{"id":10071,"date":"2014-02-07T00:33:08","date_gmt":"2014-02-06T21:33:08","guid":{"rendered":"http:\/\/tentaclii.wordpress.com\/?p=10071"},"modified":"2014-02-07T00:33:08","modified_gmt":"2014-02-06T21:33:08","slug":"more-open-lovecraft-23","status":"publish","type":"post","link":"https:\/\/jurn.link\/tentaclii\/index.php\/2014\/02\/07\/more-open-lovecraft-23\/","title":{"rendered":"More Open Lovecraft"},"content":{"rendered":"<p>* Nicholas Mazzuca (2009), <a href=\"http:\/\/tigerprints.clemson.edu\/all_theses\/564\/\">The Dreamer Deepe: A Two-Act Play in the Lovecraft Horror Mythos<\/a> (Stage play submitted in place of a formal Masters disseration, Clemson University)<\/p>\n<p>* Kurt Fawver (2013) <a href=\"http:\/\/scholarcommons.usf.edu\/etd\/4482\/\">The Terror of Possibility: A Re-evaluation and Reconception of the Sublime Aesthetic<\/a> (PhD thesis, University of South Florida.  Appears to touch on Lovecraft from time to time, throughout)<\/p>\n<p>* Ryan P. Kennedy (2012), <a href=\"http:\/\/digitalcommons.uconn.edu\/srhonors_theses\/252\/\">Evolution of Effect: The Numinous in Gothic and Post-Gothic Ghost Experience Literature<\/a>.  (Undergraduate dissertation, a short section discusses the theme in H.P. Lovecraft&#8217;s short stories)<\/p>\n<p>* Xavier Gamboa (2012), <a href=\"http:\/\/ir.lib.uwo.ca\/etd\/633\/\">Baroque Worlds of the 21st Century<\/a> (PhD thesis, &#8220;an analysis of the unfolding twenty-first century neobaroque phenomenon&#8221;.  Not on Lovecraft <em>per se<\/em>, but seems to have been inspired by Patric MacCormack&#8217;s 2007 essay &#8220;Baroque Intensity: Lovecraft, Le Fanu, and the Fold&#8221; and other writing on the neobaroque)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>* Nicholas Mazzuca (2009), The Dreamer Deepe: A Two-Act Play in the Lovecraft Horror Mythos (Stage play submitted in place &hellip;<\/p>\n<p><a href=\"https:\/\/jurn.link\/tentaclii\/index.php\/2014\/02\/07\/more-open-lovecraft-23\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,24],"tags":[],"class_list":["post-10071","post","type-post","status-publish","format-standard","hentry","category-lovecraftian-arts","category-scholarly-works"],"_links":{"self":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts\/10071","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/comments?post=10071"}],"version-history":[{"count":0,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/posts\/10071\/revisions"}],"wp:attachment":[{"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/media?parent=10071"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/categories?post=10071"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jurn.link\/tentaclii\/index.php\/wp-json\/wp\/v2\/tags?post=10071"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}