{"id":42426,"date":"2020-09-20T05:56:58","date_gmt":"2020-09-20T02:56:58","guid":{"rendered":"https:\/\/tentaclii.wordpress.com\/?p=42426"},"modified":"2020-09-20T05:56:58","modified_gmt":"2020-09-20T02:56:58","slug":"college-street-1900","status":"publish","type":"post","link":"https:\/\/jurn.link\/tentaclii\/index.php\/2020\/09\/20\/college-street-1900\/","title":{"rendered":"Between Waterman and College Streets"},"content":{"rendered":"<p><a href=\"https:\/\/www.jurn.link\/tentaclii\/oldimages\/between-waterman-college-st-1900s.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.jurn.link\/tentaclii\/oldimages\/between-waterman-college-st-1900s.jpg?w=529\" alt=\"\" width=\"529\" height=\"382\" class=\"aligncenter size-large wp-image-42427\" \/><\/a><\/p>\n<p>A picture of a lithograph by Athos Zacharias, titled &#8220;Between Waterman and College Streets&#8221;, on College Hill in Providence, Rhode Island.  What date was it made? Well, Zacharias was born 1927, so although spuriously dated &#8220;1900&#8221; on its record-page this is likely to be post-war graduation work made while at Rhode Island School of Design.  Zacharias graduated from RISD in 1952. <\/p>\n<p>Does it relate to Lovecraft and No. 66 College Street? Probably it&#8217;s just an abstracted architectural collage-in-drawing lithograph, though the title, choice of subject and precise position are all rather intriguing re: the possibility that it was meant to evoke the location and spirit of Lovecraft&#8217;s last home.  The &#8216;monitor roof&#8217; windows seen in the lower foreground don&#8217;t <em>quite<\/em> match those of No. 66, though, and the whitewash would have had to have peeled off the chimney-bricks between 1937 and 1951. But who knows, perhaps we can fancy that Zacharias read an early Lovecraft collection and then had the cultural-historical foresight to go try to make art at the site?  The house was moved to a new site in 1959, so in circa 1951\/52 it would still have been there.<\/p>\n<p><a href=\"https:\/\/www.jurn.link\/tentaclii\/oldimages\/roof2.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.jurn.link\/tentaclii\/oldimages\/roof2.jpg\" alt=\"\" width=\"291\" height=\"131\" class=\"aligncenter size-full wp-image-42435\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.jurn.link\/tentaclii\/oldimages\/roof.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.jurn.link\/tentaclii\/oldimages\/roof.jpg?w=340\" alt=\"\" width=\"340\" height=\"139\" class=\"aligncenter size-large wp-image-42436\" \/><\/a><\/p>\n<p>Even if the drawing doesn&#8217;t show No. 66 in the lower-left then &mdash; as a slightly sinister artwork of spidery trees and eye-boggling shifts in building scales &mdash; it still unconsciously evokes something of Lovecraft. Also his tucked-away courtyard garden at No. 66, in the shadow of the John Hay Library.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A picture of a lithograph by Athos Zacharias, titled &#8220;Between Waterman and College Streets&#8221;, on College Hill in Providence, Rhode &hellip;<\/p>\n<p><a href=\"https:\/\/jurn.link\/tentaclii\/index.php\/2020\/09\/20\/college-street-1900\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"class_list":["post-42426","post","type-post","status-publish","format-standard","hentry","category-lovecraftian-arts"],"_links":{"self":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts\/42426","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/comments?post=42426"}],"version-history":[{"count":0,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts\/42426\/revisions"}],"wp:attachment":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/media?parent=42426"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/categories?post=42426"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/tags?post=42426"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}