Full-text -linked articles and papers listed on RePEc IDEAS (the clearing house and index for economics papers), as of 3rd May 2012, those covering: the creative industries; the creative economy; and the economy of the arts and of artists. Listed here so that the titles can at least be indexed by JURN…<\/p>\n
A Composite Index of the Creative Economy<\/a> Full-text -linked articles and papers listed on RePEc IDEAS (the clearing house and index for economics papers), as of 3rd …<\/p>\n
\nA Model for Pricing the Italian Contemporary Art Paintings at Auction<\/a>
\nA Portrait of the Artists as Young or Old Innovators<\/a>
\nA Review of the Arts of Supply Response Analysis<\/a>
\nA Study of the Choreographer \/ Composer Collaboration<\/a>
\nAccounting for Taste: An Examination of Socioeconomic Gradients<\/a>
\nAcoustic Projection and the Politics of Sound<\/a>
\nAn Economic History of American Art Museums<\/a>
\nAnalyzing Artistic Innovation: The Greatest Breakthroughs of the<\/a>
\nAnchoring Effects: Evidence from Art Auctions<\/a>
\nArt Auctions<\/a>
\nArt Collections as a Strategy Tool: a Typology based on the Belgian<\/a>
\nArt economics: a new approach<\/a>
\nArt Fakes — What Fakes? An Economic View<\/a>
\nArt in Context: Aesthetics, Environment and Function in the Arts of<\/a>
\nArt Museums in the United States: A Financial Portrait<\/a>
\nArt, Culture, and New York City<\/a>
\nArtistic Autonomy in Soviet Cinematography<\/a>
\nAuction Prices of Classical Music Manuscripts<\/a>
\nAwards, Success and Aesthetic Quality in the Arts<\/a>
\nBatik Industry Of Indonesia: The Rise, Fall And Prospects<\/a>
\nBeggar-thy-neighbor in Art Consumption<\/a>
\nBenchmarking and understanding London’s Cultural and Creative<\/a>
\nBerlin als Standort der Kreativwirtschaft immer bedeutender<\/a>
\nBetter off Dead? Prices Realised for Australian Paintings Sold at<\/a>
\nBeyond the Dogma of the Fixed Book Price Agreement<\/a>
\nBookshop, blockbusters and readers’ tastes: a new appraisal of the<\/a>
\nBringing History into Evolutionary Economic Geography for a Better<\/a>
\nBuying Beauty: On Prices and Returns in the Art Market<\/a>
\nChildren Reading Fiction Books Because They Want To<\/a>
\nCommunity as a locus of innovation: co-innovation with users in the<\/a>
\nConnecticut: A State of the Arts?<\/a>
\nConstructing regional advantage: Platform policies based on related <\/a>
\nContingent Valuation Studies in the Arts and Culture: An Annotated<\/a>
\nCorporate Donations to the Arts: Philanthropy or Advertising?<\/a>
\nCreative and knowledge economies and their linkages with other<\/a>
\nCreative clusters in Europe: a microdata approach<\/a>
\nCreative Clusters in Low Density Areas: A Case-Study Approach<\/a>
\nCreative Economy: Determinants And Stakes Of Creativity And<\/a>
\nCreative Industries, New Business Formation and Regional<\/a>
\nCreative Industry Clusters and the ‘Entrepreneurial City’ of Shanghai<\/a>
\nCreative-based strategies in small and medium-sized cities: some<\/a>
\nCreativity and Industrial Cities: A Case Study of Baltimore<\/a>
\nCreativity in the Age of the Internet<\/a>
\nCreativity, Culture And Tourism Triangle; An Evaluation Of Two<\/a>
\nCredit default swaps and an application to the art market: a proposal<\/a>
\nCross-listing in the U.S. and domestic investor protection<\/a>
\nCultural districts, property rights, and sustainable economic growth<\/a>
\nCultural Policies in Europe.From a State to a City-Centered<\/a>
\nCulture, Conflict and Community: Rituals of Protest or Flairs of<\/a>
\nDealers in Art<\/a>
\nDecreasing Copyright Enforcement Costs: The Scope of a Gradual<\/a>
\nDemand Distribution Dynamics in Creative Industries: the Market for<\/a>
\nDemographischer Wandel Und Kulturelle Infrastruktur<\/a>
\nDetermining Heterogeneous Behaviour for Theater Participation<\/a>
\nDie Performance deutscher Kinofilme und zeitgenoessischer<\/a>
\nDo creative industries cluster? Mapping Creative Local Production <\/a>
\nDo U.S. Paintings Follow the CAPM? Findings Disaggregated by<\/a>
\nDynamic cities and creative clusters<\/a>
\nDynamic Model of Arts Labor Supply<\/a>
\nEconometric analysis of volatile art markets<\/a>
\nEconomic Contribution Of Copyright-Based Industries And Impact<\/a>
\nEconomic Development, Enlightenment and Creative transformation<\/a>
\nEconomic revitalization through the arts: the creative economy<\/a>
\nEmpreendedorismo nas Artes ou Artes do Empreendedorismo?<\/a>
\nEntrepreneurial Finance and the Flat-World Hypothesis: Evidence<\/a>
\nEntrepreneurship in a modern network economy<\/a>
\nEstimation of hedonistic price function for Claude Monet’s pictures<\/a>
\nExpanse Creative Economy and its Impact on the Less Developed<\/a>
\nExplaining The Breadth Of Expert Estimate Ranges In Auctions Of<\/a>
\nExploring The Conceptual Underpinnings Of The Creative Industries<\/a>
\nEx-Post: The Investment Performance of Collectible Stamps<\/a>
\nFailure to Meet the Reserve Price: The Impact on Returns to Art<\/a>
\nForecasting accuracy of behavioural models for participation in the arts<\/a>
\nFrom creativity to innovativeness: micro evidence from Italy<\/a>
\nFrom Talent to Creative City: Towards a conceptual framework<\/a>
\nFrom the Dual Apprenticeship System to a Dual Labor Market? The<\/a>
\nFrom the New Wave to the New Hollywood: The Life Cycles of<\/a>
\nGlobal-local linkages, Spillovers and Cultural Clusters: Theoretical<\/a>
\nGovernance and Creativity on Urban Regeneration Processes<\/a>
\nGovernment Policy Toward Art Museums in the United States<\/a>
\nHow can we deal with the contemporary places and spaces of new<\/a>
\nHow the Arts Impact Communities: An introduction to the literature<\/a>
\nIncomplete Information and Experimentation in the Arts<\/a>
\nIncreasing Returns to Information in the U.S. Popular Music Industry<\/a>
\nInformation externality in the arts and the public intervention<\/a>
\nInnovative Retail and the UK Growth Agenda<\/a>
\nRegional Development — human capital, the creative class and tolerance<\/a>
\nInvestments in Painting: The interaction of monetary return and<\/a>
\nKreative in Berlin: eine Untersuchung zum Thema<\/a>
\nLondon: a Cultural Audit<\/a>
\nMajor influences on circus attendance<\/a>
\nMaking world heritage truly global: the culture certificate scheme<\/a>
\nMark Blaug and the Economics of the Arts<\/a>
\nMarketing and technology sophistication as hidden weapons for<\/a>
\nMethodological approaches for measuring the creative employment<\/a>
\nMethodological framework for cluster analyses<\/a>
\nMobilising rural communities to achieve environmental sustainability<\/a>
\nMoral Rights Protection for the Visual Arts<\/a>
\nMultiple job holding: the artist’s labor supply approach<\/a>
\nMusic Piracy and Its Effects on Demand, Supply, and Welfare<\/a>
\nMusic Scenes to Music Clusters – the economic geography of music<\/a>
\nNetwork governance work: evidence from the video game industry<\/a>
\nNetworks of knowledge and support. Mapping relations between<\/a>
\nNonprofit Organizations and the Intersectoral Division of Labor in the<\/a>
\nPaintings and Numbers: An Econometric Investigation of Sales<\/a>
\nPublic Attitudes Towards Cultural Authority and Cultural Diversity in<\/a>
\nQuality Investment and Price Formation in the Performing Arts Sector<\/a>
\nRe-Creating New Orleans: Driving Development Through Creativity<\/a>
\nRegional Development in the Creative Age<\/a>
\nReputation, Price, and Death: An Empirical Analysis of Art Price<\/a>
\nResearch and Development in Culture: A Case for Cross Subsidies<\/a>
\nResources for Studying Public Participation in the Arts: Inventory<\/a>
\nRethinking the Spatial Organization of Creative Industries<\/a>
\nSale Rates and Price Movements in Art Auctions<\/a>
\nSample Selection Bias and Time Instability of Hedonic Art Price<\/a>
\nSpatial Concentration of Creative Industries in Los Angeles<\/a>
\nStealing History: How does Provenance Affect the Price of Antiquities?<\/a>
\nStudies of Artists: An Annotated Directory<\/a>
\nTax Policy Toward Art Museums<\/a>
\nTesting for Reference Dependence: An Application to the Art Market<\/a>
\nThat’s Entertainment – scale and scope economies in the location<\/a>
\nThe 1980s Price Bubble on (Post) Impressionism<\/a>
\nThe Contribution of Cultural Infrastructure and Events to regional<\/a>
\nThe Creative Class and Regional Growth: Towards a Knowledge<\/a>
\nThe Creative Economy and the dynamics of regional systems<\/a>
\nThe Creative Economy in Iowa<\/a>
\nThe Creative Industrial Park: formation path and evolution mechanism<\/a>
\nThe Cultural and Creative Industries: A Critical History<\/a>
\nThe Cultural Economy of Paris<\/a>
\nThe Demand for the Arts<\/a>
\nThe Demand for Theatre. A Microeconomic Approach to the Italian<\/a>
\nThe Dynamics of Interfirm Networks along the Industry Life Cycle<\/a>
\nThe Economics of Latin American Art: Creativity Patterns and Rates<\/a>
\nThe Economics of Museums<\/a>
\nThe effects of gallery and artist reputation on prices in the primary<\/a>
\nThe Effects of Workforce Creativity on Earnings in U.S. Counties<\/a>
\nThe Emergence of Rural Artistic Havens: A First Look<\/a>
\nThe empirical test of the Aesthetic Matrix of Art Economics: the Magic Flute<\/a>
\nThe Fine Arts Market: The Methodological Limitations of Art<\/a>
\nThe Formation and Regeneration of Old Industrial Zones in Nanjing<\/a>
\nThe Iconic Boom in Modern Russian Art<\/a>
\nThe Impact Of Cultural-Creative Industries On The Economic Growth<\/a>
\nThe Importance of Creative Industry Agglomerations in Explaining<\/a>
\nThe Internalization of Advertising Services: An Inter-Industry Analysis<\/a>
\nThe International Mobility of Talent and its Impact on Global<\/a>
\nThe Internet Marketing Solution Toward Creative Industries in<\/a>
\nThe Labor Market in the Seventeenth-Century Italian Art Sector<\/a>
\nThe Law, Culture, and Economics of Fashion<\/a>
\nThe Making of Cultural Policy: A European Perspective<\/a>
\nThe Management of Events in the Veneto Performing Music Cluster<\/a>
\nThe Media Gatekeeping Model Updated<\/a>
\nThe Missing Middle: Communities of Practice in a Freelance Labour<\/a>
\nThe Political Economy of Cultural Spending: Evidence from Italian<\/a>
\nThe Price of Degenerate Art<\/a>
\nThe Resource Curse: A Corporate Transparency Channel<\/a>
\nThe Role of Creative Industries in Industrial Innovation<\/a>
\nThe role of creative industries in regional development of East Asian<\/a>
\nThe Sales Effect of Word of Mouth: A Model for Creative Goods and<\/a>
\nThe Smuggling of Art, and the Art of Smuggling: Uncovering the Illicit<\/a>
\nThe Value of Autonomy: Evidence from the Self-Employed in 23<\/a>
\nThe Web’s Promotional Effect and Artists’ Strategies<\/a>
\nTribal Art Market: Signs and Signals<\/a>
\nUnderstanding Production in the Performing Arts: A Production<\/a>
\nUnfamiliar Objects in Familiar Spaces: The Public Response to Art<\/a>
\nUrban Development & Creative Communities As A Prerequisite For<\/a>
\nWar, Inflation, Monetary Reforms and the Art Market: The Belgian Art<\/a>
\nWhat determines the World Heritage List? An econometric analysis<\/a>
\nWhy do creative industries cluster? An analysis of the determinants<\/a>
\nWorld Heritage List: does it make sense?<\/a>
\nWorld Heritage: Where are we? An empirical analysis<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"