New book: Words Derived from Old Norse in Sir Gawain

There’s an interesting new forthcoming book for those interested in the language of Sir Gawain, and also for those seeking to place the Gawain-poet geographically via the dialect.

Back in 2013 Richard Dance published his fine and detailed study titled “”Tor for to telle“: Words Derived from Old Norse in Sir Gawain and the Green Knight“, to be found in the volume Multilingualism in Medieval Britain (c. 1066-1520): Sources and Analysis. My heart sank when I learned this was from a AHRC-funded project, but on reading it I was pleased to find that Dance’s work proved a magnificent exception to the rule.

In this Dance found that…

“One could hardly, therefore, describe the Norse-derived words at this ‘fundamental’ end of the lexical spectrum as unusually deeply embedded within the author’s language; and, for all their interest in terms of the Gawain-poet’s stylistic strategies, their evidence does not justify searching for his home in parts of England reckoned to be especially densely settled by Scandinavian speakers”.

In a 2014 paper for the British Academy he mentioned that a… “full etymological analysis of the words derived from Old Norse in Sir Gawain will appear in a future
publication”.

Now Amazon brings a date for this future publication. Dance’s full book Words Derived from Old Norse in Sir Gawain and the Green Knight: An Etymological Survey will weigh in at chunky 256 pages. Published by Wiley-Blackwell, the book is set to appear on 7th June 2019.

Minna Sundberg’s old languages map

Finland’s Minna Sundberg has a super new illustrative chart of the “Nordic Languages in the Old World Language Families”. The amount of leaves indicate the size of the current-day population speaking that language.

Useful for getting your head around what came from where. A small additional translator inset would be been useful for converting the sort of terms one encounters in deeply researching pre-LOTR Tolkien, such as “Old Norse”. It would have been nice to have just a couple of orienting dates. The Indo-European (Aryan) family had its origins in the Near East just over 8,000 years ago from today, for instance, with a big diffusion into Europe around 5,000 years ago.

Minna is the fine comic artist and storyteller making the ‘young adult’ graphic novels Stand Still. Stay Silent (ongoing – a future Scandanavia has returned to a state of Nordic mythology complete with monsters and magic), and A Redtail’s Dream (completed – a young boy of the North strays into the land of dreams).

The Cracks of Doom: Untold Tales in Middle-earth

I’m pleased to present The Cracks of Doom: Untold Tales in Middle-earth. My new book is available now, and is a side-project from my larger scholarly Tolkien book. It should be of interest to RPG players, as well as to fan-writers of Tolkien stories.

The Cracks of Doom is a fully annotated and indexed list of ‘Untold Tales’ in Middle-earth, pointing out the ‘cracks’ where new fan-fiction might be developed. There are 125 entries and these usually lightly suggest ideas for story development. It will also be useful for scholars seeking to understand what Tolkien “left out” and why, or those interested in ‘transformative works’ and fandom.

Contents:

1. Introduction: “On Untold Tales in Middle-earth”.

2. Writing guidance: “Faith, Duty and Fun: plan and style in Middle-earth fiction”.

3. The list: ‘Openings, Gaps and Cracks’. 125 entries. Note that this is only for LOTR, inc. the Appendices. It also draws on Unfinished Tales, books in the History series, and for one item I also reference the Letters. It does not, of course, cover the vast amount of material in The Simarillion.

PDF sample with index. The full book has 64 pages, about 22,000-words, and a full name and place Index. The book is wholly unofficial, and very respectful of Tolkien’s vision.

There’s also a Kindle ebook version, slightly expanded with some additional entries. Also available now.

I think I’m fairly safe with the title, re: the Estate. Tolkien is not mentioned in the title, and “The crack of doom” was a common colloquial phrase in the Edwardian period, being found in Shakespeare’s Macbeth, Act IV, Sc. 1.

Mythlore 1996

There’s a fine Christmas present for Tolkien scholars, the journal Mythlore Vol. 21 | No. 2 (1996) is now newly free and online in public. It’s a very large edition and contains the elusive proceedings of a major 1992 conference. It has per-chapter downloads, so it’s a simple matter to download only the articles you need and compile them to a truncated PDF that suits your needs. Including the editorial, I bagged 10 articles and ended up with a manageable 100-page ebook on my 10″ Kindle HD.

The Jake Whitehouse collection

There is now a dedicated website for the Jake Whitehouse collection of First World War photographs and postcards relating to mid Staffordshire. The tight focus is the First World War and the area around the military camps on Cannock Chase, the camps themselves, and places the soldiers might have visited such as Rugeley, Alton and Stafford.

There are about a dozen pictures of the Haywood villages and a couple of Shugborough, but Tolkien scholars will be most interested in the wealth of camp pictures.

“Tolkien in Love”

While we’re waiting for the slow-as-treacle big-screen Tolkien biopics to arrive (two are said to be due), Radio 4 is to repeat the one-hour “Tolkien in Love” Afternoon Play drama this Sunday, 9th December 2018. Appears to have been first broadcast 2017. It follows a 30-minute mid-morning documentary of the same title, broadcast by Radio 4 in 2012.

The BBC has no Listen Again for this drama, though its Web page promises it will be “available shortly after broadcast”. The earlier Tolkien in Love documentary has long-since been made “unavailable” from the BBC. Surprisingly, neither broadcast appears to have been pirated or sent to Archive.org.

Update: now on Archive.org.

Five new Tolkien lectures from Oxford

Five new online lectures on Tolkien and his interest in languages, from Oxford, with one per podcast. I have no interest in the intricacies of his invented languages, but in this case it’s real languages such as Old Norse.

Regrettably they’ve only put up the videos, and they’re over a Gb each to download and there’s no plucking torrent so the download speed can’t be throttled back. We don’t all have gigaspeed Internet like Oxford does.

Tolkien Studies 2018

Now online, a new issue of the leading journal Tolkien Studies, Volume 15, 2018. Especially interesting for me are…

* “Doors into Elf-mounds: J.R.R. Tolkien’s Introductions, Prefaces, and Forewords”. No abstract, but it appears to be a brisk survey and summary of such?

* “Tolkien’s Classical Beowulf and England’s Heroic Age”. No abstract, but it appears to be on the influence of Virgil and similar authors Tolkien would have known from his days at school and university?

* And of course the usual The Year’s Work in Tolkien Studies 2015 and Bibliography (in English) for 2016.

The latest Mythlore, September 2018 is also available. In which the lead essay is of interest…

* “”No Pagan Ever Loved His God”: Tolkien, Thompson, and The Beautification of The Gods”. On the Catholic poet Francis Thompson, now deeply unfashionable but whose best work was once ranked alongside Blake. The young Tolkien was a strong late admirer. At first glance it looks like Thomson’s Essays are being considered here as an influence, and especially one on paganism.

Phil Dragash’s unabridged The Lord of the Rings.

Superb work, which I’ve now heard all the way through several times. An unabridged reading, with full-cast voices done by an outstanding verbal mimic and actor, expertly melded with the movie’s music and sound FX from the movies and public-domain sources. Can one man do all the voices? Yes, he’s a natural prodigy and he does so with the greatest of ease — imagine ‘Mike Yarwood, trained by the RSC’. With a little help from the examples of the movie voicework, all the voices and accents are also just as you’d expect them to be. Even Bombadil and Gollum.

I can’t link to it here, but if you know what you’re doing with .torrent files and torrent software like qBittorent, search: dragash “2013-2014” 192kbps limetorrents Hint: the Yandex search engine doesn’t censor torrent results like the others. Or if you use Tribler, try just “Dragash”. This search should land you somewhere near the last available version, the one in which Phil had gone back and tidied up some errors of delivery in the early chapters and given us the full uncompressed edition. “Uncompressed” means that 3.9Gb is the size you want.

Bear in mind that you’ll need to own the extended-cut DVD movie trilogy of The Lord of the Rings, the book itself, and the official soundtrack album, to legally download this outstanding free non-profit fan-work. If you also want all the Appendices read aloud then you’ll also need to buy the official unabridged audiobook reading, when you’ve finished with Phil’s full-cast reading.

Phil’s recording is slightly too sibilant (‘sibilance’) on high-response headphones, so you may want Impulse Media Player which offers a graphic equaliser for reducing treble and boosting bass, as well as a slider to slightly slow down the speed of reading — so you can better savour the text and dialogue. This is one of the great audioworks of our time, as well as running for 48 hours, and so you want to be sure you’re listening to it properly.


Update, 2019: I now recommend AIMP as it’s Windows desktop freeware which does all that Impulse Media Player can, but also has simple and editable bookmarks.

Update 2020: since Summer 2020 Phil Dragash’s marvellous version of The Lord of The Rings is now also on Archive.org, with torrents and in its final 2013-14 version…

* The Fellowship of the Ring. (“A Journey in the Dark” has a small encoding ‘skip’, as does the LimeTorrents version, which cuts a few minutes recounting the discovery of the doors of Moria and the unpacking of Bill the Pony).

* The Two Towers. (There is slight but unfortunate elision in the chapter “The Road to Isengard”. Nothing is missing, but the lack of a 10 second gap and a music-change between “…vanished between the mountain’s arms. // Away south upon the Hornburg…” can be confusing to the listener. Since the same group of beings is being described, but their activities are in different and far-separated places at different times).

* The Return of the King.


Update, 2022: No Hobbit from Dragash, but there is an unofficial unabridged “The Hobbit (Audiobook) – J.R.R Tolkien | Soundscape by Bluefax” at Archive.org since November 2020, inspired by Dragash’s work. With music and FX. Young British narrator, with a facility for acting but not Dragash’s world-class talent as a superb mimic. Like the above Dragash LoTR, to legally download this you will need to already own the official book, audiobook and the movie soundtrack album.

Below is the best AIMP graphic-equaliser setting I can get for good headphones, with speed at 97% and Bass at +33%.