{"id":15224,"date":"2015-08-14T06:53:27","date_gmt":"2015-08-14T03:53:27","guid":{"rendered":"https:\/\/tentaclii.wordpress.com\/?p=15224"},"modified":"2015-08-14T06:53:27","modified_gmt":"2015-08-14T03:53:27","slug":"added-to-open-lovecraft-45","status":"publish","type":"post","link":"https:\/\/jurn.link\/tentaclii\/index.php\/2015\/08\/14\/added-to-open-lovecraft-45\/","title":{"rendered":"Added to Open Lovecraft"},"content":{"rendered":"<p>* Diana E. Bellonby (2012), <a href=\"http:\/\/etd.library.vanderbilt.edu\/available\/etd-08012012-102312\/unrestricted\/Bellonby.pdf\">A Secret History of Aestheticism: magic-portrait fiction, 1829-1929<\/a>. (A useful in-depth survey that traces this neglected story type from Walpole through Pater, to later overtly queer uses in Wilde and <em>Orlando<\/em>.  Lovecraft&#8217;s work obviously draws here and there on this story tradition, but there is only a very glancing recognition of Lovecraft at the end of the thesis &mdash; &#8220;American writer H.P. Lovecraft produces two such works in \u201cThe Picture in the House\u201d (1920) and \u201cPickman\u2019s Model\u201d (1927)&#8221; &mdash; the author being presumably unaware of &#8220;Hypnos&#8221; (portrait in sculpture), &#8220;The Temple&#8221; (portrait in carved ivory), &#8220;The Outsider&#8221; (mirror) and &#8220;The Trap&#8221; (mirror)).<\/p>\n<p>* J.I.B. Crellin (2014), <a href=\"http:\/\/www.e-space.mmu.ac.uk\/e-space\/bitstream\/2173\/326219\/1\/J%20CRELLIN%20PhD%20THESIS%202014.pdf\">&#8220;Schizo-Gothic Subjectivity: H.P. Lovecraft and William S. Burroughs&#8221;<\/a>. (PhD thesis for Manchester Metropolitan University, 2014.  Attempts to use Deleuze and Guattari to open &#8220;new conceptual and methodological possibilities for Gothic criticism&#8221;, and then tests if this can yield new insights into Lovecraft and Burroughs).<\/p>\n<p>* Scapegoat (2013), <a href=\"http:\/\/www.scapegoatjournal.org\/docs\/05\/SG_Excess_378-387_F_Thacker.pdf\">&#8220;The Sight of a Mangled Corpse: an interview with Eugene Thacker&#8221;<\/a>, <em>Scapegoat<\/em> journal No. 5, September 2013.  (Philosopher who has written on Lovecraft discusses the philosophical lineage of horror, and its relation to contemporary speculative thought).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>* Diana E. Bellonby (2012), A Secret History of Aestheticism: magic-portrait fiction, 1829-1929. (A useful in-depth survey that traces this &hellip;<\/p>\n<p><a href=\"https:\/\/jurn.link\/tentaclii\/index.php\/2015\/08\/14\/added-to-open-lovecraft-45\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24],"tags":[],"class_list":["post-15224","post","type-post","status-publish","format-standard","hentry","category-scholarly-works"],"_links":{"self":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts\/15224","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/comments?post=15224"}],"version-history":[{"count":0,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts\/15224\/revisions"}],"wp:attachment":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/media?parent=15224"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/categories?post=15224"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/tags?post=15224"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}