{"id":22066,"date":"2019-01-10T06:25:51","date_gmt":"2019-01-10T03:25:51","guid":{"rendered":"https:\/\/tentaclii.wordpress.com\/?p=22066"},"modified":"2019-01-10T06:25:51","modified_gmt":"2019-01-10T03:25:51","slug":"kirk-in-a-cartoon","status":"publish","type":"post","link":"https:\/\/jurn.link\/tentaclii\/index.php\/2019\/01\/10\/kirk-in-a-cartoon\/","title":{"rendered":"Kirk in a cartoon"},"content":{"rendered":"<p>Scenes from Lovecraft&#8217;s New York City in the 1930s by Wortman &mdash; a news-stand, a cheap cafe, and a burgled studio. Wortman was a syndicated single-panel cartoonist with whose work   Lovecraft was familiar by the early 1930s. <\/p>\n<p><a href=\"https:\/\/www.jurn.link\/tentaclii\/oldimages\/metropolitanmovi00wort_0023.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.jurn.link\/tentaclii\/oldimages\/metropolitanmovi00wort_0023.jpg?w=529\" alt=\"\" width=\"529\" height=\"742\" class=\"aligncenter size-large wp-image-22069\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.jurn.link\/tentaclii\/oldimages\/metropolitanmovi00wort_0043.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.jurn.link\/tentaclii\/oldimages\/metropolitanmovi00wort_0043.jpg?w=529\" alt=\"\" width=\"529\" height=\"742\" class=\"aligncenter size-large wp-image-22067\" \/><\/a><\/p>\n<p>The Walforf being an exclusive upmarket hotel.<\/p>\n<p><a href=\"https:\/\/www.jurn.link\/tentaclii\/oldimages\/metropolitanmovi00wort_0033.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.jurn.link\/tentaclii\/oldimages\/metropolitanmovi00wort_0033.jpg?w=529\" alt=\"\" width=\"529\" height=\"742\" class=\"aligncenter size-large wp-image-22068\" \/><\/a><\/p>\n<p>In one such Wortman cartoon, Lovecraft wrote in early 1933&#8230;<\/p>\n<blockquote><p>&#8230; our old friend George Willard Kirk &amp; his Chelsea Book Shop are very plainly delineated. G K is shewn leaning against the wall in a very characteristick posture, &amp; even his face is distinctly suggested despite certain departures from line-for-line realism.<\/p><\/blockquote>\n<p>A 280-page book on Wortman appeared in 2010, <em><a href=\"https:\/\/amzn.to\/2AxphdW\">Denys Wortman&#8217;s New York: Portrait of the City in the 30s and 40s<\/a><\/em>, during the writing of which the author found 5,000 drawings that were in a hazardous state of preservation. There was also an exhibition, &#8220;Denys Wortman Rediscovered: Drawings for the <em>World-Telegram<\/em> and <em>Sun<\/em>, 1930-1953&#8243;.<\/p>\n<p>I can&#8217;t immediately find out where the Wortman archives are held now, though The Center for Cartoon Studies will know. Somewhere in among the 5,000 drawings, from circa 1930 &#8211; early 1933 is likely to be the good pencil portrait of Kalem member Kirk as mentioned by Lovecraft in his letter.  Possibly someone with access to a U.S. newspapers archive for that period might pick up a good scan of the syndicated printed version. The title was the <em>New York World<\/em> from 1930 to 1931, then became the <em>New York World-Telegram<\/em> thereafter, but  &#8216;syndicated&#8217; means that other newspapers also reprinted the same cartoons.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Scenes from Lovecraft&#8217;s New York City in the 1930s by Wortman &mdash; a news-stand, a cheap cafe, and a burgled &hellip;<\/p>\n<p><a href=\"https:\/\/jurn.link\/tentaclii\/index.php\/2019\/01\/10\/kirk-in-a-cartoon\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[],"class_list":["post-22066","post","type-post","status-publish","format-standard","hentry","category-odd-scratchings"],"_links":{"self":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts\/22066","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/comments?post=22066"}],"version-history":[{"count":0,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts\/22066\/revisions"}],"wp:attachment":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/media?parent=22066"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/categories?post=22066"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/tags?post=22066"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}