{"id":7805,"date":"2013-06-18T21:40:43","date_gmt":"2013-06-18T18:40:43","guid":{"rendered":"http:\/\/tentaclii.wordpress.com\/?p=7805"},"modified":"2013-06-18T21:40:43","modified_gmt":"2013-06-18T18:40:43","slug":"everett-mcneil-in-the-movies","status":"publish","type":"post","link":"https:\/\/jurn.link\/tentaclii\/index.php\/2013\/06\/18\/everett-mcneil-in-the-movies\/","title":{"rendered":"Everett McNeil in the movies"},"content":{"rendered":"<p>More on Lovecraft&#8217;s good New York friend and Kalem Club anchor member Everett McNeil, specifically his career as a movie scriptwriter in New York circa 1912-1917, before the movie industry shipped out to California.  I previously briefly identified this possibility in my book <em>Walking with Cthulhu<\/em>.<\/p>\n<p><em>Moving Picture World<\/em> credited him as writer with Selig Polyscope Co. 1913; and Eclair Film Co., Inc, 1914; and also has an article by him on &#8220;How to Write a Photo-Play&#8221; (i.e.: a cinema script) in July 1911 which a contemporary book on movie history called a &#8220;prescient&#8221; anticipation of the later film-writing manuals.  The date of this suggests he may have had a career in the movies that began before 1912.  This appears to be confirmed by a comment about the length of his career in <em>The Writer&#8217;s Monthly<\/em> (Jan 1916)&#8230;<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&#8220;For an example of careful work in scenario writing \u2014 resulting in the director&#8217;s following each scene almost exactly as written \u2014 I should like photoplay fans and photoplaywrights to keep an eye open for the forthcoming Heine-Edison five-reel feature drama, &#8220;The Crucifixion of Philip Strong.&#8221; [aka <em>The Martyrdom of Philip Strong<\/em>, a Paramount feature-film] It is founded on the well-known novel of that name by Rev. Charles M. Sheldon, and is what I call a thoroughly well prepared script. Through an error, credit for the screen adaptation was given to Francis M. Neilson. Full credit for the screen version is due to Everett McNeil, <strong>a photoplaywright and fiction writer of long experience<\/strong>, who has been selected by Mr. L. W. McChesney to devote himself exclusively to the production of adaptations and original stories for director Richard Ridgely.&#8221; [my emphasis]<\/p>\n<p>This led me to find what has now become a fairly full listing for Everett McNeil&#8217;s movie credits on IMDB, which I&#8217;m pretty sure wasn&#8217;t there when I was writing <em>Walking with Cthulhu<\/em>:<\/p>\n<p>1917 A Lucky Slip (short) (scenario)<br \/>\n1917 Builders of Castles (picturizer) <br \/>\n1917 The Master Passion (scenario \/ as Everett MacNeil) <br \/>\n1916 The Martyrdom of Philip Strong (story)<br \/>\n1916 When Hooligan and Dooligan Ran for Mayor (short) (story) <br \/>\n1915 The Making Over of Geoffrey Manning (story) <br \/>\n1914 The Price Paid (short) (story) <br \/>\n1913 The Beaded Buckskin Bag (short) (writer) <br \/>\n1912 A Messenger to Kearney (short) (story) <br \/>\n1912 When the Heart Rules (short) (story &#8220;The Sealskin Overcoat&#8221;) <br \/>\n1912 A Cowboy&#8217;s Best Girl (short) (scenario) <\/p>\n<p>So when Lovecraft knew him in New York, McNeil was less than ten years away from a fairly long movie career.  Which, one assumes, ended (just as McNeil was about to break into regular features work) due to the effects of the First World War and\/or the move of the New York movie industry out to California?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>More on Lovecraft&#8217;s good New York friend and Kalem Club anchor member Everett McNeil, specifically his career as a movie &hellip;<\/p>\n<p><a href=\"https:\/\/jurn.link\/tentaclii\/index.php\/2013\/06\/18\/everett-mcneil-in-the-movies\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":["post-7805","post","type-post","status-publish","format-standard","hentry","category-historical-context"],"_links":{"self":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts\/7805","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/comments?post=7805"}],"version-history":[{"count":0,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts\/7805\/revisions"}],"wp:attachment":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/media?parent=7805"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/categories?post=7805"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/tags?post=7805"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}