{"id":38595,"date":"2020-05-24T05:54:44","date_gmt":"2020-05-24T02:54:44","guid":{"rendered":"https:\/\/tentaclii.wordpress.com\/?p=38595"},"modified":"2020-05-24T05:54:44","modified_gmt":"2020-05-24T02:54:44","slug":"added-to-open-lovecraft-72","status":"publish","type":"post","link":"https:\/\/jurn.link\/tentaclii\/index.php\/2020\/05\/24\/added-to-open-lovecraft-72\/","title":{"rendered":"Added to Open Lovecraft"},"content":{"rendered":"<p>* J. Wierzbicki, <a href=\"https:\/\/online.ucpress.edu\/res\/article\/1\/1\/60\/109393\">&#8220;Silent Listening, The Aesthetics of Literary Sounds&#8221;<\/a>, <em>Resonance: The Journal of Sound and Culture<\/em>, Vol. 1, Number 1, 2020.  (Discussion of sounds in Poe and Lovecraft). <\/p>\n<p>* P. Jarvinen, <a href=\"https:\/\/trepo.tuni.fi\/handle\/10024\/120444\">&#8220;The Social Outsider: Generating Horror Through External and Internal Alienation in \u201cThe Outsider\u201d and \u201cThe Music of Erich Zann\u201d by H.P. Lovecraft&#8221;<\/a>. (April 2020 undergraduate dissertation for Tampere University, Finland). <\/p>\n<p>* A. de Sena, &#8220;<em>Frankenstein<\/em> de Mary Shelley e &#8220;O Intruso&#8221; de H.P. Lovecraft: Simetrias&#8221;, in <em><a href=\"http:\/\/www.dialogarts.uerj.br\/php\/exibe_tfc_literatura.php\">Figuracao de Personagens Monstruosas<\/a><\/em>, DialogArts, University of Rio de Janeiro, 2020. (Sees parallels between Shelley&#8217;s <em>Frankenstein<\/em> and &#8220;The Outsider&#8221;. In Brazilian Portuguese. Book chapter, book title roughly translates as &#8216;The Figurations of Monstrous Characters&#8217;).<\/p>\n<p>* J. Franca, <a href=\"http:\/\/www.dialogarts.uerj.br\/admin\/arquivos_seminal\/seminal_14.pdf\">&#8220;Fundamentos esteticos da literatura de horror: a influencia de Edmund Burke em H. P. Lovecraft&#8221;<\/a>, <em>Caderno Seminal Digital<\/em>, Vol. 16, No. 14, June-December 2010. (In Brazilian Portuguese. Edmund Burke&#8217;s influence on Lovecraft&#8217;s <em>Supernatural Horror<\/em>. Graduate Journal of the University of Rio de Janeiro.)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>* J. Wierzbicki, &#8220;Silent Listening, The Aesthetics of Literary Sounds&#8221;, Resonance: The Journal of Sound and Culture, Vol. 1, Number &hellip;<\/p>\n<p><a href=\"https:\/\/jurn.link\/tentaclii\/index.php\/2020\/05\/24\/added-to-open-lovecraft-72\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24],"tags":[],"class_list":["post-38595","post","type-post","status-publish","format-standard","hentry","category-scholarly-works"],"_links":{"self":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts\/38595","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/comments?post=38595"}],"version-history":[{"count":0,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts\/38595\/revisions"}],"wp:attachment":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/media?parent=38595"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/categories?post=38595"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/tags?post=38595"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}