{"id":7517,"date":"2013-06-04T19:45:16","date_gmt":"2013-06-04T16:45:16","guid":{"rendered":"http:\/\/tentaclii.wordpress.com\/?p=7517"},"modified":"2013-06-04T19:45:16","modified_gmt":"2013-06-04T16:45:16","slug":"mural-in-the-fleur-de-lys","status":"publish","type":"post","link":"https:\/\/jurn.link\/tentaclii\/index.php\/2013\/06\/04\/mural-in-the-fleur-de-lys\/","title":{"rendered":"Mural in the Fleur-de-Lys"},"content":{"rendered":"<p>Below is a picture from the historical buildings preservation document for the Fleur-de-Lys Studios (which features in &#8220;The Call of Cthulhu&#8221;). Note the semi-tentacular nature of the tails in the mural design placed above the fire-place in the Fleur-de-Lys Studios interior&#8230;<\/p>\n<p><a href=\"https:\/\/www.jurn.link\/tentaclii\/oldimages\/fleur-providence.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.jurn.link\/tentaclii\/oldimages\/fleur-providence.jpg?w=300\" alt=\"fleur-providence\" width=\"300\" height=\"212\" class=\"aligncenter size-medium wp-image-7508\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.jurn.link\/tentaclii\/oldimages\/dragonserpent.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.jurn.link\/tentaclii\/oldimages\/dragonserpent.jpg?w=225\" alt=\"dragonserpent\" width=\"225\" height=\"300\" class=\"aligncenter size-medium wp-image-7509\" \/><\/a><\/p>\n<p>One wonders if Lovecraft could have seen it on a tour of the interior?<\/p>\n<p>It might be interesting to know the mythological derivation and symbolism in use here?  It appears to be blending of a gryphon or Welsh red dragon (also to be seen on the exterior) with a sea-serpent?  And with a human eye shape made by the combination of both tails.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Below is a picture from the historical buildings preservation document for the Fleur-de-Lys Studios (which features in &#8220;The Call of &hellip;<\/p>\n<p><a href=\"https:\/\/jurn.link\/tentaclii\/index.php\/2013\/06\/04\/mural-in-the-fleur-de-lys\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":["post-7517","post","type-post","status-publish","format-standard","hentry","category-historical-context"],"_links":{"self":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts\/7517","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/comments?post=7517"}],"version-history":[{"count":0,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts\/7517\/revisions"}],"wp:attachment":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/media?parent=7517"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/categories?post=7517"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/tags?post=7517"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}