{"id":3568,"date":"2011-11-15T07:27:55","date_gmt":"2011-11-15T04:27:55","guid":{"rendered":"http:\/\/tentaclii.wordpress.com\/?p=3568"},"modified":"2011-11-15T07:27:55","modified_gmt":"2011-11-15T04:27:55","slug":"celebrity-culture-as-gothic-culture","status":"publish","type":"post","link":"https:\/\/jurn.link\/tentaclii\/index.php\/2011\/11\/15\/celebrity-culture-as-gothic-culture\/","title":{"rendered":"Celebrity culture as gothic culture"},"content":{"rendered":"<p><em>The New York Times<\/em> magazine on celebrity culture as <a href=\"http:\/\/www.nytimes.com\/2011\/09\/04\/magazine\/tabloid-trainwrecks-reinventing-gothic-literature.html?_r=3&amp;ref=magazine&amp;pagewanted=print\">a re-invention of gothic spectacle<\/a>&#8230;<\/p>\n<blockquote><p>&#8220;When people talk about a contemporary gothic revival, they\u2019re usually talking about Romantic fictions like <em>Twilight<\/em> and <em>True Blood<\/em>. But it\u2019s in the so-called real world of the tabloids, Internet gossip sites and reality TV that the genre is truly thriving. With their troubled heroines, haunted castles (or bad-vibe hotels), fakes and counterfeits, long-buried secrets, madwomen, controlling patriarchs, damsels in distress, reckless cads, depravity and the looming threat of financial ruin, these stories are striking for their endlessly recurring themes of excess, addiction, decadence and madness. And like the pursued heroines of 18th-century novels, the waifs of the tabloid stories seem at once abject &mdash; doomed to wander the wilderness while being poked at by the villagers wielding sticks and telephoto lenses \u2014 and trapped: sealed off in the glass dungeons of their fame.&#8221;<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>The New York Times magazine on celebrity culture as a re-invention of gothic spectacle&#8230; &#8220;When people talk about a contemporary &hellip;<\/p>\n<p><a href=\"https:\/\/jurn.link\/tentaclii\/index.php\/2011\/11\/15\/celebrity-culture-as-gothic-culture\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[],"class_list":["post-3568","post","type-post","status-publish","format-standard","hentry","category-unnamable"],"_links":{"self":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts\/3568","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/comments?post=3568"}],"version-history":[{"count":0,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts\/3568\/revisions"}],"wp:attachment":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/media?parent=3568"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/categories?post=3568"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/tags?post=3568"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}