{"id":29811,"date":"2019-08-21T05:07:20","date_gmt":"2019-08-21T02:07:20","guid":{"rendered":"https:\/\/tentaclii.wordpress.com\/?p=29811"},"modified":"2019-08-21T05:07:20","modified_gmt":"2019-08-21T02:07:20","slug":"henri-etienne-martin","status":"publish","type":"post","link":"https:\/\/jurn.link\/tentaclii\/index.php\/2019\/08\/21\/henri-etienne-martin\/","title":{"rendered":"Henri Etienne-Martin"},"content":{"rendered":"<p>A Lovecraftian sculptor of the 1960s and early 1970s, the Frenchman Henri Etienne-Martin.<\/p>\n<p>Etienne-Martin&#8217;s entry in <em>Dictionary of Modern Sculpture<\/em>, 1960.  Note the outdoor &#8220;Homage to Lovecraft&#8221;, and he also seems to have made smaller variations of this stair\/throne-like sculpture.<\/p>\n<p><a href=\"https:\/\/www.jurn.link\/tentaclii\/oldimages\/martin.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.jurn.link\/tentaclii\/oldimages\/martin.jpg?w=348\" alt=\"\" width=\"348\" height=\"963\" class=\"aligncenter size-large wp-image-29813\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.jurn.link\/tentaclii\/oldimages\/2019-08-09_184642.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.jurn.link\/tentaclii\/oldimages\/2019-08-09_184642.jpg?w=529\" alt=\"\" width=\"529\" height=\"752\" class=\"aligncenter size-large wp-image-29812\" \/><\/a><\/p>\n<p>From a 1965 exhibition catalogue in French&#8230;<\/p>\n<p><a href=\"https:\/\/www.jurn.link\/tentaclii\/oldimages\/cover-1.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.jurn.link\/tentaclii\/oldimages\/cover-1.jpg?w=529\" alt=\"\" width=\"529\" height=\"394\" class=\"aligncenter size-large wp-image-29818\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.jurn.link\/tentaclii\/oldimages\/2019-08-09_185741.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.jurn.link\/tentaclii\/oldimages\/2019-08-09_185741.jpg?w=529\" alt=\"\" width=\"529\" height=\"673\" class=\"aligncenter size-large wp-image-29815\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.jurn.link\/tentaclii\/oldimages\/2019-08-09_185714.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.jurn.link\/tentaclii\/oldimages\/2019-08-09_185714.jpg?w=529\" alt=\"\" width=\"529\" height=\"567\" class=\"aligncenter size-large wp-image-29816\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.jurn.link\/tentaclii\/oldimages\/2019-08-09_185634.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.jurn.link\/tentaclii\/oldimages\/2019-08-09_185634.jpg?w=529\" alt=\"\" width=\"529\" height=\"655\" class=\"aligncenter size-large wp-image-29817\" \/><\/a><\/p>\n<p>From recent auction sales of his work&#8230;<\/p>\n<p><a href=\"https:\/\/www.jurn.link\/tentaclii\/oldimages\/2019-08-09_190705.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.jurn.link\/tentaclii\/oldimages\/2019-08-09_190705.jpg\" alt=\"\" width=\"525\" height=\"546\" class=\"aligncenter size-full wp-image-29820\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.jurn.link\/tentaclii\/oldimages\/2019-08-09_190649.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.jurn.link\/tentaclii\/oldimages\/2019-08-09_190649.jpg?w=436\" alt=\"\" width=\"436\" height=\"542\" class=\"aligncenter size-large wp-image-29821\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.jurn.link\/tentaclii\/oldimages\/2019-08-09_190630.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.jurn.link\/tentaclii\/oldimages\/2019-08-09_190630.jpg?w=529\" alt=\"\" width=\"529\" height=\"739\" class=\"aligncenter size-large wp-image-29822\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.jurn.link\/tentaclii\/oldimages\/2019-08-09_190612.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.jurn.link\/tentaclii\/oldimages\/2019-08-09_190612.jpg?w=529\" alt=\"\" width=\"529\" height=\"375\" class=\"aligncenter size-large wp-image-29823\" \/><\/a><\/p>\n<hr>\n<p><a href=\"https:\/\/books.openedition.org\/pupo\/1996?lang=en\">&#8220;Art et mythe &#8211; La cosmogonie d&#8217;Etienne-Martin, point de depart des &#8220;Mythologies individuelles&#8221;&#8221;<\/a> (open access book chapter in French).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A Lovecraftian sculptor of the 1960s and early 1970s, the Frenchman Henri Etienne-Martin. Etienne-Martin&#8217;s entry in Dictionary of Modern Sculpture, &hellip;<\/p>\n<p><a href=\"https:\/\/jurn.link\/tentaclii\/index.php\/2019\/08\/21\/henri-etienne-martin\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"class_list":["post-29811","post","type-post","status-publish","format-standard","hentry","category-lovecraftian-arts"],"_links":{"self":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts\/29811","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/comments?post=29811"}],"version-history":[{"count":0,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts\/29811\/revisions"}],"wp:attachment":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/media?parent=29811"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/categories?post=29811"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/tags?post=29811"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}