{"id":8268,"date":"2013-07-25T15:45:22","date_gmt":"2013-07-25T12:45:22","guid":{"rendered":"http:\/\/tentaclii.wordpress.com\/?p=8268"},"modified":"2013-07-25T15:45:22","modified_gmt":"2013-07-25T12:45:22","slug":"conference-presence-de-lovecraft-lillustration-en-question","status":"publish","type":"post","link":"https:\/\/jurn.link\/tentaclii\/index.php\/2013\/07\/25\/conference-presence-de-lovecraft-lillustration-en-question\/","title":{"rendered":"Conference: Presence de Lovecraft : l’illustration en question"},"content":{"rendered":"

I just heard about a French conference: Presence de Lovecraft : l\u2019illustration en question<\/a> (trans.: The presence of Lovecraft: a question of illustration”), which happened in France on 13th-14th June 2013…<\/p>\n

“Lovecraft\u2019s works entertain an essential relationship to the very notion of illustration, for various reasons. … Lovecraft consistently managed to include in his short stories blank spaces [Such as the Necronomicon<\/em>] that seem to call for continuation or illustration of his texts. [There are also many videogames, comics, films to discuss, and wider topics in adaptation of literary works …]”<\/p><\/blockquote>\n

Participants and programme<\/a> papers, with my approximate translations…<\/p>\n

Denis Mellier (Universite de Poitiers): “Nouvelles notes a distance 1995-2012: sur la poetique de l\u2019exces chez Lovecraft et de quelques solutions graphiques qui lui furent appliquees” [New notes for the period 1995-2012: the poetics of Lovecraftian excess and some of the graphics solutions applied to it]<\/p>\n

Christopher Robinson (HEC Paris): “From Necronomicon<\/em> to Alien<\/em>“. [Presumably about the influence of Lovecraft on Giger?]<\/p>\n

Pierre Jailloux (Paris 8): “Presence de l\u2019indicible: found footage et poetique Lovecraftienne”. [The presence of the unspeakable: found footage and Lovecraftian poetics]<\/p>\n

Philippe Met (University of Pennsylvania, USA): “H.P. Lovecraft revu et corrige par Lucio Fulci”. [H.P. Lovecraft revised and corrected by Lucio Fulci]<\/p>\n

Isabelle Perier: “Adaptation et transmedialite: Kadath, la Cite Inconnue”. [Adaptation and transmediality: Kadath the Unknown City]<\/p>\n

Jerome Dutel (Universite Jean Monnet): “Dessiner celui qui est d\u2019ailleurs: The Outsider (2004) de Gou Tanabe et L\u2019atranger (1999) de Horacio Lalia”. [Drawing that which is elsewhere: on two French comics adaptations<\/a> by Lalia]<\/p>\n

Eric Lysoe (Universite Blaise Pascal): “”The strange and disturbing Asian paintings of Nicholas Roerich”: le referent pictural et ses fonctions dans At the Mountains of Madness<\/em>“. [“The strange and disturbing Asian paintings of Nicholas Roerich”: the pictorial references and their function in At the Mountains of Madness<\/em>“]<\/p>\n

Julien Schuh (Universite Reims Champagne-Ardenne): “L\u2019empreinte : reproduction, transposition, adaptation chez Lovecraft”. [The footprint: transferring and adapting Lovecraft]<\/p>\n

Remi Cayatte (Universite de Lorraine): “H.P. Lovecraft: acteur majeur de la culture populaire moderne”. [H.P. Lovecraft: a major figure in modern popular culture]<\/p>\n

Roger Bozetto (Universite de Provence): “De l\u2019imagine a l\u2019inimaginable”. [To imagine the unimaginable]<\/p>\n

Karen Vergnol-Remont (Universite Blaise Pascal): “Howard Philips Lovecraft: un auteur dont le g\u00e9nie inspire”. [Howard Philips Lovecraft: an author inspired by genius]<\/p>\n

Arnaud Moussart (Universite Jean Monnet): “Night Gaunts de Brett Rutherford: entre illustration et (re)creation”. [The Night Gaunts of Brett Rutherford<\/a>: between illustration and (re)creation]<\/p>\n

Round-table discussion with Nicolas Fructus, Gilles Francescano and Philippe Jozelon.<\/p>\n","protected":false},"excerpt":{"rendered":"

I just heard about a French conference: Presence de Lovecraft : l\u2019illustration en question (trans.: The presence of Lovecraft: a …<\/p>\n

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