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Tentaclii

~ News & scholarship on H.P. Lovecraft

Tentaclii

Monthly Archives: July 2014

Down to the Sea

06 Sunday Jul 2014

Posted by asdjfdlkf in Films & trailers, Historical context

≈ Leave a comment

Restored version of the silent movie Down To The Sea in Ships (1922) on YouTube. Lovecraft had missed seeing this when it was first released, but was able to see “the striking New Bedford whaling film” at the Cameo Theatre in New York City on the evening of 26th July 1925.

I had never imagined that so perfect an evocation of the old whaling days could be possible. The pictures were taken either actually in New Bedford or at sea, & shew the actual surviving houses, churches, whaves, ships, & accessories. To one who has lately read “Moby Dick” and “The Gam“, the film was incredibly impressive. “Faking” it was impossible—for one beheld the whales spouting in full splendour, the chase of the boats, the throwing and landing of the harpoon [and] it was the actor himself, seen full in the face, who threw the successful dart […] The whole film is of inestimable historical value [especially since the last American] whaler has gone to its eternal rest [so now…] whaling is done in steam vessels—mostly Norwegian—with auxiliary launches …” (Letter to Lillian D. Clarke, 27th July 1925)

Aha, so now we have the answer on Moby Dick! It was “almost certain” that he read it in mid April 1925. And now there’s 100% proof he read it then. The above quote even gives a possible source for his idea of having a “Norwegian sailor Gustaf Johansen” in “The Call of Cthulhu”.

Lovecraft may also have been rather thrilled to see a stock type in the movie, who looked remarkably like himself…

sinister

Photo of the Cameo Theatre, NYC, c. 1930.

cameo-nyc-1920s

Later, in August 1929, Lovecraft saw the New Bedford Whaling Museum (Jonathan Bourne Whaling Museum). He also visited the aquarium at Wood’s Hole, suggesting his aversion to sea-food did not extend to live specimens.

When worlds collide

05 Saturday Jul 2014

Posted by asdjfdlkf in Odd scratchings

≈ Leave a comment

It’s cool when worlds collide. Sauropod Vertebra Picture of the Week blog, which I know of through my work on JURN (SVPoW recently inspired me to add coverage of open-access dinosaur academia to my JURN academic search-engine) has a new blog post on pathological rodent teeth and Cthulhu…

in my experience, in the Venn diagram of life, the “interested in paleo” [dinosaur fossils] and “interested in Lovecraft” circles overlap almost entirely.

His post links out to his superb 2013 post on What Cthulhu should look like.

New book: Poe and the Visual Arts

04 Friday Jul 2014

Posted by asdjfdlkf in New books

≈ Leave a comment

Poe and the Visual Arts, just published by Penn State University Press.

“the first comprehensive study of how Poe’s work relates to the visual culture of his time [and how] his enduring love of beauty and knowledge of the visual arts richly informed his corpus”

1. Poe’s Exposure to Art Exhibited in Philadelphia and Manhattan, 1838–1845.
2. Artists and Artwork in Poe’s Short Stories and Sketches.
3. Poe’s Homely Interiors.
4. Poe’s Visual Tricks.
5. Poe’s Art Criticism.

“Poe integrated visual art into sketches, tales, and literary criticism, paying close attention to the sculptures and paintings he saw in books, magazines, and museums”

It strikes me that this was one of the lessons Lovecraft learned from Poe. It would be interesting to have a similar art history book on Lovecraft.

Banned Books Week

04 Friday Jul 2014

Posted by asdjfdlkf in Lovecraftian arts

≈ Leave a comment

Banned Books Week will this year focus on comics…

cbldf-handbook-195x300

Lovecraft’s writing style manual: Abner Alden’s The Reader (1802)

04 Friday Jul 2014

Posted by asdjfdlkf in Historical context, Scholarly works

≈ Leave a comment

Lovecraft’s boyhood writing manual…

intro1

Download the first volume (in exactly the same 1802 edition as Lovecraft had), and also the second volume (probably not had by Lovecraft, since he mentions only a single volume).

It’s a little more interesting that simply a style and composition guide, being also an anthology of examples that serve as a guide-to-life…

Lesson LXXVIII
By Imagination man can travel back to the source of time: converse with successive generations of men … he can sail down the stream of time until he loses “sight of stars and sun, by wandering into those retired parts of eternity, when the heavens and earth shall be no more”


Lovecraft in a letter to Bernard Austin Dwyer, 3rd March 1927…

“Being highly imaginative, and sensitive to the archaic influences of this old town with its narrow hill streets and glamorous Colonial doorways, I conceived the childish freak of transporting myself altogether into the past; so began to choose only such books as were very old — with the “long s” — (which I found mainly in the banished portion of the library in a great dark storeroom upstairs) and to date all my writings 200 years back — 1697 instead of 1897 and so on. For my guidance in correct composition [in early boyhood] I chose a deliciously quaint and compendious volume which my great-grandfather had used at school, and which I still treasure sacredly minus its covers:

THE READER:
Containing the Art of Delivery—Articulation, Accent, ‘Pronunciation, Emphasis, Pauses, Key or Pitch of the Voice, and Tones; Selection of Lessons in the Various Kinds of Prose; Poetick Numbers, Structure of English Verse, Feet and Pauses, Measure and Movement, Melody, Harmony, and Expression, Rules for Reading Verse, Selections of Lessons in the Various Kinds of Verse.
By
Abner Alden, A. M.
Boston
Printed by J. T. Buckingham for Thomas and Andrews,
No. 45, Newbury-Street
1802.

This was so utterly and absolutely the very thing I had been looking for, that I attacked it with almost savage violence. It was in the “long s”, and reflected in all its completeness the Georgian rhetorical tradition of Addison, Pope, and Johnson, which had survived unimpaired in America even after the Romantic Movement had begun to modify it in England. This, I felt by instinct, was the key to the speech and manners and mental world of that old periwigged, knee-breeched Providence whose ancient lanes still climbed the hill […] Little by little I hammered every rule and precept and example into my receptive system, till in a month or so I was beginning to write coherent verse in the ancient style.

David V. Bush’s war poetry

04 Friday Jul 2014

Posted by asdjfdlkf in Historical context, New discoveries

≈ 2 Comments

I’ve been looking at some David V. Bush poetry, Poetry of Mastery and Love Verse (1922). Probably largely ghosted by Lovecraft, who had been doing extensive ghosting of poetry and prose for Bush since 1920.


This essay has been replaced by my new book of revised, expanded, and footnoted versions of my recent Tentaclii essays, Lovecraft in Historical Context: fifth collection.

cover_front_600px

Merrimack River Feline Rescue

04 Friday Jul 2014

Posted by asdjfdlkf in Odd scratchings

≈ 1 Comment

I won the Public Domain Review caption competition. Looking around for a place to have them send the prize, I alighted on the Merrimack River Feline Rescue Society. Should anyone need a relatively local-to-Providence no-kill cat shelter to donate Lovecraftian competition / event surplus proceeds to, that might be it. They seem like a pretty solid organisation, and are just about the nearest such to Providence / the Necronomicon convention.

captionc

Hawthorne’s influence on Lovecraft

03 Thursday Jul 2014

Posted by asdjfdlkf in Historical context

≈ 2 Comments

This essay has been replaced by my new book of revised, expanded, and footnoted versions of my recent Tentaclii essays, Lovecraft in Historical Context: fifth collection.

cover_front_600px

Do not buy from “circusofdeadgoats” on eBay

03 Thursday Jul 2014

Posted by asdjfdlkf in Odd scratchings

≈ Leave a comment

I had a really bad eBay experience with buying a Lovecraft item from “circusofdeadgoats”. I know, I know… I should have been warned by his name. I strongly advise Lovecraftians not to purchase from this vendor via eBay.

New book: Horror Guide to Massachusetts

03 Thursday Jul 2014

Posted by asdjfdlkf in New books, Scholarly works

≈ Leave a comment

To be published very soon from Post Mortem Press, the new book Horror Guide to Massachusetts, by David & Scott Goudsward. $17. 322 pages.

“Horror Guide to Massachusetts is a map to geographical locations, real and fictional, utilized in horror tales set in New England” [and includes places] “referenced in horror books, stories, TV and movies”

horrog

Added to Open Lovecraft

02 Wednesday Jul 2014

Posted by asdjfdlkf in Scholarly works

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* Jason Carney (2014), The Shadow Modernism of Weird Tales: Experimental Pulp Fiction in the Age of Modernist Reflection (Ph.D thesis for Case Western. Explores the extent to which the best writing in Weird Tales aligns with the canonical accounts of modernism, as given by the early theorists of the movement. The most ambitious of the Weird Tales authors wove new modernist approaches into conventional realism, and thus discovered ways to make ordinary phenomena seem weird)

* Jeffrey Michael Renye (2013), Panic on the British Borderlands: The Great God Pan, Victorian Sexuality, and Sacred Space in the Works of Arthur Machen (Ph.D thesis for Temple University, Philadelphia. Identifies Lovecraft as the first critical writer on Machen)

* Eleanor Toland (2014), “And Did Those Hooves: Pan and the Edwardians” (Masters dissertation for the University of Wellington, NZ. Surveys the curiously British mythos that various authors together evolved around Pan in Edwardian Britain. Sees the Pan mythos as ending with the advent of the First World War, and does not consider the later reception of the Pan stories or the example they gave of the rapid development of a new mythos from many hands)

169 Clinton Street sold for $3m

02 Wednesday Jul 2014

Posted by asdjfdlkf in Historical context

≈ Leave a comment

New interior photos of 169 Clinton Street, at the edge of the former slum of Red Hook, New York City. Sold recently for an amazingly cheap $3m (cheap by London standards, and given the size of the place). The interior is now changed, although Lovecraft might have actually found the ersatz-historical rooms (shown in the sale photos) to his 18th century taste. More interesting to Lovecraftians might be the complete floor-plan.

225x300169 Clinton St., 2014. Judging by the elevation this could even be Lovecraft’s first-floor room. If so, it looks like the owners tried to ‘exorcise’ Lovecraft by reaching back to the earlier history of the house.

169floorplanPlan: 169 Clinton St.

From 31st Dec 1924 H.P. Lovecraft had a $40-a-month (later $10 a week) first-floor apartment there in the north-west corner, with “two alcoves—one for dressing and the other for washing” (S.T. Joshi, A Dreamer and a Visionary, p.211). This room is the 15′ x 16′ front room on what is marked as the “Third Floor” on the above plan (it seems the lowest ‘Garden’ floor on the plan is what was formerly the sculleries/basement area?). He did not have the modern left-hand cupboard-bedroom (added later?), but had access to the small alcove and its walk-in-closet at the rear of the room. His own sketch plan of his room’s layout can be found near the front of I Am Providence.

He made the “shabby-genteel” place as homely as he could, following the lead of Everett McNeil who was his mentor in living-with-poverty in New York. The room hosted some of the meetings of the Kalem Club. But it appears that the whole place was basically fraying into being a slum, and what he thought was “shabby-genteel” was really a “dismal hovel”. It was under-heated and under-repaired, infested with bedbugs and mice, and (according to L. Sprague de Camp) “he found to his horror that he had Orientals as housemates”. Presumably he also had the daytime noise from the street as he tried to sleep (he was often out much of the night with the boys), since his room was directly over the street: there would have been less traffic in the mid 1920s, but probably noisier when it appeared, and there was also much more street life and children playing-out. Lovecraft was one night burgled by youths who had rented the adjacent room, and they stole his best suits and overcoat and Loveman’s $100 radio.

In that room he wrote “The Horror at Red Hook” and “Cool Air”, the complete plot of “The Call of Cthulhu”, the 1925 Diary, typed “He”, and wrote many letters…

“Something unwholesome—something furtive—something vast lying subterrenely in obnoxious slumber—that was the soul of 169 Clinton St. at the edge of Red Hook, and in my great northwest corner room.” (Lovecraft, Lord of a Visible World, p.167)

1925-169Picture: Lovecraft in front of 169 Clinton Street.

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