Open Access Africa 2010 conference — full video coverage now online, for free.
Open Access Africa 2010 – videos
22 Saturday Jan 2011
22 Saturday Jan 2011
Open Access Africa 2010 conference — full video coverage now online, for free.
19 Wednesday Jan 2011
Posted in Open Access publishing, Spotted in the news
From the Media Commons Press, New School in New York City, the free Learning through Digital Media : essays on technology and pedagogy (2011)…
“This collection of essays is a project in preparation for Mobility Shifts, an international summit about the future of learning that will take place at the New School, October 10-16, 2011.”
02 Sunday Jan 2011
A new January 2011 issue of the Open Access Newsletter, providing a useful round-up of what has been a boom year for open access. The DOAJ added 1,401 new ‘pure’ OA titles in 2010, and as a regular tracker of these I’d guesstimate that perhaps 8 to 10 percent of these were arts and humanities titles (about 120 to 140 titles?). Not all of these were newly launched, since the DOAJ also sometimes retrospectively indexes established titles from previous years. In the arts and humanities the DOAJ currently lists 944 titles. So combining these figures might very roughly suggest a 14% increase in DOAJ arts and humanities titles during 2010?
10 Sunday Oct 2010
A comprehensive new 2010 bibliography, Transforming Scholarly Publishing through Open Access: A Bibliography.
“…has over 1,100 references, provides in-depth coverage of published journal articles, books, and other works about the open access movement. Many references have links to freely available copies of included works.”
07 Wednesday Jul 2010
Posted in Open Access publishing
“the kind of work done by digital humanists [ i.e.: in the digital humanities ], no matter how useful, interesting, and important, often just can’t be made to fit the traditional definitions of scholarship that are used to determine eligibility for academic career advancement”
25 Wednesday Nov 2009
One-hour audio recordings of two recent lectures, “The French policy on research infrastructures and ejournals for the humanities : Adonis and Revues.org“, given in English in May 2009.
Also of interest may be the 2008 full-text PDF “On the usage of e-journals in French universities” and this recent report (in French).
17 Tuesday Nov 2009
The Global Information Society Watch 2009 Report has been released. It’s a substantial book-length “annual report” on the state of open access to information around the world, complete with chapters about individual nations.
15 Sunday Nov 2009
Posted in Open Access publishing, Spotted in the news
An informed 5,000-word article on open access journals, and the debates swirling around them, in Friday’s Times Higher Educational Supplement. If you don’t know your “green” OA from your “slightly off-mauve” OA, then this is the starter article for you.
04 Sunday Oct 2009
I was on holiday at the time, so I couldn’t attend (even though it’s on my doorstep) — but Craig Bellamy has a detailed report on the Tools for Scholarly Editing over the Web workshop in Birmingham, England, on 24th September 2009.
21 Tuesday Jul 2009
Posted in Academic search, Open Access publishing
Sarah Gentlemen at RIN has a report on the July 2009 “The role of open access and repositories in the arts : a forum for discussion” meeting (presentations are now online).
“some people felt often the arts community don’t actually like using technology, so this is a big challenge to overcome”
Apart from a few Luddite painters and lute-pluckers, I suspect what they really don’t like is the level of keyboard-use and reading involved with normal use of the Web. “I don’t like technology” becomes a face-saving shorthand for “I have problems with reading”. But even otherwise-able creatives in the visual arts and music are often not avid readers of dense texts such as the ones in repositories, certainly. And arts managers, especially, have almost always landed in that position because they’re “people people” who prefer talking (and talking and talking and talking while saying very little of substance, while you try in vain to get a word in edgeways) to serious reading.
“The idea that users won’t actually use your repository website directly, but that they access the content via a search engine (like Google) is not yet fully appreciated or understood by institutions.”
Spot on. Although that’s no reason for allowing arts repository pages to remain so visually dull and unappealing.