‘Lady Wells’ in the High Peak.

It appears there was once a living tradition of ‘Lady Wells’ in the High Peak, and of the dropping pins into them. This fits with the very extensive archaeology of votive objects thrown into dew-ponds and wells. Note there is also a comment on the nearby practice of anointing deceased children with May-dew. The Peak context suggests a time (early spring) for such votive offerings, and a reason (clean water there, for the coming year), and a female gender for the genius loci of such places.

From Memorials of Old Derbyshire. The book also has a photo of the folklore collector’s summer house, presumably with the folk-lore collector visible.

Another book, Lore of the Holy Wells of England, suggests a possible method of divination once associated with the pins…

It is easy to dismiss the curious reference to “or else an insect” as the chuntering of an ignorant country bumpkin. But perhaps it is we who are the ignorant ones. Since his reference may be explained as his recalling to mind the memorable words of the local poet and scientist Erasmus Darwin, given in his notes to his best-selling The Botanic Garden (1792, then much reprinted and pirated). Darwin explains aspects of the famous Portland Vase, as painstakingly copied locally by Wedgwood…

“The Psyche of the Egyptians was one of their most favourite emblems, and represented the soul, or a future life; it was originally no other than the aurelia, or butterfly, but in after times was represented by a lovely female child, with the beautiful wings of that insect. The aurelia, after its first stage as an eruca or caterpillar, lies for a season in a manner dead, and is enclosed in a sort of coffin: in this state of darkness it remains all the winter; but, at the return of spring, it bursts its bonds and comes out with new life, and in the most beautiful attire. The Egyptians thought this a very proper picture of the soul of man, and of the immortality to which it aspired.”

This striking recovery of historical imagery was also taken up by Blake, as seen on the title page of the famous “Jerusalem” (1804–1820). Such items are perhaps what an educated countryman, one interested in botanic poetry and Blake’s works, might have been musing on when he was recorded speculating “or else an insect”.

Darwin also mentions in the same passages that certain sacred trees such as elms were deemed to capture dreams as their leaves fell. Admittedly this was in the Ancient Roman context, and yet Rome also strongly affected much of northern Europe. This belief is quite congruent with the biology of our temperate woodland where…

“Most butterflies are less specialised, but still have quite precise requirements regarding habitats, larval foodplants, adult food sources and climate. A typical example is the White-letter Hairstreak, a butterfly of temperate deciduous woodlands, which exists in very localised colonies, often based on a single elm tree. The butterfly lays its eggs on elm twigs, and the caterpillars hatch a few days after the flowers appear on the tree in early spring. When tiny they feed within the flowers, but when the flowers have withered and died they feed openly on the elm leaves. The adult butterflies emerge in mid-summer and spend most of their lives at the top of the trees, but occasionally descend to feed on the nectar of thistles and other flowers.” (Adrian Hoskins / learnaboutbutterflies.com) (my emphasis)

One can thus quite imagine an ancient people venerating such a singular “butterfly tree” in various ways, especially if it was surrounded by food plants and a water spring that would tempt the butterflies down from the treetop. Perhaps they would even have imagined some connection between the elm leaves, the butterflies, and the dreams of their departed children.

Early Crossings of the River Dove

From an old copy of Country Life, and just about readable. The Dove forms the boundary between mid Staffordshire and the Derbyshire Peak.

Update: on WordPress you may now need to click twice on a picture to see it full-size. Click once, load and see in on white with ads, go back, then click again and see it on black full-size. Then click the magnifying class with the + icon.

Tolkien Companion, dated, priced, Kindle-d

This is looking rather tasty: the new revised and edition of the Tolkien Companion / Guide / Chronology three-volume set has been dated on Amazon UK. It’s pre-ordering now for delivery in November. Better, there’s to be a keyword-searchable Kindle edition, offering all three huge volumes for a fairly modest and piracy-busting £24.

I’ve recent acquired Tolkien’s Gedling and the two J. S. Ryan books Tolkien’s View and In the Nameless Wood, and hope to be reviewing them here soon.

Nigel Henderson in Stoke (3) – miscellaneous pictures

Photographs by Nigel Henderson: various Stoke pictures.

As well as visiting the steel works and the Stoke City F.C. parking ground, it appears he also got on a bus and went to Cobridge for some reason, presumably to try to photograph Arnold Bennett’s home at No. 205. But he only photographed the Stag Inn at No. 114 – he was perhaps thinking that that was the pub where the young Bennett would have supped? Or was No. 205 nearby, on the side of the road on which he stood?

Photograph showing three workmen working Nigel Henderson 1917-1985

Two pictures (from a stopped bus?) of lads playing lunchtime football at a pot-bank.

Photograph showing lads playing football at Stoke-on-Trent potteries Nigel Henderson 1917-1985

A nice bit of pavement edging that caught his eye.

Photograph showing decorative street tiles Nigel Henderson 1917-1985

I think he probably made this picture just as an interesting composition. Looks like a water-tank building for a small works, perhaps part of an abandoned pot-bank he ventured into?

Photograph showing part of unidentified building Nigel Henderson 1917-1985

Photograph possibly showing Stoke-on-Trent potteries Nigel Henderson 1917-1985

Nigel Henderson in Stoke (2) – the Boothen End parking

More photographs of Stoke by Nigel Henderson, this time of the Stoke F.C. parking grounds at Stoke on the Whieldon Road, before the A500. I’m not sure why he went there in particular. Perhaps a friend in London, who had gone to a Stoke match, told him he would get good wide views of the Boothen End stand from there? But the stand and its floodlights appear to be some way away, beyond the chain-link fence and gas-holders. Or did something of importance once stand on those parking grounds, perhaps a factory that someone in his family-tree once worked in, or their house? I’ve also tacked on a low-res Potteries.org photo (end) showing the canal directly opposite the entrance to the parking grounds. Doulton Sanitary Potteries Ltd has since been demolished. Apparently it supplied the ceramics for the movie Carry On at Your Convenience, and is credited in the film’s titles, though the movie wasn’t filmed there and I’m fairly sure didn’t even appear fleetingly in any establishing shots.

Photograph showing an unidentified boy next to entrance to Stoke Football Club car park

Photograph showing a cyclist Nigel Henderson 1917-1985

Photograph showing a wire fence in front of two gas holders

Photograph showing a pylon Nigel Henderson 1917-1985

Photograph showing a man on motorcycle, Doulton Sanitary Potteries Ltd in the background

Nigel Henderson 1917-1985

Photograph showing entrance to Stoke Football Club car park Nigel Henderson 1917-1985

Additional context: