I see there’s a new Brian Haberlin comic, since February 2023. Currently in episodic mode. The covers are part- painted, but the interiors are his usual style of art made with the assistance of Poser and highly polished. The Last Barbarians is a high/dark fantasy tale with a D&D vibe and some gore, and is currently up to #4… with #5 announced. I’d guess it might run eight issues, as his series usually do?
Blank Boi to storybook Space Boy:
Requires:
Blank Boi base figure.
BlankDolly.
Elf Basics.
Blank Boi Nose freebie prop.
Blank Boi in Space freebie clothing set.
1. Load the Blank Boi base figure in Poser. To be found installed in Poser (totally counter-intiuitively) under Figures ..\3DZToonz\BlankBoi\BlankBoi.cr2
2. Load Elf Basics hood and clothing to head and body. Found under Figures ..\Elf Basics. Conform if needed.
3. Load Pose ..\BlankDolly\ Normal Shader | Dolly body gets you the eyes seen here.
4. Props | Blank Boi Features | Nose. Load to head.
5. Adjust DollyEars morphs on ears (from BlankDolly) for pointiness. Set ears slightly off-centre for added quirkiness. A little postwork clean-up will be needed re: the conjunction of the ears and the hood, when seen at at certain angles.
6. Hide (make ‘not visible’) the end of the elf boots. This makes him less obviously a generic fantasy figure. Set the “Feet swap” morph to “2” for the new ‘toon feet’ seen added below.
7. Props ..\Blank Boi In Space | BB Space Pack for an oxygen backpack. If the .OBJ is lost on loading, it’s to be found in ..\Runtime\Geometries\treasurechest\bboiclothes
8. Apply Aiko 3 poses. V3 also, but those poses will tend to reposition the figure somewhere else on the stage.
9. Change the material diffuse colours to a more space-y colour scheme.
10. Render in flat colour and lineart, and combine these two renders in Photoshop…
Not ideal. The ears are sometimes seen inside the hood. The neck-joint needs more of a spacesuit-like air-seal. The feet are ok, but not great. There are probably better figures with which to make a whimsical space-adventure storybook, but the Boi is fairly cute and it could be done. The lack of a mouth is a great advantage, since you wouldn’t have to be constantly tugging at that to get it to look right, or manually drawing it in.
Poser 13 has been released for Windows. Available now at Renderosity. There’s also a 21-day free trial.
Upgrade from Poser 12 is $99, full-price for 13 is $250. Poser 12 is still on sale at $150. There doesn’t seem to be an upgrade offer from Poser 11 to 13, curiously. But I imagine that anyone who wants to has already done the Poser 11 to 12 upgrade.
Poser 11 is still on sale thankfully… but is now hiked up to $150 at Renderosity (was $52 for a long time). However, note that Neowin still has it for $80, an ongoing roll-over offer officially approved by Poser’s parent company Bondware.
The “Windows 10” system spec probably doesn’t mean much, since Poser 12 and now 13 run fine on Windows 7. But note that Windows 7 users can’t install Ken’s store-purchased Python utilities due to lacking the encryption needed. Note also that ZBrush 2022.7 or higher is now required for GoZ round-tripping to Poser 13.
A Mac version of 13 is also set for release, soon-ish… “We expect the Mac version to follow the Windows release in a few weeks as a free update for Poser 13 license holders.”
Also due is “an exciting new figure” but this is still “in the works for Poser 13”. The existing free 25Gb content bundle is the same, but it seems it’s now split into more manageable download bundles.
Installers for 11 / 12 / 13 are now all available at the posersoftware.com site.
As usual, expect any new version to break a few Python scripts, because Python “knows nurthing” about any ‘Poser 13’ version. There is one forum report that EZSkin 3 won’t run on Poser 13, for instance. But there’s already a fix for the script. However, the dev team also quickly posted a “new installer” that may fix this without the need for the new fixed script.
Also as usual, new users of a vanilla Poser 13 may have to tweak their rendering settings to get the optimum configuration for their particular hardware setup. There’s a lot to digest there, several things have changed with the new Cycles/SuperFly, and it will pay to study the new settings for a few hours.
Ok, so… new items for Poser 13 which caught my eye in the list were:
* The “latest open source Cycles engine” from Blender, which in Poser is branded as SuperFly. Not all Blender Cycles nodes are present. It’s a slightly cut-down version, plus some Poser-specific nodes. The new version in Poser 13 gives much faster rendering, especially on animations and complex scenes… “GPU renders of complex scenes benchmark at under half the time required for the same scene on Poser 12.” Also works on CPUs, I hear. Also has “Improved adaptive sampling for faster renders” and an “Updated animation rendering system for better productivity [when] rendering movie sequences.” The new “GPU rendering on remote nodes” can speed things up even more, if you have the kit and ability to pay the electricity bills and can wire up a local render farm.
* “Updated Walk Designer and Talk Designer, for better compatibility with all figure types and support of imported libraries.” Again, animators will likely be happy at that.
* New ‘Post FX’ post-render options… “denoise, exposure, saturation, gamma, brightness, contrast, bloom, blur and pixelate.” Nothing you can’t do in Photoshop, but nice to have. Bloom may be interesting. If it looks good, is consistently controllable, and has enough light spillover to become ‘glow’.
* Improved Intel Open Image Denoise (OIDN) module. One of the best features of Poser 12, and now also in Poser 13. Good to see they’ve integrated a more recent version, though no version number is given. It works wonders on either CPUs or the GPU, which suggests it is indeed the latest version (previous versions were GPU-only).
* “Improved morph and weight-map copying system makes creating clothing easier.” Clothing makers will no doubt welcome that. (Update: Two bug-fix releases to 13.0.287 focused largely on these features). PoserPython scripting now “includes Match Centers to Morph, Joint Order, and Copy Morphs From”.
* Downloadable full PDF manual. Useful for those who locally index and search an archive of PDFs and forum-captures, using full-text desktop search software such as dtSearch or Docfetcher. The manual is not quite up-to-date. For instance, the new Enhanced Shadow Catcher in P13 does work with SuperFly, though the manual says it won’t.
There are unconfirmed forum reports that the Preview viewport / rendering “has improved”, but no comparison screenshots. For this reason, it may be unwise for those in mid-project on a Comic Book Preview rendered animation or comic-book to switch to Poser 13 because they assume that the Viewport / Preview rendering will look exactly the same. It may not.
So, overall it looks like a big must-have upgrade for 3D photoreal animators. It’s also a must-have for those who have a new fast RTX NVIDIA graphics card and want the latest greatest fast software to pair with it. Costly, true, but if the user has the cash for a big shiny new card then they also have the cash to get Poser 13.
I imagine clothing makers may well stick with the workflow they know for now, unless the improvements in 13 are dramatic (I’m not qualified to judge such things).
Overall, the team is to be congratulated. They’ve done enough to justify the version upgrade, and have given 13 a clear focus on animation and a big boost in render speed. There are genuine and useful improvements here.
Of course, it would have been great to see a version that focused on non-photoreal and some Python tweaks to help it (e.g. having Python able to address the Post FX box and plug in any .8BF Photoshop filter at that point in the render process). But that’s a much smaller market than photoreal/animation.
In the meanwhile, don’t worry… the world-leading non-photoreal stuff is still in there: Firefly (with Photoshop auxiliary render layers if required) inc. outlines, real-time Comic Book, Sketch.
Onward to Poser 14!
Install test:
* As expected, Poser 13 installs without overwriting previous Poser versions or runtimes.
* Content directory created at C:\Users\Public\Documents\Poser 13 Content
* No .PDF manual in the install, as that’s now a download.
* Poser 11.x and 12.x still launch after install of the 13 Trial version. Import of a Poser 13 scene to Vue 2016 and the latest Vue both work, is Poser 11 is told where the 12 and 13 runtimes are.
* As usual, the new Poser user will need to fix the ever-accumulating light presets problem by tweaking a setting in Preferences.
* Yes, Blender’s Cycles X (here branded as ‘SuperFly’) happily renders on CPUs. There’s no nonsense at install time about “your graphics card is not worthy, so I’m not even installing”, as there is with Blender.
* The new version of the Intel OIDN Denoiser is packaged as a .DLL, so I can’t find what version number it’s now at in Poser 13.
* Checks how many threads Poser is using on a multi-core PC. Poser 13 defaults to 12 threads for me, but in Edit / Preferences I tell Poser 13 I have 24 threads available for its use (12 Xeon cores = 24 threads) in CPU rendering. And if you have that much power, don’t accept Firefly and Sketch render presets that use the old minimum 32 buckets. Tweak this setting up to 128, for a vastly improved rendering speed. Superfly renders are a whole different ballgame, and you’ll need to study and test to get the best for your PC.
* You add your previous runtime to the Library by targeting ../content/ not the ../content/runtime/ folder. When you’ve done this, your old saved scene files should load fine — because Poser 13 will know where to load the content from.
Clip Studio 2.0 has been released. New features include…
* A new “3D head model” on which the user can adjust “eyes, nose, and mouth” to get a stylised look. Meant for reference, for hand-drawn over-sketching/painting… not iRay-like production rendering.
* A “hand pose scanner”. Scan a live hand pose, via a webcam and some reasonable softbox lighting. The hand pose is (more or less) applied ‘live’ to the 3D dummy’s hand in Clip Studio. I assume only those with specialist hand requirements need this, as there must surely be packs of 100s of organised hand-poses already available for Clip Studio’s generic 3D dummies?
* “Automatic shading” for flats, applying shadows based on your lineart and use of colours. A somewhat uninformative video demo is available, but it looks like it does work and has quick presets. If it can stay completely consistent from panel to panel is another matter.
* The flexible ruler now works with scenes that have a fisheye camera perspective.
* Depth-fogging cameras. “Enable Fog, to add a fog-like effect that expresses depth in 3D space”.
* “Spin blur” effect (e.g. semi-blur a speeding spinning missile, or a bouncing ball). I’m amazed they didn’t have this before.
* Import… “It is now faster to import posable 3D files with a large number of bones and meshes.”
On test, Nursoda’s new standalone figure-character called Chull for Poser and DAZ.
Toons reasonably well in Poser, under Comic Book mode + B&W line-art + different Display Modes.
Real-time Comic Book line-art, Sketch and a filtered colour Sketch render can easily combine in Photoshop for a Storybook look…
Takes poses from Aiko 3 / Hiro 3, Sam & Sadie, more or less. Old default Poser boy ‘Ben’ poses work well and he has a good ranges of generic standing/walking/running/sleeping poses. Chull also takes poses from Nursoda’s long-legged Koit, Fon, Kali, Malini, Pitterbill and even does a bit with poses from the Merpal and Ronk.
Expressions from other Nursoda figures mostly don’t work, but some from Wingen’s set are sort of useable.
Another great figure and outfit. The textures are dark/grungy as usual, but there’s a template pack to make lighter/plain-toony ones. Or you can just lift the gamma across the figure/clothes.
Also works out-of-the-box in iRay for photoreal renders. Just make sure your DAZ Library knows where you Poser runtime is, and load from there. Poses and Expressions work in DAZ. No need to adjust textures or suchlike on clothes. You’ll only want to turn down skin-gloss (Surfaces / Specular) in DAZ, as there are hotspots (you can see one on the hand on the right of the picture, below). Take Specular Glossiness from 98% down to 20%, to fix most of this plastic-y shine.
Posted in Comics, Companion software, Real-time animation, Spotted in the News
Leave a comment
Goo Blender, also known as the “Goo Engine”, is a new non-photoreal toon Blender version for Windows (only)…
“our custom build of Blender that was made specifically to our team’s needs. Our team specializes in making 3D anime in Blender”
Goo Engine still seems to involve the usual head-banging wrangling of big node chains in order to get simple tooning done in the viewport.
I haven’t had time to look at the 30 minute intro tutorial and am currently uncertain if it’s real-time Eevee or Cycles rendered? Anyway, it’s available via a Patreon subscription if you want to download and try. I assume it’s a build for the latest Blender, which now has certain graphics-card requirements before it will even let you install. Note also the Goo Engine GitHub, which presumably means you can get it free if you know how to ‘build’ Blender from a code repository.
This new release reminded me to take a look at the progress of the competitor BEER, the free NPR system plugin for regular Blender. The 1.0 engine was all done, and a user-friendly UI was then being made. A magnificent effort by all concerned, and they’re to be congratulated for getting so far with it. However I see there’s been no public progress with the user UI implementation in the last year and it’s stalled at UI Milestone #2 (November 2021). Possibly they could use a volunteer UI expert, to get it finished and polished?
New and available now on Gumroad, Digital Comics Creative, Volumes 3 & 4 – Secrets of Poser 11 and Line-art Filters. Both volumes are bundled together as a bumper 100-page magazine-style PDF, great value at the introductory price of $15 (will soon be $18).
The earlier Volume 1 (Introduction) and Volume 2 (focused on DAZ Studio for comics) are also available. Volumes 5 and 6 are set for release in 2023.
I only just noticed that Brian Haberlin has a new comic, Hellcop. Same style and wild sci-fi as the earlier Sonata and Lighthouse (collected Nov 2021), and I definitely recognise that Poser monowheel, the steampunk rifle etc. So I’m 99% certain the production is still Poser + his usual studio workflow.
Seems to have debuted October 2021 and then raced through the issues, possibly monthly? Hellcop is already in a trade “Vol. 1” which collects issues #1-5, and I see that issue #9 just came out last week. So I’m guessing the title’s second 5-issue story-arc will be finished by the end of the summer. I’m not used to such a fast pace, and often hand-drawn comics issues are glacial in appearing and you wait ages (sometimes years) for an actual concluded story. But I guess that’s what Poser does for you, speeding up production.
How to add a simple overlay on top of an existing texture in Poser:
The overlay has not destroyed the original glossy effect, I just took that off manually to make for a simpler demonstration of the nodes.
1. At the top Diffuse node, right-click and disconnect the connector to your current 2D texture. This does not destroy the texture. It’s still there waiting to be re-connected.
2. Right-click the empty Diffuse slot and there plug in a new Math | Color Math node.
3. Set the Color Math node’s Argument to Multiply. Also have both of its values be pure White.
4. Connect the Color Math node’s Value 1 slot to the original texture map.
5. On the Color Math node’s Value 2 slot, right-click and then add a new standard 2D node.
6. On the new 2D node you then load your overlay as a square 2D image source, in the usual way. Pure b&w appears to work best.
Here we have a puny low-res dash-shading overlay for demo purposes. Nor is it even uniform, which it ideally should be…
For dash or hatched-shading of the object you may want to dial this source’s U and V scales down from their 1.0 settings, to something like 0.10 or 0.12, as seen here.
You can save this as a standard material setup, and then just switch the source texture and overlay texture. Obviously you’d use a seamless tiling texture, which I haven’t here.
Of course, it would be nice to have the overlay effect render on its own. There are two ways to do this, that I know of…
1. Also plug the overlay into the Alternate Diffuse, which should be set to white. You then see the change in the Preview. Then render again, in Preview even. In Photoshop, knock white out of the render with an automated Action.
2. Also plug the overlay into the Custom_output_1. There will be no change in the viewport.
But if you render to Firefly with the following settings…
… and save as a Photoshop .PSD then you get a nice Photoshop layer of the effect on its own…
Yes, ugly seams… but this is just a quick demo. The seams could be fixed.
We still don’t have it in a form where the white is transparent, but any good Photoshop Knock Out White Action will do that.
Of course, it may be possible to just leave the whole current material setup alone, and just plug your overlay shading into the Custom_output_1. I’ve yet to investigate that. Though that would limit you to Firefly rendering only. But doing it that way should be simple and reliable enough for a script to handle automatically.
Posted in Comics, Companion software, The Animation Industry, Tutorials
Leave a comment
A new free two-hour webinar for Reallusion’s Cartoon Animator software. “Create Motion Comics Fast using Cartoon Animator”, now online as a YouTube recording along with a public link to a 3Gb(!) project file.
I was mildly excited. But on clicking through the video, the example appears to just a slow anime. A slow pace, and a few Ken Burns style slow-zooms and pans, does not make a motion comic. The title is thus a bit misleading. It’s certainly not the sort of panel-based motion comic you’d make with the dedicated motion comics software MotionArtist.
Posted in Comics, Companion software, Natural media emulation, Spotted in the News, Tutorials
Leave a comment
Redfield Sketch Master, aka Sketchmaster, now in 2018 (v19.01, January 2019). Who knew?
* Still affordable at $40.
* Windows only. I expect it would not be flummoxed by anything back to Windows XP, but that’s just my guess.
* Now multi-core and with a far bigger preview window (and thus slower than before for previews, about on a par with G’MIC). But much faster at 1000px to actually render a preset to your final image, due to the multi-core support. Not so much faster at 3600px, though… maybe 40% faster. But worth having.
* Ships with wholly new presets. Also appears to have a different or more advanced or canvas-scaled engine, but keeps a very similar UI.
* Installs and runs alongside your old 3.3x version. Does not inherit the old custom presets.
* The new version’s engine is no good for humanising 3D line-art, and for that you need the old 3.3x.
* Requires standard 8-bit images (“Last Draw” save-renders from DAZ are 16-bit, and thus require downsampling before filtering).
* Backup and restore of your saved custom presets is done by the same method. They’re stored in the registry, so you save out a Windows .reg file, thus…
If you’re upgrading your PC to a new one, or a new OS, this is how you transfer your Sketch Master presets.
Release: Storyboarder 3.0 slipped out at the end of March 2022, with almost no-one noticing. It’s a bit sad that those with the biggest and slickest marketing hog all the attention, when there’s so much fine software around these days.
Free and open-source, for movie storyboarding but also possibly useful for figuring out the flow of comics. Especially a comic that is likely to be viewed in reader apps that offer ‘Panel View’ (one panel at a time, filling the screen) or scrolling formats.
Among other changes…
* Shot Generator: Insert Image via Drag/Drop or Paste.
* Storyboarder: Video Export fixed.
I’m pleased to discover Predaton’s original Goblin figure for Poser, with Goblin Cleric outfit and staff. Still available at DAZ, along with an armour pack. Old, but works fine in Poser 11.
The Comic Book mode is ‘on’ in Poser, then a 20-second Poser Sketch render (painterly) is made from this at 1800px…
The Sketch render is filtered in Photoshop and Smart Blurred a bit to remove some remaining frosting on the clothing textures. A Firefly ‘Lineart only’ render is added to add the fine pen lines. Another Poser Sketch render (hairy inks) is applied, and the eraser manually removes all ‘hairs’ except for those on the skin. A SuperFly render could have been added at the top of the layer-stack (set to colour blend to restore the original colours) but in this case it wasn’t and I went with a warmer look. As usual, belts and buckles have problems taking inking lines even in Firefly.
Technical notes:
The robes are misleading when loading, in that they will appear not to conform after loading. However, if you slightly move the base figure after manually conforming the robes, they do snap into place and will then follow the figure’s poses. This problem will potentially cause compositing registration problems if using renders from different sessions. The robes have their own poses which match the lower parts with those that come with the Goblin.
If you have a Poser 7 expressions folder, then the face can be randomised. And there are so many head morphs that all the randoms look good.
The Cleric Robes have non-rendering drape-control boxes that show up in Sketch and Firefly renders, if not made invisible in the scene. Here we see a box I missed, appearing in an old-school lineart render from Firefly.
In the above, the bump-maps are auto-removed with a script to get rid of ‘the speckles’.
The Goblin also renders fine in SuperFly, though the eye pupils are reflective-white if light is shining into them. As you can see in this 20-second raw SuperFly (Cycles) render…
The Goblin accepts poses for older short figures such as Little Mummy, Sam and Sadie, NearMe, and the wealth of generics from Poser 1-8. So far as I recall, the latter still ship with the Poser native freebies bundle, so you won’t be short of poses.
The headcap of the robes can be removed, to test hair. Here we see that the free Troll Hair finally finds a use…
… and this hair also shows up in Comic Book mode. You can also add three such hairs for extra bulk. Or you could make some Poser strand hair as a simple mohawk.
No freebies, no Crossdresser licence. So the expansion possibilities are limited. But it’s a great little semi-toon figure with a ton of morphs, and a good story-opponent for some of the Nursoda figures. Predatron also has a matching and larger Troglodyte figure.
I did an experiment with speckle-removal in a Poser Firefly “toon lines only” render. One of the problems of that special kind of render is, the closer you go in with the camera, the more speckles. Until a character can look like they have the measles. Using a Poser script to auto-remove all bump-maps often solves most of the problem, but not always and not entirely.
Anyway: I rendered and took the render into a leading vectorizer, Vextractor 7.x. I had found that this has a useful and very easy ‘remove isolated spots’ filter, of the sort needed after scanning hand-drawn line-art. If a spot has x number of empty/white pixels around it, it’s removed.
This works on the above very subtle example. But the problem is that the lineart produced is then inferior to what you would get from the other non-vectorising method, which involves the free Paint.NET and two free plugins.
But it occurs to me now that, back in the day, Poser’s Firefly lineart speckles were not considered a problem — because it was thought that people would vectorise the lineart and thus be able to easily clean off the specks. If you’re doing animation, this may well still be viable. In a 30 FPS cartoon seen across a living-room, that vector line ugly-fication is going to be far less noticable. But it’s not much good for comics.
So the best method for comics is Paint.NET and it’s wholly free and should run on Windows back to XP. But… it’s Paint.NET and not Photoshop. So I took another look for such a ‘remove stray pixels’ filter in Photoshop, something that would be very useful for automation of the whole process. But nothing in that line has appeared since my last such search. There are zillions of photographer plugins for correcting grain and ‘hot pixels’ on the camera sensor, but nothing for this ‘scan artwork and clean’ task. The native ‘Median’ and ‘Dust and Scratches’ are useless because they nibble into or erode the fine lineart from Poser, and lack sensitivity.
What’s needed is a computational plugin solution that says… “that dot can be deleted, because it has only white all around it and its diameter is 2 pixels or less”. The free G’MIC might have the capability to build that, but I don’t see anything there at present.
“Writing Romance and Relationships for Visual Narratives”, a two-part webinar with Drew Spence on getting ‘the feel’ right for convincing DAZ-rendered relationship stories in comics, storybooks, slideshows, animation storyboards etc. Booking now.