{"id":6447,"date":"2011-03-04T11:18:21","date_gmt":"2011-03-04T11:18:21","guid":{"rendered":"http:\/\/jurnsearch.wordpress.com\/?p=6447"},"modified":"2011-03-04T11:18:21","modified_gmt":"2011-03-04T11:18:21","slug":"rsa-journal-article-contents","status":"publish","type":"post","link":"https:\/\/jurn.link\/jurnsearch\/index.php\/2011\/03\/04\/rsa-journal-article-contents\/","title":{"rendered":"RSA Journal – article contents"},"content":{"rendered":"

The RSA Journal<\/a>‘s article contents, linked with titles. The articles are hidden behind some drop-down search boxes, and thus Google doesn’t seem to ‘see’ them. They do now…<\/p>\n

The Coquette or the Ambiguities. On the Fiction and the Reality of Independence in the New Republic<\/a><\/span>
\nSilence – A Fable di Edgar Allan Poe: la lotta fra scrittura del visibile e scrittura dell’udibile<\/a><\/span>
\nDaisy Miller e il discorso dell’ideologia<\/a><\/span>
\nThe Drunken Scheherazade: Self-Reflection in Jack London’s The Road, Martin Eden and John Barleycorn<\/a><\/span>
\nIl tempo in una stanza. Bid Me to Live di H.D.<\/a><\/span>
\nUn’altra “imitation” di Robert Lowell<\/a><\/span>
\nIntroduction to “Trolley Car Runs” by Henry Roth<\/a><\/span>
\nL’inedito: “Trolley Car Runs”<\/a><\/span>
\nTrasformazione o scomparsa del “sistema della piantagione” nel sud postbellico: recenti interpretazioni della storiografia americana<\/a><\/span>
\nInesprimere l’esprimibile: tre romanzi americani del 1925<\/a><\/span>
\nAnne Sexton: The Scene of the Disordered Senses<\/a><\/span>
\nWendy Rose: le parole dell’assenza<\/a><\/span>
\nTillie Olsen. An interview with Mario Materassi<\/a><\/span>
\nIntroduction to “Bartok in Udaipur” by Nathaniel Tarn<\/a><\/span>
\nL’inedito: “Bartok in Udaipur”<\/a><\/span>
\nMyth and Carnival in Robert Coover’s The Public Burning<\/a><\/span>
\nA Poetry Reading in Genoa. Edited by Massimo Bacigalupo<\/a><\/span>
\nLeo Romero: un poeta dalla parte della luna<\/a><\/span>
\nTransactions in a Native Land: Mixed-blood Identity and Indian Legacy in Louise Erdrich’s Writing<\/a><\/span>
\nThe Search for Origins through Storytelling in Native American Literature: Momaday, Silko, Erdrich<\/a><\/span>
\n‘Please Use Other Door: Literary Creativity and the Publishing Industry. A Round Table with R. Boyers, R. Kalechofsky, G. Lish, M. Materassi, H. Nissenson, C. Ozick and E. Sifton<\/a><\/span>
\nIntroduction to “Myra Is Dying” by Roberta Kalechofsky<\/a><\/span>
\nL’inedito: “Myra Is Dying”<\/a><\/span>
\nBartok in Udaipur<\/a><\/span>
\nThe American Frontier and the Initiation Rite to a National Literature. The Example of Edgar Huntly by Charles Brockden Brown<\/a><\/span>
\nEconomy of Logic: The Emergence of Monetary Form in Anglo-American Pragmatist and Idealist Discourse<\/a><\/span>
\nJames Merrill: A Postmodern Poet? Yes & No (With a New Poem by James Merrill)<\/a><\/span>
\nLe Sacred Waters di Leslie Marmon Silko<\/a><\/span>
\nRudolfo A. Anaya. “The Cutting Edge of the Struggle.” An Interview with Mario Materassi<\/a><\/span>
\nIntroduction to “Message from the Inca” by Rudolfo A. Anaya<\/a><\/span>
\nL’inedito: “Message from the Inca”<\/a><\/span>
\nWomen, Portraits, and Painters: “The Madonna of the Future” and “The Sweetheart of M. Briseux”<\/a><\/span>
\nA Caravan of Gypsies: James, Sargent, and the American Symptom<\/a><\/span>
\nA Backward Glance over Travelled Roads: Edith Wharton and Expatriation<\/a><\/span>
\nA Reversal of Perspective: The Mother’s Voice in Edith Wharton’s The Mother’s Recompense<\/a><\/span>
\nThe Anxiety of Discovery: The Italian Interest in Native American Studies<\/a><\/span>
\nSacvan Bercovitch. Cross Cultural Adventures. An Interview with Giuseppe Nori<\/a><\/span>
\nIntroduction to “Willow Sheridan Rode Voltaire” by Coleman Dowell<\/a><\/span>
\nWillow Sheridan Rode Voltaire<\/a><\/span>
\nFrom Light in August to Luce d’agosto. Elio Vittorini’s literary Offences<\/a><\/span>
\nJohn Barth’s Once Upon a Time: Fiction or Autobiography?<\/a><\/span>
\nHenry David Thoreau’s De-Genera Description<\/a><\/span>
\nThe Image of the Revolution in Abolitionist Patriotism<\/a><\/span>
\nPower and Submission: Gender Roles in William Byrd’s Secret Diary<\/a><\/span>
\nIntroduction to “Ghost Town” by Robert Coover<\/a><\/span>
\nL’inedito: “Ghost town”<\/a><\/span>
\nThe Vanishing of Indian Princesses, or The Sentimental Transformation of the Pocahontas Myth<\/a><\/span>
\nThe Figure in the Carpet as an Allegory of Reading<\/a><\/span>
\nThree Aesthetes in Profile: Gilbert Osmond, Mark Ambient, and Gabriel Nash<\/a><\/span>
\nI wish he would explain his explanation: Authorial Explication in Wallace Stevens and Exra Pound<\/a><\/span>
\nEnding the Yarn<\/a><\/span>
\nIntroduction to “Letter from Mary Antin to Mary Austin”<\/a><\/span>
\nL’inedito: Letter from Mary Antin to Mary Austin<\/a><\/span>
\n‘The Soul was in its Glory’: Southern Ladies Remember Plantation Life<\/a><\/span>
\n‘The Seed Corn of a Nation.’ Military Draft and Crop Reduction in Georgia during World War I<\/a><\/span>
\n‘Can’t you talk without pointing that thing?’ Faulkner, Chandler and The Big Sleep<\/a><\/span>
\nThe Question of Racial Identity in William Faulkner’s “Ad Astra”<\/a><\/span>
\nThe Contagious Fever of the Jungle: Primitivism in Claude McKay’s Home to Harlem<\/a><\/span>
\nIntroduction to Six poems with an Essay by Margaret Atwood<\/a><\/span>
\nSix Poems with an Essay<\/a><\/span>
\nReview of: Werner Sollors, Neither Black nor White Yet Both. New York, OUP, 1997<\/a><\/span>
\nReview of: Lothar Honnighausen, Faulkner: Masks and Metaphors. Jackson, UP of Mississippi, 1997<\/a><\/span>
\n1898: History and Memory. A lecture at the AISNA annual meeting<\/a><\/span>
\nF. Scott Fitzgerald and Rome<\/a><\/span>
\nThe Illusion of Myth: Hollywood in The Love of the Last Tycoon: A Western<\/a><\/span>
\nFantasies and Fools: Allegory in the Tales of F. Scott Fitzgerald<\/a><\/span>
\nTwo Gatsbys: Translation Theory as an Aid to Understanding<\/a><\/span>
\nWomen’s education and the flourishing of the arts in eighteenth-century America<\/a><\/span>
\nYfrem’s Eye (introduction by Mario Materassi)<\/a><\/span>
\nThe Fostered Imagination: Henry James’s A Small Boy and Others<\/a><\/span>
\nItaly in Hemingway’s Forty-Nine Stories with Index<\/a><\/span>
\nPower and Poetry: Kenneth Patchen’s Critique of Classicism<\/a><\/span>
\nSouthern Progressivism in Historical Perspective: the 1890s and the 1990s<\/a><\/span>
\nDialogue with Joy Harjo<\/a><\/span>
\nAn American Jeremiah in Rome. A Study of Margaret Fuller’s Tribune Dispatches<\/a><\/span>
\nIntroduction to Poems by Dennis Lee<\/a><\/span>
\nPoems<\/a><\/span>
\nClaude McKay’s Banana Bottom: a Fictional Return to Jamaica<\/a><\/span>
\nDorothy Parker and Italian Women’s Magazines<\/a><\/span>
\nMarianne Moore’s “Granite and Steel”: a Late Perspective on New York City<\/a><\/span>
\nFaulkner’s War Birds \/ A Ghost Story: a Screenplay and its Relationship with Faulkner’s Fiction<\/a><\/span>
\nIntroduction to Poems by Philip Levine<\/a><\/span>
\nL’inedito: Poems<\/a><\/span>
\nFrom Glory to Destruction: John Huston’s Non-fictional Depictions of War<\/a><\/span>
\nLandscapes of Destruction: Reading Kurt Vonnegut’s Breakfast of Champions with an Eye to Walt Whitman<\/a><\/span>
\nThe Great National Disaster: The Destruction of Imperial America in Philip K. Dick’s The Simulacra<\/a><\/span>
\nThe Destruction of Happiness in American Cinema in the 1990s: Altman, Anderson, Solondz<\/a><\/span>
\nPresent at the Destruction? George Bush, the Neocons and the Traditions of U.S. Foreign Policy<\/a><\/span>
\nIntroduction to a passage from ‘No Pleasant Memories’ by Romaine Brooks<\/a><\/span>
\nL’inedito: from ‘No Pleasant Memories’<\/a><\/span>
\nNarration, Figuration and Disfiguration in Toni Morrison’s Beloved and Jazz<\/a><\/span>
\nWalking Walls: Figures of the Limit, Figures of the Border<\/a><\/span>
\nAn Interview with Agostino Lombardo<\/a><\/span>
\nGone to Kansas: A Reading of Dickinson’s L182<\/a><\/span>
\nSonnet vs. Sonnet: The Fourteen Lines in African-American Poetry<\/a><\/span>
\nEmpty Silences: T.S. Eliot and Eugenio Montale<\/a><\/span>
\nTaking the Potomac Cowbirdlike: History Through Space in Marianne Moore<\/a><\/span>
\nStill Life with a Machine: E.E. Cummings’s Typewriter Poems<\/a><\/span>
\nLiving Outside the Blast: Andrew Hudgins’s After the Lost War<\/a><\/span>
\nUnpublished text: New Poems (introduced by Massimo Bacigalupo)<\/a><\/span>
\nPolitics as Commodity From Eisenhower to Bush Jr.: Half a Century of Commercial Communication and Election Campaigns in the United States<\/a><\/span>
\nNotes on\/in Paul Auster’s Oracle Night<\/a><\/span>
\nTaking the “Organic” View: the Vertical\/Horizontal Crux in Henry James’s The American Scene<\/a><\/span>
\nHenry James and Vittor Carpaccio: The Horizontal and Vertical in Art<\/a><\/span>
\nCrossing the Voice, Crisscrossing the Text: Writing at the Intersection of Prose and Poetry in Sylvia Plath’s “Sunday at the MIntons'”<\/a><\/span>
\nHorizontal and Vertical Themes in Joan Didion’s Memoir Where I Was From<\/a><\/span>
\nWriting the Land: Horizontality, Verticality, and Deep Travel in William Least Heat-Moon’s PrairyErth<\/a><\/span>
\nAfter The 25th hour: Perspectives on David Benioff’s Novel<\/a><\/span>
\nNew Poems<\/a><\/span>
\nA Note on Mary Jo Salter’s America<\/a><\/span>
\nThe Rise and Fall of Womanhood: Ideal and Reality in Women’s Status and Experience in Colonial Low Country<\/a><\/span>
\nA Nation with the Soul of a Church? The Strange Career of Religion in America: A View From Europe<\/a><\/span>
\nKatrina and the Destruction of New Orleans<\/a><\/span>
\nA People \u201cAlmost Chosen\u201d by God: Understanding Abraham Lincoln in Post-Secular Italy<\/a><\/span>
\nThe Political Dimension of Evangelical Fundamentalism in the USA<\/a><\/span>
\nRelics of the Secular<\/a><\/span>
\nIslam as the New Frontier: America at Work in the World<\/a><\/span>
\nThe Supreme Court and the Religion Clauses of the First Amendment: Trials and Tribulations in Constitutional Interpretation<\/a><\/span>
\nMichael Cunningham, Specimen Days<\/a><\/span>
\n\u201cLike the Strands of a Rebozo\u201d: Sandra Cisneros, Caramelo and Chicano Identity<\/a><\/span>
\nThis Stalin Frankenstein System: Adoption and Abrogation of Proportional Representation in New York City, 1936-1947<\/a><\/span>
\nPoems – Introduced by Alessandro Clericuzio<\/a><\/span>
\nPursuits of Happiness: A Tentative Map<\/a><\/span>
\nAmerican Studies Without Tears<\/a><\/span>
\nOutside American Studies: On the Unhappy Pursuits of Non-Complicity<\/a><\/span>
\nForum Sacvan Bercovitch. Literary Historian and Theorist<\/a><\/span>
\n\u201cChief Seattle\u201d versus Sherman Alexie: How Useful is Ecocriticism When We Read American Indian Literature?<\/a><\/span>
\nThe Reception of Cooper\u2019s The Bravo<\/a><\/span>
\nRepression in the Early Republic: John Adams, the Alien and Sedition Acts, and the Politics of Exclusion<\/a><\/span>
\nKathleen Fraser\u2019s Extraordinary Experiences of the Ordinary<\/a><\/span>
\nIl Gatto dell\u2019Etna* An Italian Story<\/a><\/span>
\nBarbara Kreiger and the Nature of Here<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

The RSA Journal‘s article contents, linked with titles. The articles are hidden behind some drop-down search boxes, and thus Google …<\/p>\n

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