Tolkien Gleanings #327
* The latest edition of the UK’s History Today news-stand magazine (September 2025) has an opening print-only article on “This Middle Earth”…
“The article explores the historical and cultural significance of the term “middle earth,” tracing its origins from the Anglo-Saxon word middangeard, which referred to the human realm distinct from divine and monstrous realms. Initially associated with a cosmological understanding, the term evolved through medieval and early modern literature …”
* Details about what’s in the new French book Tolkien et la memoire de l’antiquite (‘Tolkien and the Memory of Antiquity’, published August 2025).
The first part appears to make a biographical survey of Tolkien’s schooling and training in relation to the Classics…
Chapter I. Antiquity in Tolkien’s literary and linguistic culture – A classic education – ancient readings and predilection for late antiquity – from ancient readings to literary creation – the taste of ancient languages - from Latin to Quenya – ancient ludic etymologies.
Chapter II. Traces of ancient philosophy in the culture of Tolkien – an expensive investigation – a meeting of many ways – traces and testimonies in the work.
Chapter III. Antiquity in Tolkien’s historical vision – a broad vision of history – between Homer and classic historians: the basics of training – the medievalist and his historical sources – from knowledge to historical vision.
The second part appears to explore the “presence of the ancient world in the land” in the context of Middle-earth’s own antiquity. This includes a section intriguingly titled “Middle-earth as listening: limits, climates and landscapes”. Which is presumably on the sonic topography?
The third part appears to seek the usual classical sources in Orpheus, Plato (ring of Gyges), the Trojan wars, The Odyssey, mythic descents into the underworld, etc.
* New to me, a prize-winning undergraduate final dissertation from Brandeis University, “Invisible Enemy, Visible Harm: Unearthing Traces of the 1918 Flu Pandemic in Tolkien’s Middle-earth” (2020). Now freely available online.
* New at Pastor Theologians, “Twice-Told Tales: Tolkien’s Numenor, America, and the Church”.
* At Bandcamp Daily, a new long article and survey “Exploring the Mystical Realms of Fantasy Synth”, meaning ‘synthesizer-based electronic music’…
“The resurgence of dungeon synth over the past decade or so has been something to behold. From a sparse scene of solo creators toiling away in hermetic isolation to a global community of thriving [record] labels, sold-out festivals and international tours — truly, we are living in renaissance times. […] Survey the wider scene, though, and you’ll encounter dizzying variety [beyond the doomy gloominess of dungeon synth]. Think of a fantasy setting or a specific corner of mythology, and there’s almost certainly a one-person synth project out there taking its lore and turning it into music.”
* Some 50 years before The Clangers arrived on British TV, Tolkien was creating a wide range of strange flora and fauna on the Moon.
* And finally, in October 2025 the French are set to read a translation of Le Hobbit, illustre par Tove Jansson. Oddly listed on Amazon UK under “Paranormal & Urban”. But perhaps the publisher knows that’s where the young readers / moms are, those who are most likely to purchase?