Chapter three of The Spyders of Burslem: what is historically correct?

This is a note on the historical accuracy of “Chapter Three: The Raising of the Zodiac” of the North Staffordshire novel The Spyders of Burslem:—

Brickhouse and the Cock Yard are real, and can still be walked down, although in the 1970s the western side of Brickhouse was marred by modern shop units in the ugly ‘municipal socialism’ style. Below is an old view of the alley and the yard off it. For the purposes of a later chapter of the novel the Cock Yard has to be more enclosed, and so it is envisaged as having a wall and entrance into it from Brickhouse…

The Cock Yard was indeed used for cock-fighting, a sport which had been abolished by 1869.

The portrayal of John Ruskin is accurate. He did have ginger hair, and he was famously worried about the fossil hunters destroying faith in the historical ‘truth’ of the Bible. He was a…

“London art critic and champion of the Pre-Raphaelite school of English painting, and more recently a great practical advocate of the education of girls and young women”


Above: the young Ruskin.

Ruskin also donated his books to the Wedgwood Institute library. It’s not known if he ever visited the Instutute, but he travelled widely inspecting education, so he may have. Ruskin did write one of the first real fantasy novels, The King of the Golden River (1841), and also the second book mentioned, The Queen of the Air (1869) which was “a study of the Greek myths of cloud and storm” rather than a novel. He did not, however, write the latter for little Rudyard Kipling.

Ruskin’s friend William Morris did live in Leek, in the Staffordshire Moorlands — although in reality that was a little later than 1869, between 1875 – 1878. The novel has shifted those dates to imagine him in Leek in 1869, thus giving Ruskin a reason to visit North Staffordshire.

Rudyard Kipling’s father John Lockwood Kipling did design the façade of the Wedgwood Institute in Burslem. The Zodiac frieze is real, and can still be seen today. The bas-reliefs for Cancer and Aries are indeed reversed, which is used in the novel…

In 1869, Rudyard Kipling would have been about four years old, not the seven years old imagined in the novel.

Ruskin’s reference to Horace Walpole and the wider architectural influences that his horror genre spawned is historically correct.

Psychographs (photographics in which human feelings are recorded) are an obvious invention of the novel. They are introduced in the Curiosities Room because they play a crucial part later in the novel.

Some of Thomas Wedgwood’s earliest photographs were indeed of leaves, probably made at the Etruria Hall near Burslem…

The skull of an auroch was indeed found on a gravel bank of the Fowlea — but that was later, in 1877.

The North Staffordshire Field Club was a real organisation, founded in 1865.

Carnivorous “living fossils”, found in the mines and on display in the Curiosities Room, are an obvious invention of the novel.

Priestley did discover oxygen, and his bust is enshrined above the Wedgwood Institute entrance.

The Birmingham “toy trade” was actually something different. But the novel imagines it to be “small clockwork toys”, which are on display in the Institute’s Curiosities Room.

Feeling earth tremors and experiencing earth slippage was indeed common in Burslem in the 20th century. Possibly also in the 19th century, although in 1869 the deep coal mines had only been sunk for a matter of a decade or so.

The comment by a craftsman about an “angel satyr” is an allusion to Kilvert.

Chapter Two of The Spyders of Burslem: what is historically accurate?

This is my note on the historical accuracy of Chapter Two of the novel The Spyders of Burslem, set in 1869 in the town of Burslem in North Staffordshire:—

Burslem’s market was indeed on a Monday and not on a Friday. “St.” or ‘Pit’ Monday was the people’s unofficial extension of the weekend, and manufacturers and mine owners often found it difficult to get male workers to return to work on Mondays. Here is the book Fish and Chips, and the British Working Class, 1870-1940 on the topic…

The towns where this was so had a strong tradition of the observance of ‘St Monday’, especially among their mining populations: they included Bolton, Wigan, Burslem and Wolverhampton.

The Market Square is still proportioned as described, and slopes to the south.

The evening meal is indeed called “tea” in much of the West Midlands. Lunch is called “dinner”.

Sissy Mint was the name of a real Burslem chip-shop owner (male), although later in the 1920s. Denry’s didn’t exist in 1869.

The local folk term “Spyder Jack” is an invention for the novel, but Jack was a common name in folklore, e.g. Jack-in-the-Green, and also later in popular culture. For example, the character of Spring Heeled Jack was born in the ‘penny dreadful‘ pulp publications in 1880.


Above: ‘Spring Heeled Jack’ illustration from the 1880s.

There are still very few trees in the town centre. Some trees have appeared under the regional development agency AWM’s regeneration schemes, but nature is still effectively “shut out” of most of the town centre, although it is certainly now creeping up the hill in the wasteland hillside behind The School of Art, which in a later chapter of the novel is imagined as the location of a “cliff” of squalid rookeries…

“The area was only partly paved, and with uneven cobbles, and I found no respectable streets in that part of the town. No robust and big-armed women had ‘stoned’ their front steps clean and gleaming with aid of brisk holystones, as they did elsewhere. It was the grimy and flaking quarter of the moonlight flitter, the cutpurse of quick hand, the blowsy fancy girl married to the lean drunkard for the hatching of a sniveling brood of children. I saw none of the plump and knowing cats that frequented the rest of the town. Ivy encroached on tall and crumbling houses, black snails copulated on stained walls, and old posters for gaudy entertainments peeled damply along the main thoroughfares. Its street people were few and furtive, mostly hurrying about their clandestine business all huddled down beneath caps and shawls.”


Above: the back way to Burslem today, imagined in the novel as the poorest part of the town centre.

The town’s many cats are an invention for the novel. They may have existed, since there would have been a need for rodent control. ‘Cheshire’ cats are a nod to Alice in Wonderland, but have some reality since the old British Blue breed does have a sort of natural smile to its face.

The Wedgwood Institute entrance interior is indeed heavily tiled with ceramics, as I remember it. The Institute building was the Burslem Public Library in recent years, and the public was admitted. But then the local Council closed it, and the building is now disused.

“Tile-wright” is accurate, as “wright” was once common as a master craftsman’s title. The name Torben is a nod to the chap who was involved in opened up and restoring the disused School of Art to be what it is today.

The physical description of Thomas Wedgwood is roughly accurate, had he lived to the age of ninety. His clothes are about right, if he was an intellectual gentleman of means who still dressed as if in an earlier period.

The details of the Midlands early photographers are all correct, including their activities and studios. Benjamin Stone really did go on a trip to photograph the children on Norway, Rejlander’s studio was on the Malden Road, etc.

Impressionism in painting was emerging at that time. But the Burlington Magazine was not established until 1903.

“The Tories pass their great Reform Act in the debating chamber of Parliament, an act by which urban working men would soon have the vote”

…this is correct, and refers to the Conservative Party’s 1867 Reform Act. Benjamin Disraeli was indeed prime minister, and was indeed Jewish. The Catholic emancipation was a real historical event, as was the famine in Ireland.

The “Potteries Benefit Building Society” is a truncation, for the purposes of dialogue, of the name “Staffordshire Potteries Economic Permanent Benefit Building Society”. This was a real society that was founded in October 1854.

The employment conditions are confirmed by memoirs and industry reports of the time. Women were employed as described.

The lack of prohibition of strong liquor was a fact of the time, as was alcoholism and fetal alcohol syndrome leading to deformed babies.

The idea that girls might be the best subjects for ‘initial’ education in a town was in the air at the time, through the writings and activities of Ruskin, and influential advocate for the education of girls. But even before that, education had by no means been limited only to boys in Burslem (see my book on the history of early Burslem and the Fowlea Valley). Ruskin appears in the novel in a later chapter.

Egerton was the name of a prominent local family who inter-married with the Wedgwoods. A “Temperance Society” has an anti-alcohol organisation, part of a huge anti-alcohol social movement of the time.

I’m not entirely sure if Charles Darwin was actually a cousin of Thomas Wedgwood. But Erasmus Darwin was certainly a friend of master potter Josiah Wedgwood and knew Thomas Wedgwood. The family is sometimes referred to in history books in terms of “the Darwin-Wedgwood family alliance” and there was much intermarriage.

Thomas Wedgwood did indeed have some correspondence links with the famous Lunar Society in his youth, but doesn’t seem to have ever attended a meeting.

The Wedgwood Institute was indeed funded by public subscription, not by the local state.

The Seven Dreamers pub is based on the well-known Leopard pub in Burslem. The reference in the changed name is to H.P. Lovecraft’s great un-written novel The Seven Dreamers.

“Potteries Atmospherical Loop Line Railway system”

…is an allusion to the real Loop Line railway, although the novel re-imagines it as being potentially powered by the aether. The real Potteries Loop Line was powered by steam and was completed as far as Burslem in 1873, when a station was opened. Thus, the hero’s Chapter One arrival at Burslem via Longport train station would have been historically correct for 1869.

The Burslem Literary and Scientific Society was a real group…

“The Burslem and Tunstall Literary and Scientific Society was founded for ‘all classes of society’ in 1838.” — The Victoria history of the county of Stafford.

… and it had leading female members such as Mary Brougham the printer, town librarian and bookseller. In the novel Mary Brougham appears in later chapters of Spyders. It seems that the Society did not last until 1869, though.

“Mr. Oakhanger” and “Mrs. Shuttershaw”. These names are borrowed from a memoir of a 1930s childhood in the Potteries.

The economics of food and trade, as briefly explained by Frederick Hoss the publican (now, who does that name remind you of…?), are accurate for the time.

Gas street lighting was indeed in the town at that time, and was a mature technology having been introduced in 1826.

The description of the view of the Burslem Town Hall, and the meat market behind it, is broadly accurate, but I have relocated the Meat Market a little to the north.

Chapter One of The Spyders of Burslem: what is historically correct?

This is an account of the historical accuracy of the first chapter of the novel The Spyders of Burslem.

The novel is set in England in 1869. The train journey and the scenery of the route is accurately described. The escape of the Tasmanian Devil, read about by the hero in The Times, happened as described. Stoke Station is accurately described, and is much unchanged today. The Iron Works at Etruria did light up the sky, even during the day. Longport train station was then open, and is as described, but the “black roses” is the first hint that the novel is set in a slightly ‘alternative’ England. The narrator describes his post-Darwin generation and their estrangement from the church and from the corruption in London, which is accurate for 1869. London was indeed called ‘The Thing’ by that generation.

Mr. Thomas Wedgwood was a real person — but he was not alive in 1869. The novel imagines him living into his nineties, and masterminding the creation of the Wedgwood Institute. The Institute, however, was real, is as described, and was opened at that time.

The description of Burslem’s pottery industry is correct. Plot’s book describing the district’s industry is a real book, and it had indeed been updated into the 1850s.

BERT BENTLEY ARCHIVE - BURSLEM - Longport station & level crossing.

BERT BENTLEY ARCHIVE – BURSLEM – Longport station & level crossing.

Maddock was the name of a real ticket man at Longport station in Victorian times. There is also a Maddock Street nearby. Fauns are, obviously, an invention. But Maddock’s appearance is visually/mythologically correct…

The Transformation of The Faun was the original title of Nathaniel Hawthorne’s The Marble Faun (1860), “possibly one of the strangest major works of American fiction”.

The use of “tha” for “you” is accurate for the local dialect.

Dale Hall, Trubshaw Cross are real places. Trubshaw Cross was indeed a great confluence of pack-horse routes to a safe crossing of the Fowlea. The packhorse men were called ‘jaggers’, as they are in the novel.

The reference to borax importation…

“I later learned that huge wagons of borax came weekly into the Potteries for the pot glazes, hauled all the way across Europe from the mountainous vampyr country of Romania.”

…is partly historically correct. Romania does indeed have most of Europe’s borax mines. But Italy/Turkey probably supplied most of the borax for the Potteries at that time. There are no vampires in the novel, despite this hint. This is one of several “false clues”.

There are yards, still to be seen at Longport, that are very like the ones described in the novel. One can also see here in my photo of the flat square cobbles at Longport, which can also still be seen on the entrance to Longport train station.

The description of the Trent & Mersey canal is correct, topographically and historically. So are the north-east and southerly views described from the canal bridge at Longport. Arnold Bennett also starts one of his novels with a view seen from this bridge. But in both instances, the imagined views are what one might be able to see if there were no buildings in the way.

“Puck in a performance of Shakespeare’s A Midsummer Night’s Nightmare

… this is obviously a variation on the Dream, and is another indication we are in an ‘alternative history’ world.

Queen Victoria never came to Burslem, that’s an invention for the purposes of the novel. Indeed, she is famously said to have asked for the blinds on her train carriage to be pulled down when passing through the Black Country in South Staffordshire (although that was probably an anti-royal myth). However, the Wedgwood Institute is located in Queen Street, Burslem.

The part where the girls run to touch the iron railings is historically correct. The practice was noted by a clergyman in the nearby town of Leek, in his memoirs.

The topography of the road route from Longport to Burslem is correct. The description of the intense “territoriality” of the streets is historically correct. Arthur Berry describes women wearing men’s caps in his autobiography.

Pipes would then have been mostly clay pipes, not carved wooden pipes. Here is an early clay pipe from North Staffordshire, with a long section of the pipe broken off…

Clogs of the sort envisaged in the novel

The novel The Spyders of Burslem envisages the town in 1869 being alive with the tapping of wooden clogs on hard cobbles. Some may imagine them as sort of like Dutch clogs, but they would have been more like these, on show in the Potteries Museum & Art Gallery. Since the gallery is not allowed to show anything that’s not from Staffordshire, they must be authentic ‘county clogs’. Note the thick carved wooden soles. I photographed them for this blog, yesterday…

Spyders now available in paperback

I’m very pleased to say that my novel The Spyders of Burslem has been published for Halloween, as planned. Available to buy now as a paperback. Kindle users will have to wait just a little longer, because the Amazon approval process holds things up for a day or two.

Here are the chapter contents… with a free sample chapter. Kindle users will, of, course, be able to read the first 10% of the new book for free.

CONTENTS:

Chapter One: Arrival.
Chapter Two: A Providential Meeting.
Chapter Three: The Raising of the Zodiac.
Chapter Four: A Pint of the Finest.
Chapter Five: In a Darkling Aetherstorm. (Read for free!)
Chapter Six: Death and Time.
Chapter Seven: Discoveries.
Chapter Eight: The Scrying.
Chapter Nine: A Cunning Kiss.
Chapter Ten: What the Dark Brings.
Chapter Eleven: The Face and the Mind.
Chapter Twelve: The Shadows of the Blind.
Chapter Thirteen: The Workings of Men.
Chapter Fourteen: Lost and Dreaming.
Chapter Fifteen: A First Frost.
A historical note.