Tolkien Gleanings #396
* A new edition of VII: Journal of the Marion E. Wade Center at Wheaton College. Volume 41 (2025) was released in February 2026, and has the theme of “intellectual friendship, understood as a kinship of thought, values, and mission”. The issue is online but partly paywalled ($20). Among the open-access contents are…
– “More Things in Heaven and Earth: C.S. Lewis on Elementary Spirits”.
– Book review of Tolkien on Chaucer, 1913-1959.
* Three events at The Wade Center, Wheaton College, for spring 2026. Recordings will appear on YouTube after the events.
– “Magic, Science, Poetry: C.S. Lewis and the Battle for the Modern Soul”.
– “C.S. Lewis: A Mentor by Mail”.
– “Under a Northern Sky: Early Medieval Influences on Tolkien’s The Children of Hurin”.
“This lecture will consider the ways in which Tolkien was inspired by different stories from what he calls the ‘nameless North’, suggesting that the legends of Sigurd and the Volsungs can deepen our appreciation of the tale of Turin and tell us something about Tolkien as a reader of early medieval literature.”
* Tolkien: Medieval and Modern has new essay-posts on “Great Tales Never End: The Reality of Tolkien’s Middle-earth”; “Death and Decline” (and its inevitability in LoTR); “What Remains: Language, Dreams, and the Fragmentary World of Tolkien”; and “The Same Tale Still: What We Gain From Imagining Tolkien as History”…
“Tolkien’s trick of linking the world of LoTR to our modern one means that LoTR is neither strictly Secondary World nor Primary/Real World history. We are both inside the story and outside of it, participants and spectators to this tale.”
* The Shortlist for the Tolkien Society Awards 2025, including previews of the candidate artworks. Sadly I can’t vote, as I’m having to skip membership for at least a year to save money. In the age of AI you might think that cleaning toilets in Stoke-on-Trent would be a secure job. But my hours have been trimmed back to make savings for the company due to the minimum wage-rise, which has left me significantly worse off (despite the slight rise in the hourly rate). Thus there’s a knock-on effect on my memberships and book-purchases.
* New to me, the book The Fairy Way of Writing: Shakespeare to Tolkien (2013, Johns Hopkins University Press). The last chapter is about Tolkien. The book…
“recovers a distinctive aspect of English literary culture from across the entire early modern era and beyond, one that has been studied in the context of individual periods and writers but is only now explored in relation to the history of European nationalism and the creation of the modern literary system. […] argues that the fairy way of writing not only sets the stage for the fairy tale, the Gothic novel, and children’s literature but also informs genres beyond the English canon, including painting, twentieth-century fantasy fiction, and French fairy tales.”
* Talking of fairy tales, I read that Owen Barfield’s children’s book The Silver Trumpet was republished last summer. Written in 1924, and first in the shops in Oct or Nov 1925 (according to the pre-Christmas book trade publications of the time, which vary). It can now be had as an affordable centenary paperback, with new illustrations. According to the Barfield Estate blog there was a free version, previously officially on their website, but this has been taken down with the advent of the paperback. Apparently that free version had a few OCR errors, which have been corrected for the new print edition. Note that, despite its publication date of 1925, it appears not to have been published in the USA in 1925. Therefore it is presumably not in the U.S. public domain. Barfield also lived a very long life, to age 99, and so there’s no copyright release there either.
* And finally, a picture of the front board of the first edition of Barfield’s The Silver Trumpet, without the paper dustjacket. The book was an instant favorite of the Tolkien children on publication, apparently having been lent to them by C.S. Lewis. In the firelight (Tolkien them told stories standing, with his back to the warm fireplace), I wonder if one might even mis-see the figure on the book’s boards as having… large furry feet? There is also a certain very vague resemblance to a rabbit in the stance and the huge behind. A proto-hobbit?


























