{"id":65519,"date":"2025-01-15T18:47:09","date_gmt":"2025-01-15T18:47:09","guid":{"rendered":"https:\/\/jurn.link\/tentaclii\/?p=65519"},"modified":"2025-01-15T18:54:30","modified_gmt":"2025-01-15T18:54:30","slug":"hplinks-21-spectral-realms-spanish-lovecraftians-madness-on-the-london-stage-azoth-1918-1921-and-more","status":"publish","type":"post","link":"https:\/\/jurn.link\/tentaclii\/index.php\/2025\/01\/15\/hplinks-21-spectral-realms-spanish-lovecraftians-madness-on-the-london-stage-azoth-1918-1921-and-more\/","title":{"rendered":"HPLinks #21 &#8211; Spectral Realms, Spanish Lovecraftians, Madness on the London stage, Azoth 1918-1921, and more&#8230;"},"content":{"rendered":"<p><em><a href=\"https:\/\/jurn.link\/tentaclii\/index.php\/category\/hplinks\/\">HPLinks<\/a><\/em> #21. <\/p>\n<p>* New on the Hippocampus Press website, the annual weird poetry journal <a href=\"https:\/\/www.hippocampuspress.com\/journals\/spectral-realms\/spectral-realms-no.-22\"><em>Spectral Realms<\/em> No. 22<\/a>. There are a few &#8216;classic reprint&#8217; poems as well, including&#8230; &#8220;a rare poem from <em>Weird Tales<\/em> by pulpmeister E. Hoffmann Price&#8221;.<\/p>\n<p>* In Spanish, a new open-access journal article <a href=\"https:\/\/revistas.uned.es\/index.php\/signa\/article\/view\/43424\">in the latest <em>Signa: Revista de la Asociacion Espanola de Semiotica<\/em><\/a>. This focuses on discussion of two&#8230; &#8220;spearheads of genre fiction in our country: Emilio Bueso and Guillem Lopez,  [who adapt] the Lovecraftian model to their own distinctive styles and obsessions&#8221;. Freely available online.<\/p>\n<p>* In English in the latest edition of the Hungarian journal <em>Patchwork<\/em>, <a href=\"https:\/\/hrcak.srce.hr\/325116\"><em>Escape from Innsmouth<\/em> and <em>The Shadow over Innsmouth<\/em>: The Role of The Reader and Player in Postmodern Multimedial Narratives<\/a>. Freely available online.<\/p>\n<p>* The latest <em><a href=\"https:\/\/blasphemoustomes.com\/category\/podcast\/\">Good Friends of Jackson Elias<\/a><\/em> podcast hosts, as a guest, the author of the new book <em>Ripples From Carcosa: H.P. Lovecraft, Haunted Landscapes and True Detective<\/em> (2024).<\/p>\n<p>* French blog <em>L\u2019Antique Sentier<\/em> translates part of the letter from <a href=\"https:\/\/sentierdezaman.fr\/2025\/01\/12\/h-p-lovecraft-a-helen-v-sully-le-5-mars-1935\/\">H.P. Lovecraft to Helen V. Sully, 5th March 1935<\/a>.<\/p>\n<p>* Another 2025 London Lovecraft Festival theatre listing, for <a href=\"https:\/\/www.thedraytonarmstheatre.co.uk\/at-the-mountains-of-madness\"><em>At The Mountains Of Madness<\/em> at the Drayton Arms Theatre<\/a>, 16th February 2025. Booking now. As yet, no sign of a 2025 programme at the official Festival website.<\/p>\n<p>* <em>Spraguedecampfan<\/em> has <a href=\"https:\/\/spraguedecampfan.wordpress.com\/2025\/01\/11\/review-planets-and-dimensions-by-clark-ashton-smith\/\">a detailed review of <em>Planets and Dimensions<\/em> by Clark Ashton Smith<\/a>. As I blogged last week, a scan of this 1970s book collection of CAS&#8217;s essays is now free on Archive.org. <\/p>\n<p>* New from <em>Scriblus<\/em>, an 8,000-word article on <a href=\"https:\/\/www.scriblerusinkspot.com\/2025\/01\/the-ballantine-adult-fantasy-series.html#more\">&#8220;The Ballantine Adult Fantasy Series (1969-74): An Introduction&#8221;<\/a>.<\/p>\n<p>* <em>Frontier Partisans<\/em> trails the forthcoming &#8220;comprehensive and meticulously curated&#8221; 646-page new edition of the <em><a href=\"https:\/\/frontierpartisans.com\/37465\/western-tales-of-robert-e-howard\/\">Western Tales Of Robert E. Howard<\/a><\/em>. Due from the Robert E. Howard Foundation Press in February 2025.<\/p>\n<p>* <em>Modern Age<\/em> magazine suggests <a href=\"https:\/\/modernagejournal.com\/its-time-for-a-walter-scott-revival\/246967\/\">&#8220;It\u2019s Time for a Walter Scott Revival&#8221;<\/a>&#8230; &#8220;He\u2019s known for his swashbuckling tales but offers much more.&#8221;<\/p>\n<p>* Free on Archive.org, <em><a href=\"https:\/\/archive.org\/details\/iapsop_azoth\">Azoth: The Occult Magazine of America<\/a><\/em> (1918-1921). Of possible interest to Mythos writers seeking deep background on the immediate post-war period, which were also the years in which Lovecraft started to write stories again. <\/p>\n<p>* <em>Inverse<\/em> reconsiders <a href=\"https:\/\/www.inverse.com\/entertainment\/underwater-5-year-anniversary\"><em>Underwater<\/em>, a submarine horror box-office flop of a movie<\/a>. Has major spoilers.<\/p>\n<blockquote><p>&#8220;Five years ago, Underwater did what many Lovecraft adaptations couldn\u2019t. [&#8230;] The film isn\u2019t adapting any particular [Lovecraft] story, but a dedicated watch reveals details that are intentionally [Lovecraft] lore-consistent&#8221;. <\/p><\/blockquote>\n<p>* And finally, Beth Murray was a photographer who made a fine set of 1940s <a href=\"https:\/\/jurn.link\/tentaclii\/index.php\/2022\/11\/18\/views-of-providence\/\">views of Providence<\/a>, which I collected in a blog post a while ago now. Later I found <a href=\"https:\/\/jurn.link\/tentaclii\/index.php\/2023\/05\/29\/go-bananas\/\">one more<\/a> from the set, which was later issued as postcards. I&#8217;ve now found another card not seen before, showing the Seekonk River near Red Bridge. Small size, but clear enough to suggest that it was still very much a working river when Lovecraft was alive. The river was strongly tidal and salty.<\/p>\n<p><a href=\"https:\/\/jurn.link\/tentaclii\/wp-content\/uploads\/2025\/01\/beth-murray-seekonk-red-river-bridge.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/jurn.link\/tentaclii\/wp-content\/uploads\/2025\/01\/beth-murray-seekonk-red-river-bridge.jpg\" alt=\"\" width=\"379\" height=\"600\" class=\"aligncenter size-full wp-image-65520\" \/><\/a><\/p>\n<p style=\"text-align:center\"><em>Red Bridge on the Seekonk, Providence, in the 1940s.<\/em><\/p>\n<hr>\n<p style=\"text-align:center\"><em>&mdash; End-quote &mdash;<\/em><\/p>\n<p>Lovecraft at the Red Bridge: &#8220;I was standing on the East Providence shore of the Seekonk River, about three quarters of a mile south of the foot of Angell Street, at some unearthly nocturnal hour. The tide was flowing out horribly &mdash; exposing parts of the river-bed never before exposed to human sight. Many persons lined the banks, looking at the receding waters &#038; occasionally glancing at the sky. Suddenly a blinding flare &mdash; reddish in hue &mdash; appeared high in the southwestern sky; &#038; something descended to earth in a cloud of smoke, striking the Providence shore near the Red Bridge &mdash; about an eighth of a mile south on Angell Street. The watchers on the banks screamed in horror &mdash; \u201cIt has come &mdash; It has come at last!\u201d &mdash; &#038; fled away into the deserted streets. But I ran toward the bridge instead of away; for I was more curious than afraid. When I reached it I saw hordes of terror-stricken people in hastily donned clothing fleeing across from the Providence side as from a city accursed by the gods. There were pedestrians, many of them falling by the way, &#038; vehicles of all sorts. Electric cars [tram-cars] &mdash; the old small cars unused in Providence for six years &mdash; were running in close procession &mdash; eastward away from the city on both of the double tracks. Their motormen were frantic, &#038; small collisions were numerous. By this time the river-bed was fully exposed &mdash; only the deep channel filled with water like a serpentine stream of death flowing through a pestilential plain in Tartarus. Suddenly a glare appeared in the West, &#038; I saw the dominant landmark of the Providence horizon &mdash; the dome of the Central Congregational Church, silhouetted weirdly against a background of red. And then, silently, that dome abruptly caved in &#038; fell out of sight in a thousand fragments. And from the fleeing populace arose such a cry as only the damn\u2019d utter &mdash; &#038; I waked up &#8230;&#8221; &mdash; Lovecraft to Rheinhart Kleiner, May 1920.<\/p>\n<hr>\n","protected":false},"excerpt":{"rendered":"<p>HPLinks #21. * New on the Hippocampus Press website, the annual weird poetry journal Spectral Realms No. 22. There are &hellip;<\/p>\n<p><a href=\"https:\/\/jurn.link\/tentaclii\/index.php\/2025\/01\/15\/hplinks-21-spectral-realms-spanish-lovecraftians-madness-on-the-london-stage-azoth-1918-1921-and-more\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[38,12,18],"tags":[],"class_list":["post-65519","post","type-post","status-publish","format-standard","hentry","category-hplinks","category-lovecraftian-arts","category-new-books"],"_links":{"self":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts\/65519","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/comments?post=65519"}],"version-history":[{"count":4,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts\/65519\/revisions"}],"predecessor-version":[{"id":65524,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts\/65519\/revisions\/65524"}],"wp:attachment":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/media?parent=65519"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/categories?post=65519"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/tags?post=65519"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}