft memoirs, Ave atque Vale, is now available for pre-order from Necronomicon Press.”

$30 paperback and a 100-copy limited edition hardback for the collectors. Ave atque Vale: Reminiscences of H. P. Lovecraft is billed as… “each essay [annotated] thoroughly to explain obscure references and to correct errors” and thus the volume is a shelf companion to slip in beside the elegant 1998 hardback Lovecraft Remembered.

Ave atque Vale sports a fine cover photo, though the typography laid on top is excruciating. For such an important book I would have been happy to spend an hour fixing the yellow colour-cast, lightly colorising the photograph, and doing something more elegant with better type.

S.T. also mentions that he has been at work adding the Index to a forthcoming Letters with Donald and Howard Wandrei and to Emil Petaja volume, and that…

“we have the [Lovecraft] Letters to Family and Family Friends (1200 pp.!) ready to go”.

Wow… that’ll be ‘the aunts’ letters in print in full, at last! Great news. However, S.T. remarks that “ready to go” = “early 2019”, rather than publication before Christmas.

Pulpster 2019 – call

06 Tuesday Nov 2018

Posted by asdjfdlkf in New books, Scholarly works

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The Pulpster magazine calls for contributions for 2019. The associated PulpFest 2019 convention theme is to be “Children of the Pulps”, which seems to mean the continuation of pulp characters into other media. But The Pulpster editor is casting his net wider. Advertising space is also up for grabs.


Picture: #24 (2015) the Lovecraft special of The Pulpster.

Gou Tanabe’s Lovecraft manga on Kindle

06 Tuesday Nov 2018

Posted by asdjfdlkf in Lovecraftian arts, New books

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New on Comixology as an ebook for Halloween, but not yet showing up on the Amazon Kindle store, is Gou Tanabe’s manga H. P. Lovecraft’s The Hound and Other Stories (2017). 163 pages in English translation. Noted manga artist Tanabe adapts three Lovecraft stories, “The Temple”, “The Hound”, and “The Nameless City”. There are done as faithful adaptations with strong historical research on how costumes and objects looked. ‘Faithful’, in the case of “The Nameless City”, will probably be interpreted by action-avid comics readers as ‘very slow and dull’. But for others it may be just the ticket.

“The Temple” is here shifted forward in time to the Second World War, and may be especially interesting to readers of the British Commando comics who are feeling starved of the supernatural in this long-running war comics series (Castle of Fear and A Soldier’s Luck being about as supernatural as we’ve had it, so far).

Update: the UK Amazon now has a page for it but suggests the Kindle release has been put back a month, until December. Perhaps Comixology has an exclusive period on it?

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