{"id":62865,"date":"2024-01-13T02:15:54","date_gmt":"2024-01-13T02:15:54","guid":{"rendered":"https:\/\/jurn.link\/tentaclii\/?p=62865"},"modified":"2024-01-11T18:21:38","modified_gmt":"2024-01-11T18:21:38","slug":"bob-fowke-art-exhibition","status":"publish","type":"post","link":"https:\/\/jurn.link\/tentaclii\/index.php\/2024\/01\/13\/bob-fowke-art-exhibition\/","title":{"rendered":"Bob Fowke art exhibition"},"content":{"rendered":"<p>British Lovecraftians of a certain age will fondly recall the Panther paperback editions. The cover-artist for two of these is having a exhibition of his 1970s covers, in his home town. <a href=\"https:\/\/bobfowke.co.uk\/\">Bob Fowke<\/a> did the covers for the books <em>The Horror in the Burying Ground<\/em> and <em>The Horror in the Museum<\/em>.<\/p>\n<p><a href=\"https:\/\/jurn.link\/tentaclii\/wp-content\/uploads\/2024\/01\/twohorror-fowke.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/jurn.link\/tentaclii\/wp-content\/uploads\/2024\/01\/twohorror-fowke.jpg\" alt=\"\" width=\"528\" height=\"419\" class=\"alignnone size-medium wp-image-62866\" srcset=\"https:\/\/jurn.link\/tentaclii\/wp-content\/uploads\/2024\/01\/twohorror-fowke.jpg 1820w, https:\/\/jurn.link\/tentaclii\/wp-content\/uploads\/2024\/01\/twohorror-fowke-528x419.jpg 528w, https:\/\/jurn.link\/tentaclii\/wp-content\/uploads\/2024\/01\/twohorror-fowke-768x609.jpg 768w, https:\/\/jurn.link\/tentaclii\/wp-content\/uploads\/2024\/01\/twohorror-fowke-1536x1219.jpg 1536w\" sizes=\"auto, (max-width: 528px) 100vw, 528px\" \/><\/a><\/p>\n<p>Also for Poul Anderson&#8217;s <em>A Midsummer Tempest<\/em>, one of <a href=\"https:\/\/jurn.link\/tentaclii\/index.php\/2019\/09\/21\/poul-andersons-english-and-northern-fantasies\/\">Poul Anderson\u2019s English and northern fantasies<\/a>. I had wondered who did that cover, and thought it might have been one of the Ruralists.<\/p>\n<p><a href=\"https:\/\/jurn.link\/tentaclii\/wp-content\/uploads\/2024\/01\/midsum.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/jurn.link\/tentaclii\/wp-content\/uploads\/2024\/01\/midsum.jpg\" alt=\"\" width=\"528\" height=\"856\" class=\"alignnone size-medium wp-image-62867\" srcset=\"https:\/\/jurn.link\/tentaclii\/wp-content\/uploads\/2024\/01\/midsum.jpg 640w, https:\/\/jurn.link\/tentaclii\/wp-content\/uploads\/2024\/01\/midsum-528x856.jpg 528w\" sizes=\"auto, (max-width: 528px) 100vw, 528px\" \/><\/a><\/p>\n<p>His <a href=\"https:\/\/bobfowke.co.uk\/exhibition\/\">&#8220;exhibition of 70s sci-fi art&#8221;<\/a> runs for three days only, part of the Open Studios in the town of Bishop&#8217;s Castle, Shropshire, on the border between England and Wales and about 40 miles west of Birmingham. The dates are 16th, 17th &#038; 18th February 2024.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>British Lovecraftians of a certain age will fondly recall the Panther paperback editions. The cover-artist for two of these is &hellip;<\/p>\n<p><a href=\"https:\/\/jurn.link\/tentaclii\/index.php\/2024\/01\/13\/bob-fowke-art-exhibition\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"class_list":["post-62865","post","type-post","status-publish","format-standard","hentry","category-lovecraftian-arts"],"_links":{"self":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts\/62865","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/comments?post=62865"}],"version-history":[{"count":2,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts\/62865\/revisions"}],"predecessor-version":[{"id":62869,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts\/62865\/revisions\/62869"}],"wp:attachment":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/media?parent=62865"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/categories?post=62865"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/tags?post=62865"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}