Added to the JURN index:—<\/p>\n
South African Journal of Art History<\/a> (Full-text from 1996-2009. All article record links in the TOCs are broken. The full-text is discoverable by Google, but is stored in an undifferentiated manner in the midst of a massive repository. Thankfully, the full-text PDF articles from 2003-2009 all contain a text fragment in common — this means that their titles\/URLs can be found and grabbed from a Google Search, and indexed in JURN via this blog post…)<\/p>\n Architecture as consumer space<\/a><\/span> Added to the JURN index:— South African Journal of Art History (Full-text from 1996-2009. All article record links in the …<\/p>\n
\nComplexities of migration: picaresque drawing<\/a><\/span>
\nThe indigenous rondavel: a case for conservation<\/a><\/span>
\nA legacy of rondavels and rondavel houses in the northern interior …<\/a><\/span>
\nEmpathy as perception in downtown Los …<\/a><\/span>
\nThe bold, the beautiful, and the ugly: reflections occasioned by a …<\/a><\/span>
\nMeetings with Others: …<\/a><\/span>
\nRelational provisionality: drawing as spatio-temporal critique<\/a><\/span>
\nNihilism in Japanese Anime<\/a><\/span>
\nRural potters in the Eastern Cape, South Africa: what next?<\/a><\/span>
\nAnton van Wouw’s sculptures on buildings in …<\/a><\/span>
\nFlatness and immersion in Mariko Mori’s Pureland: the possibility …<\/a><\/span>
\nMonumental complexity: searching for the meaning of a selection of …<\/a><\/span>
\nThe sublime turmoil in recent paintings by Philip Badenhorst<\/a><\/span>
\nPast imperfect: future tense. The response of art in a time of crisis<\/a><\/span>
\n‘Sketching the Khoikhoi’: George French Angas and his depiction of …<\/a><\/span>
\nSouth African heritage places: expanding current interpretation …<\/a><\/span>
\nNature and design: thoughts on sources and subjects<\/a><\/span>
\nCombat scenes in classical Greek art as “beautiful objects”: the …<\/a><\/span>
\nArchitecture and the othe[r]eal<\/a><\/span>
\nThe (extra)ordinary (con)texts of beauty and be-ing<\/a><\/span>
\nComparing altars and agendas …<\/a><\/span>
\nDisfigured Ground: Architectural space …<\/a><\/span>
\nExtra-ordinary cinema<\/a><\/span>
\nThe influence of the dominance of cultures …<\/a><\/span>
\nArchitecture: a self referential sign or a way of thought? …<\/a><\/span>
\nLanga Township in the 1920s \u2013 an (extra)ordinary Garden Suburb<\/a><\/span>
\nTackling art\/craft nomenclature, again, with particular reference …<\/a><\/span>
\nEl Greco’s use of hidden geometry: an analysis of the concealed …<\/a><\/span>
\nEight lessons from karesansui<\/a><\/span>
\nLooking at first-millennium agriculturist ceramic sculpture of the …<\/a><\/span>
\nCriteria for spatial definition: architectural and urban interiors …<\/a><\/span>
\nMoerdijk and the shadow of Baker<\/a><\/span>
\nAre illegal squatters ruralising the urban edge?<\/a><\/span>
\nRe-wilding or hyperwilderness – plus ca change?<\/a><\/span>
\nWhere is ‘utopia’ now: an exploration of contemporary Dutch …<\/a><\/span>
\nJean Sibelius and his “monument” …<\/a><\/span>
\nMedieval perception of space and place<\/a><\/span>
\nGreek sacred architecture of the classical period follows a …<\/a><\/span>
\nMindscape: exploring living space in the …<\/a><\/span>
\nThe intricacy of intangible cultural heritage: some perspectives …<\/a><\/span>
\nThe sublime can be ridiculous: ugly …<\/a><\/span>
\nThe corbelled stone structures of Glenfield Farm, Salem …<\/a><\/span>
\nMondrian’s abstraction: chrysalis or colony? A psychoanalytic and …<\/a><\/span>
\nSpace as ritual: contesting the fixed interpretation of space in …<\/a><\/span>
\nWhat remains: photographs, the corpse, and empty places<\/a><\/span>
\n“Alcohol and Art”: Charles Davidson Bell and his caricatured …<\/a><\/span>
\nWomen’s ‘nature’ and architectural design …<\/a><\/span>
\nDesign, art and the notion of empathy …<\/a><\/span>
\nRadical democracy, discursive ‘groundlessness’ – Cultural …<\/a><\/span>
\nMnesikles: the second architect on the …<\/a><\/span>
\nThe greening of art: ecology, community and the public domain …<\/a><\/span>
\nA comment on ‘Servant pouring milk’ (Milkmaid) by Jan Vermeer …<\/a><\/span>
\nNarrative shifts in architecture …<\/a><\/span>
\nIn search of architecture in virtual …<\/a><\/span>
\nTechnological practice, relational being, non …<\/a><\/span>
\nNek Chand’s Rock Garden and Le Corbusier in Chandigarh …<\/a><\/span>
\nSituating the postmodern: the delay of the architectural avant …<\/a><\/span>
\nBeauty and the beast: art and its passion for the beautiful, the …<\/a><\/span>
\nEast – West South – North: the villancico as carrier of visual …<\/a><\/span>
\nEcological ‘art’ and the transformation of the world …<\/a><\/span>
\nPassionate living and truth-telling techne …<\/a><\/span>
\nThe dimensions of space in the urban environment: three …<\/a><\/span>
\nVictorian domestic interiors as subliminal space …<\/a><\/span>
\nMemorialising the Freedom Charter: contested imaginations for the …<\/a><\/span>
\nDistilling an image of nature from Japanese Zen gardens …<\/a><\/span>
\nOne does not have to go far away – Modernism, public space and …<\/a><\/span>
\nDie Bybel in die skilderkuns van Vincent …<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"