{"id":10619,"date":"2014-05-30T17:57:19","date_gmt":"2014-05-30T14:57:19","guid":{"rendered":"http:\/\/tentaclii.wordpress.com\/?p=10619"},"modified":"2014-05-30T17:57:19","modified_gmt":"2014-05-30T14:57:19","slug":"added-to-open-lovecraft-5","status":"publish","type":"post","link":"https:\/\/jurn.link\/tentaclii\/index.php\/2014\/05\/30\/added-to-open-lovecraft-5\/","title":{"rendered":"Added to Open Lovecraft"},"content":{"rendered":"<p>* Anthony Christopher Camara (2013), <em><a href=\"http:\/\/escholarship.org\/uc\/item\/4ns5q1fv\">Dark Matter : British Weird Fiction and the Substance of Horror, 1880-1927<\/a><\/em>. (PhD thesis for UCLA.  Examines Lovecraft&#8217;s predecessors in British fiction &mdash; Vernon Lee, Machen, Blackwood, Hodgson &mdash; and asks how they departed from the Gothic romance and the Victorian ghost story. Seems to lack a proper conclusion, but has a short <em>coda<\/em> survey article on later developments in British weird fiction)<\/p>\n<p>* Arthur Jorge Dias de Morais Coelho (2013), <a href=\"http:\/\/jfb.cedaph.org\/sites\/jfb.cedaph.org\/files\/noticias\/anexos\/anais_xix_semana_versao_definitiva.pdf#page=116\">&#8220;Os Mitos de H.P. Lovecraft e a cultura juvenil&#8221;<\/a>, <em>Anais : Semana de Historia<\/em>, Vol. XIX, 2013.  (In Spanish. &#8220;Of youth culture and the mythology of H.P. Lovecraft&#8221;. Asks how the mythos came to be such a key part of youth culture).<\/p>\n<p>* Frederic Sayer (2004), <a href=\"http:\/\/dalspace.library.dal.ca\/handle\/10222\/47682\">&#8220;Horreur des villes maudites dans l&#8217;oeuvre de H.P. Lovecraft&#8221;<\/a>, <em>Belphegor : Litterature Populaire et Culture Mediatique<\/em>, 3.2, 2004.  (In French. Explores&#8230; &#8220;the combination of attraction and repulsion that these elements [architecture, degenerates, ancient cults] produce for the hero, who is a true double of the reader&#8221;)<\/p>\n<p>* Sean Braune (2013), <a href=\"http:\/\/www.academia.edu\/3358816\/_How_to_Analyze_Texts_that_Were_Burned_Lost_Fragmented_or_Never_Written._\">&#8220;How to Analyze Texts that Were Burned, Lost, Fragmented, or Never Written&#8221;<\/a>, <em>Symploke<\/em>, Vol. 21, No. 1-2, 2013.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>* Anthony Christopher Camara (2013), Dark Matter : British Weird Fiction and the Substance of Horror, 1880-1927. (PhD thesis for &hellip;<\/p>\n<p><a href=\"https:\/\/jurn.link\/tentaclii\/index.php\/2014\/05\/30\/added-to-open-lovecraft-5\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24],"tags":[],"class_list":["post-10619","post","type-post","status-publish","format-standard","hentry","category-scholarly-works"],"_links":{"self":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts\/10619","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/comments?post=10619"}],"version-history":[{"count":0,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts\/10619\/revisions"}],"wp:attachment":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/media?parent=10619"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/categories?post=10619"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/tags?post=10619"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}