{"id":18211,"date":"2018-10-13T06:12:05","date_gmt":"2018-10-13T03:12:05","guid":{"rendered":"https:\/\/tentaclii.wordpress.com\/?p=18211"},"modified":"2018-10-13T06:12:05","modified_gmt":"2018-10-13T03:12:05","slug":"lovecraft-in-the-prism-of-the-image","status":"publish","type":"post","link":"https:\/\/jurn.link\/tentaclii\/index.php\/2018\/10\/13\/lovecraft-in-the-prism-of-the-image\/","title":{"rendered":"Lovecraft in the prism of the image"},"content":{"rendered":"

New in October 2017, and seemingly not yet noticed outside France, the book Lovecraft au prisme de l’image: litterature, cinema et arts graphiques<\/a><\/em> [Lovecraft in the prism of the image: literature, cinema and the graphic arts] (Green Face, 2017). Green Face is a well-regarded and genuine small press<\/a>, and their book has sixteen essays on Lovecraft’s visual afterlives among makers of pictures, movies, comics and more.<\/p>\n

\"\"<\/a><\/p>\n

Translation of some of the essay titles:<\/p>\n

PICTURES:<\/p>\n

“New notes – distance: 1995-2012 – on the poetics of excess at Lovecraft and its graphic solutions”.<\/p>\n

“The textual and pictorial fables in At the Mountains of Madness<\/em>: a genealogical approach to the Lovecraft novella”.<\/p>\n

“”The strange and disturbing paintings by Nicholas Roerich”: the pictorial referent and his functions in At the Mountains of Madness<\/em>“.<\/p>\n

“Lovecraft, painter of the unthinkable”.<\/p>\n

“The image and Lovecraft”.<\/p>\n

CINEMA:<\/p>\n

“H.P. Lovecraft as outsider cinema – what changes?”<\/p>\n

“The Truth About The Charles Dexter Ward<\/em> Case: Fright and Excess in The Haunted Palace<\/em> (Roger Corman, 1963) and The Resurrected<\/em> (Dan O’Bannon, 1991)”.<\/p>\n

“Lovecraft on screen: adaptations, tributes, rewrites”.<\/p>\n

“Presences of the unspeakable: found footage and poetics Lovecraftienne<\/em>“.<\/p>\n

COMICS:<\/p>\n

“Neonomicon<\/em>: monstrosity and adaptation after Howard Phillips Lovecraft”. [Alan Moore]<\/p>\n

“Lovecraft in the colors of nightmare: a study of Alberto Breccia”.<\/p>\n

TRANSMEDIA:<\/p>\n

“Adaptation and Transmediality: Kadath, the Unknown City<\/em>“.<\/p>\n

“Howard Phillips Lovecraft: God of Modern Popular Culture”.<\/p>\n

“Brett Rutherford’s Night Gaunts<\/em>: Between Illustration and (Re) Creation”.<\/p>\n

“The Necronomicons<\/em> of H.R. Giger”.<\/p>\n","protected":false},"excerpt":{"rendered":"

New in October 2017, and seemingly not yet noticed outside France, the book Lovecraft au prisme de l’image: litterature, cinema …<\/p>\n

Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,24],"tags":[],"class_list":["post-18211","post","type-post","status-publish","format-standard","hentry","category-new-books","category-scholarly-works"],"_links":{"self":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts\/18211","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/comments?post=18211"}],"version-history":[{"count":0,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts\/18211\/revisions"}],"wp:attachment":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/media?parent=18211"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/categories?post=18211"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/tags?post=18211"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}